Companions to the History of Architecture, 4 Volume Set

Harry Francis Mallgrave, Hon FRIBA, is  Distinguished Professor Emeritus,  Illinois Institute of Technology. He is the author or editor of numerous books, including Architecture and Embodiment: The Implications of the New Sciences and Humanities for Design (2013). His books published with Wiley Blackwell include Architectural Theory: An Anthology from Vitruvius to 1870, Volume 1 (2005), Architectural Theory: An Anthology from 1871 to 2005, Volume 2 (edited with Christina Contandriopoulos, 2008), The Architect's Brain: Neuroscience, Creativity, and Architecture (2011), and An Introduction to Architectural Theory: 1968 to the Present (with David Goodman, 2011).Volume I: Renaissance and Baroque Architecture, Edited by Alina Payne, Harvard UniversityVolume II: Eighteenth-Century Architecture, Edited by Caroline van Eck, Cambridge University, and Sigrid de Jong, Leiden UniversityVolume III: Nineteenth-Century Architecture, Edited by Martin Bressani, McGill University, and Christina Contandriopoulos, Université du Québec à MontréalVolume IV: Twentieth-Century Architecture, Edited by David Leatherbarrow, University of Pennsylvania, and Alexander Eisenschmidt, University of Illinois at Chicago

• VOLUME IList of IllustrationsAbout the EditorsContributors to Volume IContents of The Companions to the History of ArchitectureIntroduction: Renaissance and Baroque ArchitectureAlina Payne xxvPart I The Building BlocksArchitecture and its Culture1. When did the Renaissance in Architecture Begin?: From Panofskian Mythography to Vasarian HistoryMarvin Trachtenberg2. Vitruvius and the Architectural Treatise in Early Modern EuropeTod A. Marder3. Architecture and Antique Sculpture in Early Modern RomeKathleen Christian4. What Drawings did in Renaissance ItalyCammy Brothers5. Materiality, Ornament, and Media Overlaps: Architecture Between Art and Building ScienceAlina Payne6. Theater and Architecture: Toward a Material History of Renaissance TheaterAlice Jarrard7. Architecture and the SciencesPamela O. Long8. Vaults and Domes: Statics as an ArtFederico BelliniCity, War, and Religion9. The Birth of the Modern CityClaudia Conforti10. The City at War and the Semantic Armament of Renaissance ArchitectureMarion Hilliges11. Taking Place: Architecture and Religious Devotion in Seventeenth-Century ItalyHelen Hills12. Jesuit Architecture Worldwide: A Culture of Corporate InventionEvonne LevyPart II Global Geographies and European InternationalismFrance, the Low Countries, and Britain13. Medici Queens as Patrons in FranceSabine Frommel14. Classicism and Church Architecture in Early Seventeenth-Century France: Aspects and DebatesErika Naginski15. Religious Architecture and the Image in the Southern Netherlands after the Beeldenstorm: Shrines for Miracle-Working Statues of the Virgin MaryMaarten Delbeke16. British Classicism to 1700 and the Search for a National Architectural StyleVaughan Hart17. Understanding Roman Architecture from a Distance: Sir Christopher Wren on the Temples of Peace and of Mars the AvengerCaroline van EckIberia, Spanish Italy, the Ottomans, and Latin America18. Al-Andalus and Castile: Art and Identity in the Iberian PeninsulaMaria Feliciano and Juan Carlos Ruiz Souza19. The Spanish Kingdom of Southern Italy: Architecture in Naples, Lecce, L’AquilaDaniela del Pesco20. Architectural Dialogues across the Eastern Mediterranean: Monumental Domed Sanctuaries