Stephen Deutsch is Professor of Post-Production at Bournemouth University and Visiting Tutor in Screen Composition at the National Film & Television School. Larry Sider is Director of the School of Sound symposium and former Head of Post-Production at the National Film and Television School. Dominic Power is an independent writer and film historian.

• Sound, Space, Gravity: A Kaleidoscopic Hearing (part I) DONG LIANG I will leave you now and this loudspeaker will take my place NESSA JOHNSTON and ANNEKE KAMPMAN Distant Echoes: Evoking the Soundscapes of the Past in the Radio Documentary Series Noise: A Human History DAVID HENDY Why use Linear Workflows with Non-linear Tools? KLAS DYKHOFF Digital 3-D and the Contemporary Soundtrack: Competing Cinema Spaces DAMIAN CANDUSSO Audio Imagineering: utilising the Four Sound Areas Framework for Emotive Sound Design within Contemporary Audio Post-production NEIL HILLMAN and SANDRA PAULETTO

Stephen Deutsch is Professor of Post-Production at Bournemouth University and Visiting Tutor in Screen Composition at the National Film & Television School. Larry Sider is Director of the School of Sound symposium and former Head of Post-Production at the National Film and Television School. Dominic Power is an independent writer and film historian.

• Sound, Space, Gravity: A Kaleidoscopic Hearing (part I) DONG LIANG I will leave you now and this loudspeaker will take my place NESSA JOHNSTON and ANNEKE KAMPMAN Distant Echoes: Evoking the Soundscapes of the Past in the Radio Documentary Series Noise: A Human History DAVID HENDY Why use Linear Workflows with Non-linear Tools? KLAS DYKHOFF Digital 3-D and the Contemporary Soundtrack: Competing Cinema Spaces DAMIAN CANDUSSO Audio Imagineering: utilising the Four Sound Areas Framework for Emotive Sound Design within Contemporary Audio Post-production NEIL HILLMAN and SANDRA PAULETTO

Stephen Deutsch is Professor of Post-Production at Bournemouth University and Visiting Tutor in Screen Composition at the National Film & Television School. Larry Sider is Director of the School of Sound symposium and former Head of Post-Production at the National Film and Television School. Dominic Power is an independent writer and film historian.

• Sound, Space, Gravity: A Kaleidoscopic Hearing (part I) DONG LIANG I will leave you now and this loudspeaker will take my place NESSA JOHNSTON and ANNEKE KAMPMAN Distant Echoes: Evoking the Soundscapes of the Past in the Radio Documentary Series Noise: A Human History DAVID HENDY Why use Linear Workflows with Non-linear Tools? KLAS DYKHOFF Digital 3-D and the Contemporary Soundtrack: Competing Cinema Spaces DAMIAN CANDUSSO Audio Imagineering: utilising the Four Sound Areas Framework for Emotive Sound Design within Contemporary Audio Post-production NEIL HILLMAN and SANDRA PAULETTO