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    1. Kultur
    2. Scenkonst och film
    3. Film

    Companion to Martin Scorsese

    AvAaron Baker

    Inbunden, Engelska, 2014

    Del 3 i serien Wiley Blackwell Companions to Film Directors

    2 506 kr

    Beställningsvara. Skickas inom 5-8 vardagar. Fri frakt över 249 kr.

    Beskrivning

    A Companion to Martin Scorsese A Companion to Martin Scorsese“This valuable book brings the exceptional scale of Martin Scorsese’s film work into clear view. His achievements are monumental, and the essays collected in this work provide wonderfully detailed and vivid analyses of his oeuvre. A comprehensive study of the most exciting filmmaker working today.”Robert Burgoyne, University of St AndrewsA Companion to Martin Scorsese, Revised Edition is a comprehensive collection of original essays assessing the career of one of America’s most prominent contemporary filmmakers. The first reference work of its kind, this book contains contributions from influential scholars in North America and Europe. The essays use a variety of analytic approaches to study numerous aspects of Scorsese’s work, from his earliest films to his place within the history of American and world cinema. They consider his work in relation to auteur theory, the genres in which he has worked, his use of popular music, and his recent involvement with film preservation. Several of the essays offer fresh interpretations of some of Scorsese’s most influential films, including Mean Streets, Taxi Driver, Raging Bull, GoodFellas, Gangs of New York, Hugo, and The Irishman. Others take a broader approach and discuss the representation of violence, ethnicity, religion, sexuality, gender, race, and other themes across his work. With insights that will interest film scholars as well as movie enthusiasts, this is an important contribution to the scholarship of contemporary American cinema.

    Produktinformation

    • Utgivningsdatum:2014-10-17
    • Mått:180 x 253 x 27 mm
    • Vikt:1 025 g
    • Format:Inbunden
    • Språk:Engelska
    • Serie:Wiley Blackwell Companions to Film Directors
    • Antal sidor:496
    • Förlag:John Wiley and Sons Ltd
    • ISBN:9781444338614

    Utforska kategorier

    • Film inom Kultur

    Mer om författaren

    Aaron Baker is Associate Professor and Area Chair of Film and Media Studies within the English Department at Arizona State University. His research focuses on sports culture, film authorship, and the representation of race, ethnicity, and gender in American cinema. He is co-editor of Out of Bounds: Sports, Media and the Politics of Identity (1997), and the author of Contesting Identities: Sports in American Film (2003) and Steven Soderbergh (2011).

    Innehållsförteckning

    • Contributors viiiIntroduction: Artistic Solutions to Sociological Problems 1Aaron BakerPart One The Pious Auteur 151 How Scorsese Became Scorsese: A Historiography of New Hollywood’s Most Prestigious Auteur 17Marc Raymond2 Smuggling Iconoclasm: European Cinema and Scorsese’s Male Antiheroes 38Giorgio Bertellini and Jacqueline Reich3 Italian Films, New York City Television, and the Work of Martin Scorsese 53Laura E. Ruberto4 The Imaginary Museum: Martin Scorsese’s Film History Documentaries 71Robert P. Kolker5 Images of Religion, Ritual, and the Sacred in Martin Scorsese’s Cinema 91David SterrittPart Two Social Contexts and Conflicts 1156 Alice Doesn’t Live Here Anymore and Italianamerican: Gender, Ethnicity, and Imagination 117Aaron Baker7 Mobsters and Bluebloods: Scorsese’s The Age of Innocence in the Perspective of his Italian American Films 133Robert Casillo8 Off -White Masculinity in Martin Scorsese’s Gangster Films 173Larissa M. Ennis9 Irish-American Identity in the Films of Martin Scorsese 195Matt R. Lohr10 Issues of Race, Ethnicity, and Television Authorship in Martin Scorsese Presents The Blues and Boardwalk Empire 214Jonathan J. CavalleroPart Three Form and the Filmmaking Process 23711 Martin Scorsese and the Music Documentary 239Michael Brendan Baker12 Martin Scorsese Rocks 259Giuliana Muscio13 Music as Cultural Signifier of Italian/American Life in Who’s That Knocking at My Door and Mean Streets 277Anthony D. Cavaluzzi14 When Marty Met Bobby: Collaborative Authorship in Mean Streets and Taxi Driver 292R. Colin Tait15 Scorsese’s Landscape of Mortality 312Murray Pomerance16 Borderlines: Boundaries and Transgression in the City Films of Martin Scorsese 331Brendan KredellPart Four Major Films 35317 Mean Streets as Cinema of Independence 355Stefan Sereda18 Taxi Driver and Veteran Trauma 373Michael D. High19 Filming the Fights: Subjectivity and Sensation in Raging Bull 396Leger Grindon20 The Last Temptation of Christ: Queering the Divine 420Daniel S. Cutrara21 The Cinematic Seduction of Not a “Good Fella” 442Bambi Haggins22 Hugo and the (Re-)Invention of Martin Scorsese 459Guerric DeBonaIndex 480