Dissolving Views

Andrew Higson is Professor of Film and Television at the University of York, UK.

• 1. Introduction Andrew Higson2. Hitchcock’s British Films Revisited Charles Barr3. The Production Designer and the Gesamtkunstwerk: German Film Technicians in the British Film Industry of the 1930s Tim Bergfelder4. Engendering the Nation: British Documentary Film 1930-1939 Kathryn Dodd and Philip Dodd5. Neither Here Nor There: National Identity in Gainsborough Costume Drama Pam Cook6. The Quality Film Adventure: British Critics and the Cinema, 1942-1948 John Ellis7. From Holiday Camp to High Camp: Women in British Feature Films, 1945-1951 Sue Harper8. Victim: Text as Context Andy Medhurst9. Space, Place, Spectacle: Landscape and Townscape in the ‘Kitchen Sink’ Film Andrew Higson10. Landscapes and Stories in the 1960s British Realism Terry Lovell11. The British Avant-Garde and Art Cinema from the 1970s to the 1990s Michael O’Pray12. A Post-National European Cinema: A Consideration of Derek Jarman’s The Tempest and Edward II Colin MacCabe13. Beyond ‘The Cinema of Duty’? The Pleasures of Hybridity: Black British Film of the 1980s and 1990s Sarita Malik14. Crossing Thresholds: The Contemporary British Woman’s Film Justine King15. The Heritage Film and British Cinema Andrew HigsonBibliographyIndex