in the Ottoman Empire and Renaissance ItalyGülru Necipoğlu21. The Classical Ideal in Portugal and the Portuguese World: From Lisbon to ChinaNuno Senos22. Baroque Spain: Architecture and Urbanism for a Universal MonarchyJesús Escobar23. The Architecture of the Early Modern Period “Because Vitruvius did not Recommend Square Columns”: Europe, Latin America, and the Globalization of the RenaissanceTom CumminsThe German Lands and Bohemia24. Northern Imaginative Antiquarianism: The Dismembered Column as Relic and ToolChristopher P. Heuer25. The Reception and Flowering of Classicism in the German LandsHarry Francis Mallgrave26. Crossbreeding Cultures: Italian and Local, Elite and Popular: Building in Bohemia, 1490–1720Dirk De MeyerIndexVOLUME IIContributors to Volume IIIntroduction: Eighteenth-Century ArchitectureCaroline van Eck and Sigrid de JongPart I: The Main ActorsThe Architect1 Open to all: Architectural education in the eighteenth centuryFreek Schmidt2 Architects’ LibrariesRobin L. Thomas3 Laugier’s Prototypal Hut, Soufflot’s Sainte-Geneviève, and the Enlightenment Theory of RepresentationNeil Levine4 Ornament in Eighteenth-Century ArchitectureJean-François BédardBuilding Portraits 1698-1731 [format of these TBC]Greenwich Hospital (1698 – 1728)Vaughan HartCastle Howard (1699-1712)Neil LevineBlenheim (1705)Vaughan HartSuperga (1716-1731)Cornelia JoechnerThe Public5 Architecture and the SpectatorCaroline Van Eck6 To Move and to be Moved: Experiencing Architectural SpaceSigrid de Jong7 Public Debate on Architecture in Eighteenth-Century FranceRichard Wittman8 Between the Stage and the Public Space: Refiguring Spectatorship in French Theatre ArchitectureBram van Oostveldt9 Festival architecture as well-ordered entertainmentEric MoninBuilding Portraits 1716-1732Karlskirche (1716-1737)Anja SchuermannHôtel Amelot (1717)Freek SchmidtSaint Mary-le-Strand (1724)Vaughan HartChiswick Villa (1726-1732)Barbara ArciszewskaThe Patron10 The Office of the King’s Works and the Modernization of Architectural Patronage in EnglandBarbara Arciszewska11 ‘The Body Natural as well as the Body Politic stands indebted’: the hospital - foundation, funding and formAnn-Marie Akehurst12 Denmark, Norway and Sweden: the flirt with the French and its long-term effectsJuliette Roding13 Interiors and PatronageMeredith Martin14 Female Architectural Patronage in 18th-Century FranceClaire OllagnierResidenz Würzburg (1729-1744)Freek SchmidtAll Souls College (1735)Vaughan HartRadcliffe Camera (1739-1749)Vaughan HartVierzehnheiligen (1742-1744)Jean-François BédardPart II: The Architectural DiscourseThe Schools and the Academies15 The Académie Royale d’Architecture 1671-1793Christopher Drew Armstrong16 London, Parma, Dresden. Exposition, Competition, ExhibitionPierre de la Ruffinière du Prey17 Architectural Discourse in Rome: Academies, Ruins and BooksHeather Hyde Minor18 Architectural Debate in VeniceLola Kantor-KazovskySanssouci (1743-45)Jean-François BédardBayreuth (1748)Bram Van oostveldtStrawberry Hill (1749-1790)Michael SnodinAlbergo dei Poveri (1751)Robin L. ThomasCaserta (1751)Robin L. ThomasArchitecture and the Sciences19 ‘An exact and irreprochable Piece of Architecture should be the Flower and Crown as it were of all the Sciences Mathematical’Matthew Walker20 Measuring Classical ArchitectureAmalia PapaioannouVilla Albani (1757-1759)Lauran SchijvensSyon House (1760-1768)Adriano AynonimoPetit Trianon (1761)Christopher Drew