Richard Stamp is Lecturer in Cultural Studies and Film & Screen Studies at Bath Spa University, UK. Paul Bowman teaches Cultural Studies at Cardiff University, UK. He is author of Post-Marxism versus Cultural Studies (Edinburgh UP, 2007), Deconstructing Popular Culture (Palgrave, 2008) and Theorizing Bruce Lee (Rodopi, 2009).

"Jacques Rancière's ongoing provocations have sharpened our engagements with the relations between politics and aesthetics in ways that merit serious attention. Reading Rancière delivers the goods - a rounded and balanced collection which critically probes Rancière's work from many different perspectives. If you read Rancière, read this too." - Tony Bennett, University of Western Sydney, Australia

• Editors' Introduction Paul Bowman and Richard Stamp; 1. Fidelity to the Disagreement: Jacques Ranciere and Politics Benjamin Arditi; 2. Democracy and the 'Police' Sam Chambers; 3. The Freedom of Capture: Artwork - Trap - Equality Rey Chow and Julian Rohrhuber; 4. Politics Without Politics Jodi Dean; 5. Jacques Ranciere and the Orchestration of the Passions Ben Highmore; 6. Equal Sovereignty: Contemporary Art in the Regime of Democracy Suhail Malik and Andrea Phillips; 7. Between Autonomy and Heteronomy: Ranciere's Political Aesthetics as an Aesthetics of the Non-Political Oliver Marchart; 8. Police Reinforcement: Property, Conflict and the Political Complicity of Dissent Linsey McGoey; 9. Liberation Philosophy: Ranciere and Derrida Martin McQuillan; 10. Documenting the Real: Ranciere, Godard, Marker Nina Power; 11. Film, Fall, Fable: Ranciere, Rossellini, Flaubert, Haneke Mark Robson; 12. On the Shores of History Alex Thomson; 13. The Knowledge of Equality: A Plea for a Proletarian Science Alberto Toscano; Afterword Jacques Ranciere; Bibliography; Index.

Richard Stamp is Lecturer in Cultural Studies and Film & Screen Studies at Bath Spa University, UK. Paul Bowman teaches Cultural Studies at Cardiff University, UK. He is author of Post-Marxism versus Cultural Studies (Edinburgh UP, 2007), Deconstructing Popular Culture (Palgrave, 2008) and Theorizing Bruce Lee (Rodopi, 2009).

"Jacques Rancière's ongoing provocations have sharpened our engagements with the relations between politics and aesthetics in ways that merit serious attention. Reading Rancière delivers the goods - a rounded and balanced collection which critically probes Rancière's work from many different perspectives. If you read Rancière, read this too." - Tony Bennett, University of Western Sydney, Australia

• Editors' Introduction Paul Bowman and Richard Stamp; 1. Fidelity to the Disagreement: Jacques Ranciere and Politics Benjamin Arditi; 2. Democracy and the 'Police' Sam Chambers; 3. The Freedom of Capture: Artwork - Trap - Equality Rey Chow and Julian Rohrhuber; 4. Politics Without Politics Jodi Dean; 5. Jacques Ranciere and the Orchestration of the Passions Ben Highmore; 6. Equal Sovereignty: Contemporary Art in the Regime of Democracy Suhail Malik and Andrea Phillips; 7. Between Autonomy and Heteronomy: Ranciere's Political Aesthetics as an Aesthetics of the Non-Political Oliver Marchart; 8. Police Reinforcement: Property, Conflict and the Political Complicity of Dissent Linsey McGoey; 9. Liberation Philosophy: Ranciere and Derrida Martin McQuillan; 10. Documenting the Real: Ranciere, Godard, Marker Nina Power; 11. Film, Fall, Fable: Ranciere, Rossellini, Flaubert, Haneke Mark Robson; 12. On the Shores of History Alex Thomson; 13. The Knowledge of Equality: A Plea for a Proletarian Science Alberto Toscano; Afterword Jacques Ranciere; Bibliography; Index.

Richard Stamp is Lecturer in Cultural Studies and Film & Screen Studies at Bath Spa University, UK. Paul Bowman teaches Cultural Studies at Cardiff University, UK. He is author of Post-Marxism versus Cultural Studies (Edinburgh UP, 2007), Deconstructing Popular Culture (Palgrave, 2008) and Theorizing Bruce Lee (Rodopi, 2009).

"Jacques Rancière's ongoing provocations have sharpened our engagements with the relations between politics and aesthetics in ways that merit serious attention. Reading Rancière delivers the goods - a rounded and balanced collection which critically probes Rancière's work from many different perspectives. If you read Rancière, read this too." - Tony Bennett, University of Western Sydney, Australia

• Editors' Introduction Paul Bowman and Richard Stamp; 1. Fidelity to the Disagreement: Jacques Ranciere and Politics Benjamin Arditi; 2. Democracy and the 'Police' Sam Chambers; 3. The Freedom of Capture: Artwork - Trap - Equality Rey Chow and Julian Rohrhuber; 4. Politics Without Politics Jodi Dean; 5. Jacques Ranciere and the Orchestration of the Passions Ben Highmore; 6. Equal Sovereignty: Contemporary Art in the Regime of Democracy Suhail Malik and Andrea Phillips; 7. Between Autonomy and Heteronomy: Ranciere's Political Aesthetics as an Aesthetics of the Non-Political Oliver Marchart; 8. Police Reinforcement: Property, Conflict and the Political Complicity of Dissent Linsey McGoey; 9. Liberation Philosophy: Ranciere and Derrida Martin McQuillan; 10. Documenting the Real: Ranciere, Godard, Marker Nina Power; 11. Film, Fall, Fable: Ranciere, Rossellini, Flaubert, Haneke Mark Robson; 12. On the Shores of History Alex Thomson; 13. The Knowledge of Equality: A Plea for a Proletarian Science Alberto Toscano; Afterword Jacques Ranciere; Bibliography; Index.