Tom Hawkins is Associate Professor of Classics at Ohio State University, USA, and the author of Iambic Poetics in the Roman Empire (2014).C. W. Marshall is Professor of Greek at the University of British Columbia, Canada. His publications include The Stagecraft and Performance of Roman Comedy (2006), Classics and Comics (2011) and No Laughing Matter (Bloomsbury, 2012) and The Structure and Performance of Euripides' Helen (2014).

Marshall and Hawkins have assembled a diverse and stimulating collection of essays, which will prove to be a valuable resource for future work in this area.

• Acknowledgements1. Ignorance and the Reception of Comedy in AntiquityTom Hawkins and C. W. Marshall2. Juvenal and the Revival of Greek New Comedy at RomeMathias Hanses3. Parrhesia and Pudenda: Genital Pathology and Satiric SpeechJulia Nelson Hawkins4. Dio Chrysostom and the Naked ParabasisTom Hawkins5. Favorinus and the Comic Adultery PlotRyan Samuels6. Comedies and Comic Actors in the Greek East: An Epigraphical PerspectiveFritz Graf7. Plutarch, Epitomes, and Athenian ComedyC. W. Marshall8. Lucian’s Aristophanes: On Understanding Old Comedy in the Roman Imperial PeriodRalph M. Rosen9. Exposing Frauds: Lucian and Comedy Ian C. Storey10. Revoking Comic License: Aristides’ Or. 29 and the Performance of C ComedyAnna Peterson11. Aelian and Comedy: Four StudiesC. W. Marshall12. The Menandrian world of Alciphron’s LettersMelissa Funke13. Two Clouded Marriages: Aristainetos’ Allusions to Aristophanes’ Clouds in Letters 2.3 and 2.12Emilia A. Barbiero

Tom Hawkins is Associate Professor of Classics at Ohio State University, USA, and the author of Iambic Poetics in the Roman Empire (2014).C. W. Marshall is Professor of Greek at the University of British Columbia, Canada. His publications include The Stagecraft and Performance of Roman Comedy (2006), Classics and Comics (2011) and No Laughing Matter (Bloomsbury, 2012) and The Structure and Performance of Euripides' Helen (2014).

Marshall and Hawkins have assembled a diverse and stimulating collection of essays, which will prove to be a valuable resource for future work in this area.

• Acknowledgements1. Ignorance and the Reception of Comedy in AntiquityTom Hawkins and C. W. Marshall2. Juvenal and the Revival of Greek New Comedy at RomeMathias Hanses3. Parrhesia and Pudenda: Genital Pathology and Satiric SpeechJulia Nelson Hawkins4. Dio Chrysostom and the Naked ParabasisTom Hawkins5. Favorinus and the Comic Adultery PlotRyan Samuels6. Comedies and Comic Actors in the Greek East: An Epigraphical PerspectiveFritz Graf7. Plutarch, Epitomes, and Athenian ComedyC. W. Marshall8. Lucian’s Aristophanes: On Understanding Old Comedy in the Roman Imperial PeriodRalph M. Rosen9. Exposing Frauds: Lucian and Comedy Ian C. Storey10. Revoking Comic License: Aristides’ Or. 29 and the Performance of C ComedyAnna Peterson11. Aelian and Comedy: Four StudiesC. W. Marshall12. The Menandrian world of Alciphron’s LettersMelissa Funke13. Two Clouded Marriages: Aristainetos’ Allusions to Aristophanes’ Clouds in Letters 2.3 and 2.12Emilia A. Barbiero

Tom Hawkins is Associate Professor of Classics at Ohio State University, USA, and the author of Iambic Poetics in the Roman Empire (2014).C. W. Marshall is Professor of Greek at the University of British Columbia, Canada. His publications include The Stagecraft and Performance of Roman Comedy (2006), Classics and Comics (2011) and No Laughing Matter (Bloomsbury, 2012) and The Structure and Performance of Euripides' Helen (2014).

Marshall and Hawkins have assembled a diverse and stimulating collection of essays, which will prove to be a valuable resource for future work in this area.

• Acknowledgements1. Ignorance and the Reception of Comedy in AntiquityTom Hawkins and C. W. Marshall2. Juvenal and the Revival of Greek New Comedy at RomeMathias Hanses3. Parrhesia and Pudenda: Genital Pathology and Satiric SpeechJulia Nelson Hawkins4. Dio Chrysostom and the Naked ParabasisTom Hawkins5. Favorinus and the Comic Adultery PlotRyan Samuels6. Comedies and Comic Actors in the Greek East: An Epigraphical PerspectiveFritz Graf7. Plutarch, Epitomes, and Athenian ComedyC. W. Marshall8. Lucian’s Aristophanes: On Understanding Old Comedy in the Roman Imperial PeriodRalph M. Rosen9. Exposing Frauds: Lucian and Comedy Ian C. Storey10. Revoking Comic License: Aristides’ Or. 29 and the Performance of C ComedyAnna Peterson11. Aelian and Comedy: Four StudiesC. W. Marshall12. The Menandrian world of Alciphron’s LettersMelissa Funke13. Two Clouded Marriages: Aristainetos’ Allusions to Aristophanes’ Clouds in Letters 2.3 and 2.12Emilia A. Barbiero