This book addresses a central issue confronting the reader of the Gospel. Professor Bauer describes the impasse that has been reached in recent investigation of the structure of Matthew and demonstrates that an appreciation of literary design can provide a way forward. After identifying rhetorical features that relate to literary structure, he devotes the major part of his book to a systematic examination of such features as they appear in the Gospel in order to gain a fresh insight into the shape of the work. This study is valuable both for its comprehensive and judicious review of the question of structure in Matthew's Gospel and for the new direction which it establishes.

This book addresses a central issue confronting the reader of the Gospel. Professor Bauer describes the impasse that has been reached in recent investigation of the structure of Matthew and demonstrates that an appreciation of literary design can provide a way forward. After identifying rhetorical features that relate to literary structure, he devotes the major part of his book to a systematic examination of such features as they appear in the Gospel in order to gain a fresh insight into the shape of the work. This study is valuable both for its comprehensive and judicious review of the question of structure in Matthew's Gospel and for the new direction which it establishes.

This book addresses a central issue confronting the reader of the Gospel. Professor Bauer describes the impasse that has been reached in recent investigation of the structure of Matthew and demonstrates that an appreciation of literary design can provide a way forward. After identifying rhetorical features that relate to literary structure, he devotes the major part of his book to a systematic examination of such features as they appear in the Gospel in order to gain a fresh insight into the shape of the work. This study is valuable both for its comprehensive and judicious review of the question of structure in Matthew's Gospel and for the new direction which it establishes.