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    1. Kultur
    2. Arkitektur

    Creating Interior Atmosphere

    Mise-en-scène and Interior Design

    AvJean Whitehead

    Häftad, Engelska, 2017

    446 kr

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    Beskrivning

    This book sets out to explore the creation of interior atmosphere as seen through the lens of mise-en-scène. You will learn how this film theory informs the concept of ‘staged space’ translated through the narrative and expressive qualities of a particular scene.Jean Whitehead quickly takes this concept beyond the screen and considers its application to the interior ‘setting’. By learning to use the ingredients that inform an ‘interior’ mise-en-scène such as its backdrop, choice of props, use of special effects alongside the application of colour, pattern, graphics, light and shadow, an immersive atmospheric experience can be created.Packed with inspiring examples and case studies, ranging from cinematic interiors and art installations, to the work of notable interior designers, stylists and architects with an interior interest, this book broadens current thinking around the design of the decorated interior. It will help you to embrace the concepts that underpin an interior mise-en- scène through the use of softer decorative techniques and concerns.

    Produktinformation

    • Utgivningsdatum:2017-12-14
    • Mått:200 x 228 x 12 mm
    • Vikt:600 g
    • Format:Häftad
    • Språk:Engelska
    • Antal sidor:176
    • Förlag:Bloomsbury Publishing PLC
    • ISBN:9781474249676

    Utforska kategorier

    • Arkitektur inom Kultur
    • Heminredning inom Hem och Trädgård
    • Inredningsarkitektur inom Kultur

    Mer om författaren

    Jean Whitehead is Senior Lecturer in Interior Design BA (Hons) at Falmouth University, UK. Jean has an Interior Design degree from Glasgow School of Art, and a Masters in Interior Design from Manchester Metropolitan University, UK and has extensive experience as an educator.

    Innehållsförteckning

    • 1. Creating Interior Atmosphere: An IntroductionIntroductionWhat is Interior Design?Scope of this book - Interior Design and Mise-en-scèneWhat is Atmosphere?ConclusionFurther Reading – Exploring atmosphere2. What’s in a Room? The Principles of ‘Mise-en-scène’The Power of the InteriorWhat is ‘Mise-en-scène?’What is an ‘Interior’ Mise-en-scène?ConclusionFurther Reading – Exploring Mise-en-scène3. The Interior Setting: The Backdrop or ‘Skin’ of the SpaceWhat is an Interior Setting?What is the physical environment – the skin?Examples of Interior Mise-en-scène, creating an interior settingCase Study One: Surface Skin – ‘The Cabinet of Dr. Caligari’, Robert WieneCase Study Two: Surface Skin - Rough Luxe Hotel, Rabih HageCase Study Three: Manipulated Skin -Strawberry Hill, Horace WalpoleCase Study Four: Layered Skin – ‘Re-Set’, Petra BlaisseCase Study Five: Three Dimensional Skin - KU64 Kids Club, GRAFTConclusionFurther Reading – Exploring the ‘Interior Setting’4. What is an Interior ‘Prop’? Accessories, furniture, fixtures and equipmentIntroducing Interior PropsUsing Interior PropsExamples of Interior Mise-en-scène, props and atmosphereCase Study One: Accessories, furniture and fixtures - The Ace Hotel, Roman and WilliamsCase Study Two: Furniture – ‘A Clockwork Orange’, Stanley KubrickCase Study Three: Equipment – ‘Break Down’, Michael LandyCase Study Four: Fixtures- Maggie’s Cancer Caring Centre, Frank GehryCase Study Five: Props as fixtures - Kesselskramer, FATConclusionFurther Reading – Exploring Interior Props5. ‘Special Effects’: Interior Space and ExperiencesIntroducing Interior Special EffectsSpecial Effects - Perception and AtmosphereExamples of Interior Mise-en-scèneand their special effectsCase Study One: Implied Space – ‘Dogville’, director Lars von TrierCase Study Two: Illusory Space - La Maison Champs Elysées, Maison Martin MargielaCase Study Three: Sensory Space - Fragrance Lab for Selfridges, Campaign, The Future Laboratory and GivaudenCase Study Four: Use of Scale – ‘Citizen Kane’, director Orson WellesCase Study Five: Sensory Space - Alcoholic Architecture, Bompas & ParrConclusionFurther Reading – Considering Special Effects6. Light and Shadow: Uncovering its Dramatic RoleIntroducing Light and ShadowLighting and AtmosphereExamples of Interior Mise-en-scène – using light and shadowCase Study One: Shadow - ‘Nosferatu’Case Study Two: Artificial Light – ‘The Weather Project’, Olafur EliassonCase Study Three: Natural Light - D.E. Shaw Offices and Co., Steven HollCase Study Four: Candle light - Sam Wannamaker Playhouse – Allies & Morrison and Jon GreenfieldCase Study Five: Digital Light - The West Lobby in The Cosmopolitan, Rockwell Group’s LABConclusionFurther Reading – Exploring Light and Shadow7. Colour: A Technicolor© Inner WorldIntroducing ColourColour and AtmosphereExamples of Interior Mise-en-scène, using colourCase study One: Colour – ‘The Cook, the Thief, his Wife and her Lover’, director Peter GreenawayCase study Two: Colour – Spiegel Publishing Headquarters by Verner PantonCase study Three: Colour via pattern – ‘Dots Obsession’ by Yayoi KusamaCase study Four: Colour via graphics – The Hotel by Jean NouvelCase study Five: Colour –Wards 23 & 29, Bradford Royal InfirmaryConclusionFurther Reading – Exploring Colour