Bokus
Giovanni Matteucci, Stefano Marino - Philosophical Perspectives on Fashion, Inbunden

Inbunden, Engelska, 2016

Philosophical Perspectives on Fashion

Av Giovanni Matteucci, Stefano Marino

1977 kr

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Beskrivning
Philosophical Perspectives on Fashion places philosophical approaches at the heart of contemporary fashion studies. Considering the mutual relationships between aesthetics, modern society and culture, fashion and the fine arts, and the way these relationships have influenced and shaped our views on identity and taste, this ground-breaking book also explores the various intellectual and cultural movements that inform how people dress. In the context of the most recent debates, the leading fashion and philosophy scholars contributing to this volume refer to and apply theories posed by key thinkers of the modern and contemporary age, from Darwin and Wittgenstein to Husserl and Goodman, in order to answer questions such as: What is the essence of fashion and the reasons behind its fascination? What is ‘anti-fashion’? What or who do we imitate when we ‘follow’ fashion? What is fashion criticism and what should it be? Anyone studying or interested in fashion, philosophy or art will find this book a rich source of ideas, insight and information. Philosophical Perspectives on Fashion is a valuable contribution to contemporary fashion theory and aesthetics, one that revitalizes the way we look at the form, purpose and meaning of fashion and aesthetic experience.
Produktinformation
  • Utgivningsdatum: 2016-12-01
  • Mått: 156 x 234 x 16 mm
  • Vikt: 472 g
  • Format: Inbunden
  • Språk: Engelska
  • Antal sidor: 208
  • Förlag: Bloomsbury Publishing PLC
  • ISBN: 9781474237475
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Mer om författaren

Giovanni Matteucci is Full Professor of Aesthetics at the University of Bologna, Italy.Stefano Marino is a Researcher and Lecturer of Aesthetics at the University of Bologna, Italy.

Recensioner i media

This edited volume brings together international scholars of philosophy and fashion, contributing to filling the gap for philosophical research in the field. They show that these two disciplines are not as an unlikely pairing as it may seem, insofar as the experience of clothing has been, and will continue to be, a subject of inquiry. And it is this inquiry, at the heart of this book, that challenges the reader to reconsider what fashion is and could be.

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