Tom Hawkins – författare

This is the first book to study how Haitian authors – from independence in 1804 to the modern Haitian diaspora – have adapted Greco-Roman material and harnessed it to Haiti’s legacy as the world’s first anti-colonial nation-state.In nine chronologically organized chapters built around individual Haitian authors, Hawkins takes readers on a journey through one strand of Haitian literary history that draws on material from ancient Greece and Rome. This cross-disciplinary exploration is composed in a way that invites all readers to discover a rich and exciting cultural exchange that foregrounds the variety of ways that Haitian authors have ‘hacked classical forms’ as part of their creative process. Students of ancient Mediterranean cultures will learn about a branch of the Greco-Roman legacy that has never been deeply explored. Experts in Caribbean culture will find a robust register of Haitian literature that will enrich familiar texts. And those interested in anti-colonial movements will encounter a host of examples of artists creatively engaging with literary monuments from the past in ways that always keep the Haitian experience in central focus.Written in a broadly accessible style, Hacking Classical Forms in Haitian Literature appeals to anyone interested in Haiti, Haitian literature and history, anti-colonial literature, or classical reception studies.

This is the first book to study how Haitian authors – from independence in 1804 to the modern Haitian diaspora – have adapted Greco-Roman material and harnessed it to Haiti’s legacy as the world’s first anti-colonial nation-state.In nine chronologically organized chapters built around individual Haitian authors, Hawkins takes readers on a journey through one strand of Haitian literary history that draws on material from ancient Greece and Rome. This cross-disciplinary exploration is composed in a way that invites all readers to discover a rich and exciting cultural exchange that foregrounds the variety of ways that Haitian authors have ‘hacked classical forms’ as part of their creative process. Students of ancient Mediterranean cultures will learn about a branch of the Greco-Roman legacy that has never been deeply explored. Experts in Caribbean culture will find a robust register of Haitian literature that will enrich familiar texts. And those interested in anti-colonial movements will encounter a host of examples of artists creatively engaging with literary monuments from the past in ways that always keep the Haitian experience in central focus.Written in a broadly accessible style, Hacking Classical Forms in Haitian Literature appeals to anyone interested in Haiti, Haitian literature and history, anti-colonial literature, or classical reception studies.

This is the first book to study the impact of invective poetics associated with early Greek iambic poetry on Roman imperial authors and audiences. It demonstrates how authors as varied as Ovid and Gregory Nazianzen wove recognizable elements of the iambic tradition (e.g. meter, motifs, or poetic biographies) into other literary forms (e.g. elegy, oratorical prose, anthologies of fables), and it shows that the humorous, scurrilous, efficacious aggression of Archilochus continued to facilitate negotiations of power and social relations long after Horace's Epodes. The eclectic approach encompasses Greek and Latin, prose and poetry, and exploratory interludes appended to each chapter help to open four centuries of later classical literature to wider debates about the function, propriety and value of the lowest and most debated poetic form from archaic Greece. Each chapter presents a unique variation on how these imperial authors became Archilochus - however briefly and to whatever end.

Athenian comedy is firmly entrenched in the classical canon, but imperial authors debated, dissected and redirected comic texts, plots and language of Aristophanes, Menander, and their rivals in ways that reflect the non-Athenocentric, pan-Mediterranean performance culture of the imperial era. Although the reception of tragedy beyond its own contemporary era has been studied, the legacy of Athenian comedy in the Roman world is less well understood.This volume offers the first expansive treatment of the reception of Athenian comedy in the Roman Empire. These engaged and engaging studies examine the lasting impact of classical Athenian comic drama. Demonstrating a variety of methodologies and scholarly perspectives, sources discussed include papyri, mosaics, stage history, epigraphy and a broad range of literature such as dramatic works in Latin and Greek, including verse satire, essays, and epistolary fiction.

Athenian comedy is firmly entrenched in the classical canon, but imperial authors debated, dissected and redirected comic texts, plots and language of Aristophanes, Menander, and their rivals in ways that reflect the non-Athenocentric, pan-Mediterranean performance culture of the imperial era. Although the reception of tragedy beyond its own contemporary era has been studied, the legacy of Athenian comedy in the Roman world is less well understood.This volume offers the first expansive treatment of the reception of Athenian comedy in the Roman Empire. These engaged and engaging studies examine the lasting impact of classical Athenian comic drama. Demonstrating a variety of methodologies and scholarly perspectives, sources discussed include papyri, mosaics, stage history, epigraphy and a broad range of literature such as dramatic works in Latin and Greek, including verse satire, essays, and epistolary fiction.