Harry Francis Mallgrave – författare

A sweeping historical study, Building Paradise seeks to construct a garden ethic for the design arts. It is an ethic predicated on the idea that, with our recent ecological and biological insights, we can build more intelligently than the status quo of current design practices. The paradisiacal instinct is the motivation behind every artistic impulse. From its theological origins to the present, the idea of paradise—the garden as a place of peace, beauty, and happiness—has acquired numerous meanings. It was a motif expounded in the earliest cultures of Mesopotamia, Egypt, and the Indus Valley, and it later became a dominant feature of Buddhist, Judeo-Christian, and Islamic practices. It informed Greco-Roman mythologies and the design of a Japanese garden; it was a motivation for the Renaissance humanists, and was complicit in visions of a New Arcadia within the landscapes of the Americas. This book, underscoring how the built and urban environments shapes culture, takes a biophilic approach and draws upon the major advances of the human sciences of the last few decades to argue on behalf of a design ethic centered squarely on human needs and aspirations. Written for students and academics within architecture and all related fields, this book focuses on the efforts to build paradise in a material way.

A sweeping historical study, Building Paradise seeks to construct a garden ethic for the design arts. It is an ethic predicated on the idea that, with our recent ecological and biological insights, we can build more intelligently than the status quo of current design practices. The paradisiacal instinct is the motivation behind every artistic impulse. From its theological origins to the present, the idea of paradise—the garden as a place of peace, beauty, and happiness—has acquired numerous meanings. It was a motif expounded in the earliest cultures of Mesopotamia, Egypt, and the Indus Valley, and it later became a dominant feature of Buddhist, Judeo-Christian, and Islamic practices. It informed Greco-Roman mythologies and the design of a Japanese garden; it was a motivation for the Renaissance humanists, and was complicit in visions of a New Arcadia within the landscapes of the Americas. This book, underscoring how the built and urban environments shapes culture, takes a biophilic approach and draws upon the major advances of the human sciences of the last few decades to argue on behalf of a design ethic centered squarely on human needs and aspirations. Written for students and academics within architecture and all related fields, this book focuses on the efforts to build paradise in a material way.

Architectural history has over the past half-century been delineated in fine detail. Today it is challenging to find a creative spirit involved with the design fields who has not been examined in depth; nearly every building of historical importance has been chronicled; timelines have been constructed and heroes selected. Major advances within the sciences have enlarged the scope of historical research and enriched how we experience and meld with the environments we build. Almost every country takes pride in its architectural achievements. Monuments of mortar and stone define themselves as vivid testimonies of a country''s collective persona.

Mallgrave''s intention in Writers on Architecture in America is much simpler. He brings together an episodic collection of voices—male and female, professional and lay—which compose not a chronicle of building events but tell a story in their own right. It is one related through a series of thematic essays that pose the question of how individuals of a freshly minted country—children and later adolescents in teenage defiance of their Anglo-Saxon past—press the search for a truly national building culture. Is it possible to do so within the span of a century, or two? Is it even desirable? In any case, the goal of a national architectural culture proved to be ever more elusive as efforts intensified.

Architectural history has over the past half-century been delineated in fine detail. Today it is challenging to find a creative spirit involved with the design fields who has not been examined in depth; nearly every building of historical importance has been chronicled; timelines have been constructed and heroes selected. Major advances within the sciences have enlarged the scope of historical research and enriched how we experience and meld with the environments we build. Almost every country takes pride in its architectural achievements. Monuments of mortar and stone define themselves as vivid testimonies of a country''s collective persona.

Mallgrave''s intention in Writers on Architecture in America is much simpler. He brings together an episodic collection of voices—male and female, professional and lay—which compose not a chronicle of building events but tell a story in their own right. It is one related through a series of thematic essays that pose the question of how individuals of a freshly minted country—children and later adolescents in teenage defiance of their Anglo-Saxon past—press the search for a truly national building culture. Is it possible to do so within the span of a century, or two? Is it even desirable? In any case, the goal of a national architectural culture proved to be ever more elusive as efforts intensified.

The Architect''s Brain: Neuroscience, Creativity, and Architecture is the first book to consider the relationship between the neurosciences and architecture, offering a compelling and provocative study in the field of architectural theory.

In recent years we have seen a number of dramatic discoveries within the biological and related sciences. Traditional arguments such as "nature versus nurture" are rapidly disappearing because of the realization that just as we are affecting our environments, so too do these altered environments restructure our cognitive abilities and outlooks. If the biological and technological breakthroughs are promising benefits such as extended life expectancies, these same discoveries also have the potential to improve in significant ways the quality of our built environments. This poses a compelling challenge to conventional architectural theory...

This is the first book to consider these new scientific and humanistic models in architectural terms. Constructed as a series of five essays around the themes of beauty, culture, emotion, the experience of architecture, and artistic play, this book draws upon a broad range of discussions taking place in philosophy, psychology, biology, neuroscience, and anthropology, and in doing so questions what implications these discussions hold for architectural design.

Drawing upon a wealth of research, Mallgrave argues that we should turn our focus away from the objectification of architecture (treating design as the creation of objects) and redirect it back to those for whom we design: the people inhabiting our built environments.

In recent years we have seen a number of dramatic discoveries within the biological and related sciences. Traditional arguments such as "nature versus nurture" are rapidly disappearing because of the realization that just as we are affecting our environments, so too do these altered environments restructure our cognitive abilities and outlooks. If the biological and technological breakthroughs are promising benefits such as extended life expectancies, these same discoveries also have the potential to improve in significant ways the quality of our built environments. This poses a compelling challenge to conventional architectural theory...

This is the first book to consider these new scientific and humanistic models in architectural terms. Constructed as a series of five essays around the themes of beauty, culture, emotion, the experience of architecture, and artistic play, this book draws upon a broad range of discussions taking place in philosophy, psychology, biology, neuroscience, and anthropology, and in doing so questions what implications these discussions hold for architectural design.

Drawing upon a wealth of research, Mallgrave argues that we should turn our focus away from the objectification of architecture (treating design as the creation of objects) and redirect it back to those for whom we design: the people inhabiting our built environments.

The Architect''s Brain: Neuroscience, Creativity, and Architecture is the first book to consider the relationship between the neurosciences and architecture, offering a compelling and provocative study in the field of architectural theory.