ArmstrongEcole de Chirurgie (1769-1774)Richard WittmanHistory and Historiography21 Zeitgeist, Style, and Stimmung – notes on the historiography of architecture in the late eighteenth centuryMari Hvattum22 The Historical Experience of How it All Began: the quest for the origins of architectureSigrid de Jong23 MonumentsMaarten DelbekeThéâtre Bordeaux (1773-1782)Christopher Drew ArmstrongSomerset House (1776-1801)Adriano AynonimoBarrières (1785)Christopher Drew ArmstrongLuscombe House (1799)John MacArthurVOLUME IIIContributors to Volume IIIIntroduction: Nineteenth-Century ArchitectureMartin Bressani and Christina ContandriopoulosPart I Historicism, the Beaux-Arts, and the Gothic1. RevivalismMartin Bressani2. Antiquity Reborn: Quatremère de Quincy’s Argument for Polychromy in Le Jupiter OlympienNicholas Roquet3. The French Beaux-ArtsJean-Philippe Garric4. Outward Forms and Inward Spirit: The Recovery of Historical Church Architecture in the Nineteenth CenturyStephen Bann5. Romantic Historiography and the Paradoxes of Historicist ArchitectureBarry Bergdoll6. Ruskin and Victorian GothicStephen Kite7. The Search for a National StyleÁkos Moravánszky8. Gothic Historiography: An Interdisciplinary SpeculationCameron A. MacdonellPart II Debates on Structure, Materials, and Tectonic Expression9. The New Material-Based Realism of Nineteenth-Century Theory and PracticeNeil Levine10. Realism in Nineteenth-Century British ArchitectureTimothy Brittain-Catlin11. German TectonicsMitchell Schwartzer12. Gottfried Semper and Modern German TheoryHarry Francis Mallgrave13. Viollet-le-Duc’s RationalismMartin Bressani14. Between the Visible and the Legible: Iron and Reinforced Concrete in Fin-de-Siècle FranceRéjean LegaultPart III The Question of the House, Social Utopias, Science, and New Technological Infrastructures15. Domestic Architecture as a Mode of SeparationAnnmarie Adam16. “The Science of the Plan.” House-Building and the Like, 1860–1930Laurent Stalder17. Comfort: Architecture’s Technological DreamGeorges Teyssot18. Universal Expositions, Utopia, and ArchitectureAntoine Picon19. The Fourierist Phalanstère: Building a New Society through Architecture?Laurent Baridon20. From Object to Field: The Uses of Photography by Nineteenth-Century ArchitectsPeter SealyPart IV Psychology, Aesthetic, and Ornament21. Decoration as Discourse in Nineteenth-Century BritainDavid Brett22. Ornament and Expressive Lines: Nature and Symbol in Victor Ruprich-Robert's Flore ornementaleRalph Ghoche23. Constructing Emotions. The Scientific Aesthetics of Architecture in France 1860–1900Estelle Thibault24. The Tectonics of the Soul: Animist Survivals in Nineteenth-Century Architecture and OrnamentationSpyros PapapetrosPart V America25. Furness, Richardson, and Sullivan, and the Anglo-French SynthesisMichael J. Lewis26. What American Architects Learned in Paris, 1845–1914David Van Zanten27. Structural Expression and Functional Representation in American Architecture 1850–1910Joseph M. Siry28. Canadian Architecture in the Nineteenth Century: Identities in TensionMarc Grignon and Christopher ThomasPart VI Colonialism and Cross-Perspectives: Japan, China, Russia, India, etc.29. Russian Architecture of the Nineteenth CenturyDmitry Shvidkovsky30. Multiple Modernisms in Khedivial EgyptMercedes Volait31. Dismembering and Remembering the Mughal Virtuous City in Nineteenth-Century British IndiaSanthi Kavuri-Bauer32. Of Emperor and Empire: Architectural