Kate Hill is Principal Lecturer in History at the University of Lincoln, UK.

• Introduction: Narratives of Travel, Narratives that Travel; 1: Spaces and Places in Motion; 1: Arctic and European In-Betweens: The Production of Tourist Spaces in Late Nineteenth-Century Northern Norway; 2: ‘The Formation of a Surface’: European Travel in Charles Dickens’s; 3: Female Space, Feminine Grace: Ladies and the Mid-Victorian Railway 1; 2: Narratives on the Move; 4: Victorians in the Alps: A Case Study of Zermatt’s Hotel Guest Books and Registers 1; 5: ‘Nerves of the Empire’: Submarine Telegraph Technological Travel Narratives as Imperial Adventure 1; 6: Thrills and Quills: Masculinity and Location in Three South African Travel Narratives (1834–1900); 7: Tourism in the Age of Mechanical Reproduction: Aesthetics and Advertisement in Travel Posters and Luggage Labels; 3: Cultural Flows; 8: The Travelling Other: A M?ori Narrative of a Visit to Australia in 1874; 9: Souvenirs: Narrating Overseas Violence in the Late Nineteenth Century; 10: British Travels in China during the Opium Wars (1839–1860): Shifting Images and Perceptions; 11: ‘The untrammelled fancy of the scenic artist’: Imagining and Encountering Zanzibar in the Late Nineteenth and Early Twentieth Centuries

Kate Hill is Principal Lecturer in History at the University of Lincoln, UK.

• Introduction: Narratives of Travel, Narratives that Travel; 1: Spaces and Places in Motion; 1: Arctic and European In-Betweens: The Production of Tourist Spaces in Late Nineteenth-Century Northern Norway; 2: ‘The Formation of a Surface’: European Travel in Charles Dickens’s; 3: Female Space, Feminine Grace: Ladies and the Mid-Victorian Railway 1; 2: Narratives on the Move; 4: Victorians in the Alps: A Case Study of Zermatt’s Hotel Guest Books and Registers 1; 5: ‘Nerves of the Empire’: Submarine Telegraph Technological Travel Narratives as Imperial Adventure 1; 6: Thrills and Quills: Masculinity and Location in Three South African Travel Narratives (1834–1900); 7: Tourism in the Age of Mechanical Reproduction: Aesthetics and Advertisement in Travel Posters and Luggage Labels; 3: Cultural Flows; 8: The Travelling Other: A M?ori Narrative of a Visit to Australia in 1874; 9: Souvenirs: Narrating Overseas Violence in the Late Nineteenth Century; 10: British Travels in China during the Opium Wars (1839–1860): Shifting Images and Perceptions; 11: ‘The untrammelled fancy of the scenic artist’: Imagining and Encountering Zanzibar in the Late Nineteenth and Early Twentieth Centuries

Kate Hill is Principal Lecturer in History at the University of Lincoln, UK.

• Introduction: Narratives of Travel, Narratives that Travel; 1: Spaces and Places in Motion; 1: Arctic and European In-Betweens: The Production of Tourist Spaces in Late Nineteenth-Century Northern Norway; 2: ‘The Formation of a Surface’: European Travel in Charles Dickens’s; 3: Female Space, Feminine Grace: Ladies and the Mid-Victorian Railway 1; 2: Narratives on the Move; 4: Victorians in the Alps: A Case Study of Zermatt’s Hotel Guest Books and Registers 1; 5: ‘Nerves of the Empire’: Submarine Telegraph Technological Travel Narratives as Imperial Adventure 1; 6: Thrills and Quills: Masculinity and Location in Three South African Travel Narratives (1834–1900); 7: Tourism in the Age of Mechanical Reproduction: Aesthetics and Advertisement in Travel Posters and Luggage Labels; 3: Cultural Flows; 8: The Travelling Other: A M?ori Narrative of a Visit to Australia in 1874; 9: Souvenirs: Narrating Overseas Violence in the Late Nineteenth Century; 10: British Travels in China during the Opium Wars (1839–1860): Shifting Images and Perceptions; 11: ‘The untrammelled fancy of the scenic artist’: Imagining and Encountering Zanzibar in the Late Nineteenth and Early Twentieth Centuries