Alexandra Onuf is Assistant Professor of Art History at the University of Hartford, USA.

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• Table of ContentsCover ImageList of Color PlatesList of FiguresList of AbbreviationsList of PermissionsAcknowledgmentsIntroduction: Reading the Small Landscapes 1. PublicationDrawings into PrintsThe Small Landscape Prints"Gheconterfeyt naer dleven": Pictorial Truth and the Small Landscapes The Cartographic ConnectionThe Landscapes of Hieronymus CockRuined Landscapes World Landscapes in Print Landscapes after Pieter Bruegel and Hans BolHieronymus Cock and Varietas in LandscapeInnovation in the Small Landscapes 2. ReceptionCock’s Elite Patrons and SupportersAudiences for the Small Landscapes at Home and AbroadAntwerp’s Hinterlands Urban Ties to Rural PropertyThe Speelhuis PhenomenonPraise of the Country House and the Country LifeThe Landjuweel of 1561: Propaganda and the Popular Perception of Country LifeRural Countryside as Cultural Ideal3. RepetitionAntwerp, Crisis and RecoveryPhilips Galle’s 1601 edition of the Small Landscapes Theodoor Galle’s Third Edition of the Small Landscapes"In Pictorum Gratiam": The Small Landscapes as Models for Painters in AntwerpPrints and Painters I: Abel GrimmerPrints and Painters II: Pieter Brueghel the YoungerThe Small Landscapes Renewed and The Local Landscape Recast4. MigrationClaes Visscher at the Sign of the FisherVisscher’s Copies of the Small Landscapes Picturing Brabant in AmsterdamBrabant and Holland: Visscher’s Visual Analogy5. TransformationJohannes Galle and the Business of Reproductive Print PublishingOld Landscapes in a New StyleImporting Narrative into LandscapeLandscapes of their Time: The End of the Twelve Years’ TruceThe Small Landscapes ReduxAppendix I: Grouping of the 1559 and 1561 Small Landscapes seriesAppendix II: Concordance of editions of the Small LandscapesBibliographyIndex

Alexandra Onuf is Assistant Professor of Art History at the University of Hartford, USA.

Select Guide Rating

• Table of ContentsCover ImageList of Color PlatesList of FiguresList of AbbreviationsList of PermissionsAcknowledgmentsIntroduction: Reading the Small Landscapes 1. PublicationDrawings into PrintsThe Small Landscape Prints"Gheconterfeyt naer dleven": Pictorial Truth and the Small Landscapes The Cartographic ConnectionThe Landscapes of Hieronymus CockRuined Landscapes World Landscapes in Print Landscapes after Pieter Bruegel and Hans BolHieronymus Cock and Varietas in LandscapeInnovation in the Small Landscapes 2. ReceptionCock’s Elite Patrons and SupportersAudiences for the Small Landscapes at Home and AbroadAntwerp’s Hinterlands Urban Ties to Rural PropertyThe Speelhuis PhenomenonPraise of the Country House and the Country LifeThe Landjuweel of 1561: Propaganda and the Popular Perception of Country LifeRural Countryside as Cultural Ideal3. RepetitionAntwerp, Crisis and RecoveryPhilips Galle’s 1601 edition of the Small Landscapes Theodoor Galle’s Third Edition of the Small Landscapes"In Pictorum Gratiam": The Small Landscapes as Models for Painters in AntwerpPrints and Painters I: Abel GrimmerPrints and Painters II: Pieter Brueghel the YoungerThe Small Landscapes Renewed and The Local Landscape Recast4. MigrationClaes Visscher at the Sign of the FisherVisscher’s Copies of the Small Landscapes Picturing Brabant in AmsterdamBrabant and Holland: Visscher’s Visual Analogy5. TransformationJohannes Galle and the Business of Reproductive Print PublishingOld Landscapes in a New StyleImporting Narrative into LandscapeLandscapes of their Time: The End of the Twelve Years’ TruceThe Small Landscapes ReduxAppendix I: Grouping of the 1559 and 1561 Small Landscapes seriesAppendix II: Concordance of editions of the Small LandscapesBibliographyIndex

Alexandra Onuf is Assistant Professor of Art History at the University of Hartford, USA.

Select Guide Rating

• Table of ContentsCover ImageList of Color PlatesList of FiguresList of AbbreviationsList of PermissionsAcknowledgmentsIntroduction: Reading the Small Landscapes 1. PublicationDrawings into PrintsThe Small Landscape Prints"Gheconterfeyt naer dleven": Pictorial Truth and the Small Landscapes The Cartographic ConnectionThe Landscapes of Hieronymus CockRuined Landscapes World Landscapes in Print Landscapes after Pieter Bruegel and Hans BolHieronymus Cock and Varietas in LandscapeInnovation in the Small Landscapes 2. ReceptionCock’s Elite Patrons and SupportersAudiences for the Small Landscapes at Home and AbroadAntwerp’s Hinterlands Urban Ties to Rural PropertyThe Speelhuis PhenomenonPraise of the Country House and the Country LifeThe Landjuweel of 1561: Propaganda and the Popular Perception of Country LifeRural Countryside as Cultural Ideal3. RepetitionAntwerp, Crisis and RecoveryPhilips Galle’s 1601 edition of the Small Landscapes Theodoor Galle’s Third Edition of the Small Landscapes"In Pictorum Gratiam": The Small Landscapes as Models for Painters in AntwerpPrints and Painters I: Abel GrimmerPrints and Painters II: Pieter Brueghel the YoungerThe Small Landscapes Renewed and The Local Landscape Recast4. MigrationClaes Visscher at the Sign of the FisherVisscher’s Copies of the Small Landscapes Picturing Brabant in AmsterdamBrabant and Holland: Visscher’s Visual Analogy5. TransformationJohannes Galle and the Business of Reproductive Print PublishingOld Landscapes in a New StyleImporting Narrative into LandscapeLandscapes of their Time: The End of the Twelve Years’ TruceThe Small Landscapes ReduxAppendix I: Grouping of the 1559 and 1561 Small Landscapes seriesAppendix II: Concordance of editions of the Small LandscapesBibliographyIndex