Constructions of Imperial JapanAlice Y. TsengIndexVOLUME IVContributors to Volume IVIntroduction: The Project and Projects of Modern ArchitectureDavid LeatherbarrowPart I The Early Twentieth Century: Anticipating Modern WorldsIntroductionAlexander Eisenschmidt1. Schlesinger and Mayer Department Store/Carson Pirie ScottJoanna Merwood-Salisbury2. House for an Art Lover: Reverberating EchoesAmy Kulper3. Postal Savings Bank: Timeless ModernityBéla Kerékgyártó4. AEG Turbine FactoryGabriele H. Bryant5. Glass House at CologneMarkus Breitschmid6. Città Nuova: Fast and Slow FuturismMichelangelo SabatinoPart II The Modern Project: Imagining New WorldsIntroductionDavid Leatherbarrow7. Monument to the Third InternationalRichard Anderson8. Friedrichstrasse Skyscraper: Transfiguration through Glass, or Vertical and Horizontal TransparenciesUfuk Ersoy9. Brick Country House ProjectGeorge Dodds10. Stockholm Public LibraryMichael Asgaard Andersen11. Contra-Construction: Theo Van Doesburg’s Oblique View of Modern ArchitectureHilary Bryon12. Plan Voisin and the Functional CityFlora SamuelPart III Revisiting the Modern Project: Constructing New WorldsIntroductionDavid Leatherbarrow13. The GoetheanumRandall Ott14. Dymaxion House: Ship ShapeAnnMarie Brennan15. Schocken Department Store: “The Art of a Master”Kathleen James-Chakraborty16. E.1027: The Art of DialogueCaroline Constant17. Villa Savoye: Building on a Clear HorizonRichard Wesley18. Villa Müller: Building PhilosophyChristopher Long19. The VDL Research HouseEdward R. Ford20. The PSFS Building: Modern Architecture for the Corporate ClientGrace Ong Yan21. FallingwaterNeil Levine22. DanteumJonathan Mekinda23. Maison du Peuple: The Craft of Industrialized ConstructionAnne Beim24. The Villa MaireaScott PoolePart IV Postwar Trends: Beginning Again, But Not at the BeginningIntroductionDavid Leatherbarrow25. Endless HouseWilliam W. Braham26. Golden Lane: The Design and Urbanism of MegastructuresEric Mumford27. Pajaritos Chapel, Maipu, ChileRodrigo Perez de Arce28. The Naked City: Why Put a Collage in a Book on Modern Architecture?Simon Sadler29. Brasilia: The Pilot Plan and its MonumentsCarlos Eduardo Comas30. Church of Christ the WorkerStanford Anderson31. Burgerweeshuis Orphanage: A CIty-like HouseNathaniel Coleman32. Plan for TokyoZhongjie LinPart V The 1960s and 1970s: Questioning Modern WorldsIntroductionAlexander Eisenschmidt33. Mother’s HouseMartino Stierli34. Salk Institute: Hard-won CalmDaniel S. Friedman35. Brion Cemetery: Between WorldsMichael Cadwell36. Swimming Pool on the Beach at Leça de Palmeira: The Presence of the Atlantic OceanChristian Gänshirt37. Walking City: Archigram and the Pursuit of StyleSarah Deyong38. Kharga Market: From Vernacularism to RegionalismHassan Radoine39. Marie Short HouseMaryam Gusheh and Catherine Lassen40. Centre PompidouHadas A. Steiner41. Teatro del MondoMary Lou Lobsinger42. SangathKazi Khaleed AshrafPart VI The Present Generation: Engaging the Contemporary WorldIntroductionAlexander Eisenschmidt43. Parc de la Villette and its AfterlifeJulia Czerniak44. Stone House: Between the Human and the Non-humanPhilip Ursprung45. The Church of the LightJin Baek46. Kunsthal: The Pliable SurfaceRoberto Gargiani47. Bilbao Guggenheim: A Secular Cathedral of ArtRichard M. Sommer48. Yokohama: International Passenger TerminalHelene Furján49. Sendai Mediatheque: The Fifth PlanRon Witte50. 21st Century Museum of Contemporary ArtXavier CostaIndex