Martine Beugnet is Professor in Visual Studies at the University of Paris 7 Diderot. Allan Cameron Senior Lecturer in Media, Film and Television at the University of Auckland Arild Fetveit is Associate Professor in the Department for Media, Cognition and Communication, University of Copenhagen.

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• Indefinite Visions: Cinema and the Attractions of UncertaintyMartine Beugnet - IntroductionIlluminations Jacques Aumont – The Veiled Image: The Luminous FormlessRichard Misek – The Black ScreenTom Gunning – Flicker and Shutter: Exploring Cinema’s Shuddering ShadowDefinitionsMartin Jay – Genres of BlurGiusy Pisano – In Praise of the Sound Dissolve: Evanescences, Uncertainties, Fusions, Resonances Erika Balsom – 100 Years of Low DefinitionFramesMichel Chion – Jumps in ScaleJulian Hanich – Reflecting on Reflections: Complex Mirror Shots in FilmsChrista Blümlinger　– Cinematic Indeterminacy According to Peter Tscherkassky: Coming AttractionsCarol Vernallis – Baz Luhrmann’s Audiovisual Sublime: Partying in The Great Gatsby TemporalitiesD.N.Rodowick – The Force of Small GesturesKriss Ravetto-Biagioli – Bill Viola and the Cinema of Indefinite Bodily ExperienceCatherine Fowler – Slow Looking: Confronting Moving Images with Didi-HubermanMaterialitiesKim Knowles – (Re)visioning Celluloid: Aesthetics of Contact in Materialist FilmEmmanuelle André – Seeing through the FingertipsRaymond Bellour – Homo Animalis KinoGlitchesSean Cubitt – Temporalities of the Glitch: Déjà VuSteven Shaviro – The Glitch Dimension: Paranormal Activity and the Technologies of VisionAllan Cameron – Facing the Glitch: Abstraction, Abjection and the Digital Image

Martine Beugnet is Professor in Visual Studies at the University of Paris 7 Diderot. Allan Cameron Senior Lecturer in Media, Film and Television at the University of Auckland Arild Fetveit is Associate Professor in the Department for Media, Cognition and Communication, University of Copenhagen.

Select Guide Rating

• Indefinite Visions: Cinema and the Attractions of UncertaintyMartine Beugnet - IntroductionIlluminations Jacques Aumont – The Veiled Image: The Luminous FormlessRichard Misek – The Black ScreenTom Gunning – Flicker and Shutter: Exploring Cinema’s Shuddering ShadowDefinitionsMartin Jay – Genres of BlurGiusy Pisano – In Praise of the Sound Dissolve: Evanescences, Uncertainties, Fusions, Resonances Erika Balsom – 100 Years of Low DefinitionFramesMichel Chion – Jumps in ScaleJulian Hanich – Reflecting on Reflections: Complex Mirror Shots in FilmsChrista Blümlinger　– Cinematic Indeterminacy According to Peter Tscherkassky: Coming AttractionsCarol Vernallis – Baz Luhrmann’s Audiovisual Sublime: Partying in The Great Gatsby TemporalitiesD.N.Rodowick – The Force of Small GesturesKriss Ravetto-Biagioli – Bill Viola and the Cinema of Indefinite Bodily ExperienceCatherine Fowler – Slow Looking: Confronting Moving Images with Didi-HubermanMaterialitiesKim Knowles – (Re)visioning Celluloid: Aesthetics of Contact in Materialist FilmEmmanuelle André – Seeing through the FingertipsRaymond Bellour – Homo Animalis KinoGlitchesSean Cubitt – Temporalities of the Glitch: Déjà VuSteven Shaviro – The Glitch Dimension: Paranormal Activity and the Technologies of VisionAllan Cameron – Facing the Glitch: Abstraction, Abjection and the Digital Image

Martine Beugnet is Professor in Visual Studies at the University of Paris 7 Diderot. Allan Cameron Senior Lecturer in Media, Film and Television at the University of Auckland Arild Fetveit is Associate Professor in the Department for Media, Cognition and Communication, University of Copenhagen.

Select Guide Rating

• Indefinite Visions: Cinema and the Attractions of UncertaintyMartine Beugnet - IntroductionIlluminations Jacques Aumont – The Veiled Image: The Luminous FormlessRichard Misek – The Black ScreenTom Gunning – Flicker and Shutter: Exploring Cinema’s Shuddering ShadowDefinitionsMartin Jay – Genres of BlurGiusy Pisano – In Praise of the Sound Dissolve: Evanescences, Uncertainties, Fusions, Resonances Erika Balsom – 100 Years of Low DefinitionFramesMichel Chion – Jumps in ScaleJulian Hanich – Reflecting on Reflections: Complex Mirror Shots in FilmsChrista Blümlinger　– Cinematic Indeterminacy According to Peter Tscherkassky: Coming AttractionsCarol Vernallis – Baz Luhrmann’s Audiovisual Sublime: Partying in The Great Gatsby TemporalitiesD.N.Rodowick – The Force of Small GesturesKriss Ravetto-Biagioli – Bill Viola and the Cinema of Indefinite Bodily ExperienceCatherine Fowler – Slow Looking: Confronting Moving Images with Didi-HubermanMaterialitiesKim Knowles – (Re)visioning Celluloid: Aesthetics of Contact in Materialist FilmEmmanuelle André – Seeing through the FingertipsRaymond Bellour – Homo Animalis KinoGlitchesSean Cubitt – Temporalities of the Glitch: Déjà VuSteven Shaviro – The Glitch Dimension: Paranormal Activity and the Technologies of VisionAllan Cameron – Facing the Glitch: Abstraction, Abjection and the Digital Image