Aesthetic and Artistic Autonomy

Inbunden, Engelska, 2013

Del i serien Bloomsbury Studies in Philosophy

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Beskrivning

Whether art can be wholly autonomous has been repeatedly challenged in the modern history of aesthetics. In this collection of specially-commissioned chapters, a team of experts discuss the extent to which art can be explained purely in terms of aesthetic categories. Covering examples from Philosophy, Music and Art History and drawing on continental and analytic sources, this volume clarifies the relationship between artworks and extra-aesthetic considerations, including historic, cultural or economic factors. It presents a comprehensive overview of the questionof aesthetic autonomy, exploring its relevance to both philosophy and the comprehension of specific artworks themselves. By closely examining how the creation of artworks, and our judgements of these artworks, relate to society and history, Aesthetic and Artistic Autonomy provides an insightful and sustained discussion of a major question in aesthetic philosophy.

Produktinformation

Utgivningsdatum:2013-08-15
Mått:156 x 234 x 25 mm
Vikt:545 g
Format:Inbunden
Språk:Engelska
Serie:Bloomsbury Studies in Philosophy
Antal sidor:256
Förlag:Bloomsbury Publishing Plc
ISBN:9781441196521

Utforska kategorier

Filosofiska discipliner inom Filosofi och religion

Mer om författaren

Owen Hulatt is Teaching Fellow in the Department of Philosophy at the University of York, UK.

Recensioner i media

The notion of aesthetic autonomy has assumed a number of forms across the diverse and too often mutually oblivious traditions of philosophy. In bringing together a wide range of interpretations from some of the leading theorists in their respective fields Aesthetic and Artistic Autonomy provides an important and innovative overview of that notion. Thanks not least to the editor’s skilful introduction this volume makes a persuasive case for the indispensability of autonomy as a category of contemporary art theory.

Innehållsförteckning

Notes on Contributors \ Introduction Owen Hulatt \1. The Transcendental Economy of Aesthetic Experience Andy Hamilton & Richard Stopford \ 2. Aesthetic Autonomy and Artistic Heteronomy Robert Stecker \ 3.The Artwork and the Promesse du Bonheur in Adorno's Aesthetics Gordon Finlayson \ 4. Political Embeddedness and Artistic Autonomy: Jacques-Louis David as a Test Case Peter Lamarque \ 5.The Concept of Autonomy in the Visual Arts: A Conflict of Values Jason Gaiger \ 6. Indifferent to Intentions: The Autonomy of Artistic Meaning Paul Crowther \ 7. Aesthetic Autonomy and Identifying Non-Western Art Anneliese Monsere \ 8. Conclusion Casey Haskins \ Index