Marco Bellocchio

Clodagh J. Brook is associate professor and Head of Italian at Trinity College, Dublin.

• TABLE OF CONTENTSTable of ContentsNote on the TextAcknowledgements Chapter One. Auteur and AutobiograpyConstructing an Auteur Collaboration and ProductionThe Zigzagging PathBobbio and My Mother's Smile: Autobiography in Bellocchio's Cinema ConclusionChapter Two. Bellocchio's Political Cinema in the Sixties and SeventiesThe Problems of Impegno in the Era of PostmodernismThe Nature of Bellocchio's ImpegnoLa Cina è vicina, "Discutiamo, discutiamo", and Pre-Contestation ImpegnoThe Militant Documentaries, Nel nome del padre, Marcia trionfale: Contestation, Impegno, CollectivityConclusion Chapter Three. The Dreaming "I": Interiority and Massimo Fagioli's "Model" of the UnconsciousMassimo Fagioli and Group TherapyMassimo Fagioli's "Model" of the UnconsciousThe Calm Sea and Inner Child: Salto nel vuoto and Il sogno della farfallaSex, Women, and Irrationality: La visione del Sabba and La condannaScreening the "I": Styles of InteriorityThe Oneiric and States of HesitationSpace and the Unconscious, or the House as Psyche: Salto nel vuoto and Diavolo in corpoTemporality and the Unconscious: Enrico IV and the ChronotrapConclusionChapter Four. Bellocchio's Political Cinema from the Eighties to the PresentItalian Terrorism: Buongiorno, notteChapter Five. The Rebel "I": Patriarchy and ParentsThe Woman as Rebel: Politics and PatriarchyRebellion in the Name of the Father and Family: I pugni in tasca, Il Principe di Homburg, L'ora di religioneConclusionChapter Six. Tradition and its DiscontentsAdaptations and Citations: Pirandello, Manzoni, and the Overturning of the Father-TextConclusions. Private Cinema in a Public SphereBibliographyIndex