Richard Hillman is Professor of English, Centre d’Études Supérieures de la Renaissance, Université François-Rabelais de Tours/CNRS, France. Pauline Ruberry-Blanc is Senior Lecturer in English, Centre d’Études Supérieures de la Renaissance, Université François-Rabelais de Tours/CNRS, France.

This is a wide-ranging collection that both literary critics and historians will find informative and thought-provoking, and which offers new insights on well-known themes related to women, crime and transgression.'Garthine Walker, Reader in History, Cardiff University, UK

• Introduction, Richard Hillman, Pauline Ruberry-Blanc; Part I Imag(in)ing Female Transgression and Transgressors; Chapter 1 Criminalizing the Woman’s Incest: Pericles and Its Analogues, Richard Hillman; Chapter 2 Body Crimes: The Witches, Lady Macbeth and the Relics, Diane Purkiss; Chapter 3 The Witch of Edmonton: The Witch Next Door or Faustian Anti-Heroine?, Pauline Ruberry-Blanc; Chapter 4 Fact versus Fiction: The Construction of the Figure of the Prostitute in Early Modern England, Official and Popular Discourses, Frédérique Fouassier-Tate; Chapter 5 Appropriating a Famous Female Offender: Mary Frith (1584?–1659), alias Moll Cutpurse, Pascale Drouet; Part II Reading (into) the Social Picture; Chapter 6 Mothers, Wives and Killers: Marital Status and Homicide in London, 1674–1790, Marisha Caswell; Chapter 7 Women and Violence in Seventeenth- and Eighteenth-Century England: Evidence from the Cheshire Court of Great Sessions, James Sharpe; Chapter 8 ‘Angels with Dirty Faces’: Violent Women in Early Modern Scotland, Anne-Marie Kilday; Chapter 9, Jennine Hurl-Eamon; Chapter 10, Krista Kesselring;

Richard Hillman is Professor of English, Centre d’Études Supérieures de la Renaissance, Université François-Rabelais de Tours/CNRS, France. Pauline Ruberry-Blanc is Senior Lecturer in English, Centre d’Études Supérieures de la Renaissance, Université François-Rabelais de Tours/CNRS, France.

This is a wide-ranging collection that both literary critics and historians will find informative and thought-provoking, and which offers new insights on well-known themes related to women, crime and transgression.'Garthine Walker, Reader in History, Cardiff University, UK

• Introduction, Richard Hillman, Pauline Ruberry-Blanc; Part I Imag(in)ing Female Transgression and Transgressors; Chapter 1 Criminalizing the Woman’s Incest: Pericles and Its Analogues, Richard Hillman; Chapter 2 Body Crimes: The Witches, Lady Macbeth and the Relics, Diane Purkiss; Chapter 3 The Witch of Edmonton: The Witch Next Door or Faustian Anti-Heroine?, Pauline Ruberry-Blanc; Chapter 4 Fact versus Fiction: The Construction of the Figure of the Prostitute in Early Modern England, Official and Popular Discourses, Frédérique Fouassier-Tate; Chapter 5 Appropriating a Famous Female Offender: Mary Frith (1584?–1659), alias Moll Cutpurse, Pascale Drouet; Part II Reading (into) the Social Picture; Chapter 6 Mothers, Wives and Killers: Marital Status and Homicide in London, 1674–1790, Marisha Caswell; Chapter 7 Women and Violence in Seventeenth- and Eighteenth-Century England: Evidence from the Cheshire Court of Great Sessions, James Sharpe; Chapter 8 ‘Angels with Dirty Faces’: Violent Women in Early Modern Scotland, Anne-Marie Kilday; Chapter 9, Jennine Hurl-Eamon; Chapter 10, Krista Kesselring;

Richard Hillman is Professor of English, Centre d’Études Supérieures de la Renaissance, Université François-Rabelais de Tours/CNRS, France. Pauline Ruberry-Blanc is Senior Lecturer in English, Centre d’Études Supérieures de la Renaissance, Université François-Rabelais de Tours/CNRS, France.

This is a wide-ranging collection that both literary critics and historians will find informative and thought-provoking, and which offers new insights on well-known themes related to women, crime and transgression.'Garthine Walker, Reader in History, Cardiff University, UK

• Introduction, Richard Hillman, Pauline Ruberry-Blanc; Part I Imag(in)ing Female Transgression and Transgressors; Chapter 1 Criminalizing the Woman’s Incest: Pericles and Its Analogues, Richard Hillman; Chapter 2 Body Crimes: The Witches, Lady Macbeth and the Relics, Diane Purkiss; Chapter 3 The Witch of Edmonton: The Witch Next Door or Faustian Anti-Heroine?, Pauline Ruberry-Blanc; Chapter 4 Fact versus Fiction: The Construction of the Figure of the Prostitute in Early Modern England, Official and Popular Discourses, Frédérique Fouassier-Tate; Chapter 5 Appropriating a Famous Female Offender: Mary Frith (1584?–1659), alias Moll Cutpurse, Pascale Drouet; Part II Reading (into) the Social Picture; Chapter 6 Mothers, Wives and Killers: Marital Status and Homicide in London, 1674–1790, Marisha Caswell; Chapter 7 Women and Violence in Seventeenth- and Eighteenth-Century England: Evidence from the Cheshire Court of Great Sessions, James Sharpe; Chapter 8 ‘Angels with Dirty Faces’: Violent Women in Early Modern Scotland, Anne-Marie Kilday; Chapter 9, Jennine Hurl-Eamon; Chapter 10, Krista Kesselring;