Häftad, Engelska, 2012

Word Events

Perspectives on Verbal Notation

Av John Lely, James Saunders

613 kr

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Beskrivning

This is an outstanding collection of text scores from key composers and artists, as well as original essays and interviews offering guidance and lucid analysis. "Word Events" focuses on an approach to notation that uses the written word, as opposed to symbols, to convey information to whoever chooses to interpret the notation. Verbal notation is commonly used in experimental music, as well as related areas of arts practice involving performance or object making. Practitioners point to a number of reasons for using it: notation with written words is accessible to a wide range of people, including those who cannot read traditional Western stave notation; it can express temporal relationships between elements of a composition in a flexible way; it makes association with other writing contexts, such as poetry, prose, instructions, recipes, koans and aphorisms; it can express ideas with great precision; it can express generalities; it can determine many different types of relationships between the scorer and reader; and, it can express ideas and concepts as well as providing prescriptions for action.The aim of this book is to present a broad range of perspectives on how and why scorers use verbal notation.

Produktinformation

Utgivningsdatum: 2012-05-10
Mått: 178 x 254 x 24 mm
Vikt: 1 162 g
Format: Häftad
Språk: Engelska
Antal sidor: 488
Förlag: Continuum Publishing Corporation
ISBN: 9781441173102

Utforska kategorier

Musikvetenskap

Mer om författaren

John Lely is a composer and performer. James Saunders is a composer, and is Head of the Centre for Musical Research at Bath Spa University, UK. He is the editor of The Ashgate Research Companion to Experimental Music.

Recensioner i media

"Diverse models of scoring and text-based instructions have animated experiments in music, performance, visual art, dance and poetry for over fifty years. A crucial tool in the emergence of interdisciplinary art practices, verbal notation deftly cuts across genres and categories. Short event scores, long prose pieces and enigmatic statements potentially cue actions from swinging microphones to making a salad to playing a long sustained chord. Key decisions are left to performers, and realizations may be concrete and audible or simply generate a state of awareness. It is the ultimate open form. Combining scores, statements and short critical essays, Word Events brings together classic works with more recent projects that show the continued vitality of this practice. This is a collection we have needed for a long time." - Liz Kotz, Associate Professor of Art History, UC Riverside and author of, Words to Be Looked At: Language in 1960s Art

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