Sarah Street is Professor of Film at the University of Bristol, UK.

• AcknowledgementsHollywood JabberwockyIntroduction1. The 1920s: British Silent Films in the United States2. The 1930s: Exportable Texts and Stars – Alexander Korda and United Artists3. The 1930s: Exportable Texts and Stars – Herbert Wilcox, Michael Balcon and Reciprocity4. The 1940s: Prestige, History and Shakespeare5. Questions of censorship and Ideology6. The 1950s: British Films as Art and Entertainment7. The 1960s: New Money, New Identities8. The 1970s to 2000: British Films and the ‘New’ HollywoodConclusionA. Films Imported into the United States, 1927-1968B. British Feature Films Imported by the United States, 1927-1967: Film Daily Year Book ListingsArchival Sources and BibliographyIndex

Sarah Street is Professor of Film at the University of Bristol, UK.

• AcknowledgementsHollywood JabberwockyIntroduction1. The 1920s: British Silent Films in the United States2. The 1930s: Exportable Texts and Stars – Alexander Korda and United Artists3. The 1930s: Exportable Texts and Stars – Herbert Wilcox, Michael Balcon and Reciprocity4. The 1940s: Prestige, History and Shakespeare5. Questions of censorship and Ideology6. The 1950s: British Films as Art and Entertainment7. The 1960s: New Money, New Identities8. The 1970s to 2000: British Films and the ‘New’ HollywoodConclusionA. Films Imported into the United States, 1927-1968B. British Feature Films Imported by the United States, 1927-1967: Film Daily Year Book ListingsArchival Sources and BibliographyIndex

Sarah Street is Professor of Film at the University of Bristol, UK.

• AcknowledgementsHollywood JabberwockyIntroduction1. The 1920s: British Silent Films in the United States2. The 1930s: Exportable Texts and Stars – Alexander Korda and United Artists3. The 1930s: Exportable Texts and Stars – Herbert Wilcox, Michael Balcon and Reciprocity4. The 1940s: Prestige, History and Shakespeare5. Questions of censorship and Ideology6. The 1950s: British Films as Art and Entertainment7. The 1960s: New Money, New Identities8. The 1970s to 2000: British Films and the ‘New’ HollywoodConclusionA. Films Imported into the United States, 1927-1968B. British Feature Films Imported by the United States, 1927-1967: Film Daily Year Book ListingsArchival Sources and BibliographyIndex