A scandal half-stifled is worse than a scandal. One is at everybody's mercy.Backstage at a hung parliament, visionary Independent Henry Trebell is co-opted by the Tories to push through a controversial Bill. Pursuing his cause with missionary zeal, he’s barely distracted by his brief affair with a married woman until she suffers a lethal backstreet abortion. Threatened by public scandal, the Establishment closes ranks and coolly seals the fate of an idealistic man.Famously banned by the censors in 1907, Harley Granville Barker’s controversial masterpiece gathers a large ensemble to expose a cut-throat, cynical world of sex, sleaze and suicide amongst the political elite of Edwardian England.This edition was published for the National Theatre's revival in November 2015.

Produktinformation

Utgivningsdatum:2015-11-03
Mått:126 x 194 x 8 mm
Vikt:140 g
Format:Häftad
Språk:Engelska
Serie:Modern Plays
Antal sidor:128
Förlag:Bloomsbury Publishing PLC
ISBN:9781474277396

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Dramatik inom Skönlitteratur
Teater inom Kultur
Kreativt skrivande inom Språk och ordböcker

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Harley Granville Barker (1877-1946) was the most brilliant British director of the first quarter of the twentieth century. His best known plays, including Waste (banned by the Lord Chamberlain), were written as contributions to his Company's repertoire of provocative modern drama for a subsidised national theatre, a cause he championed in his book A National Theatre: Scheme and Estimates. Waste was first presented by the Stage Society in 1907, before being revised and produced at the Westminster Theatre in 1936. Other plays include The Madras House, first produced at Duke of York's Theatre, 1910; The Secret Life; and His Majesty, which received its first production at the Edinburgh International Festival by Orange Tree Theatre Company in 1992.

Recensioner i media

Written in 1907 and revised in 1926, it takes its time (just over three hours), but encompasses a vast amount: English smugness and hypocrisy, the intricacies of power and the danger of divorcing campaigning idealism from emotional fulfilment. Granville Barker's skill lies in his seamless blend of private and public life . . . You emerge wrung through from a play that is not only the source of much state-of-the-nation drama but also, I suspect, Granville Barker's own self-indictment.