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Jonathan Boulter - Posthuman Space in Samuel Beckett's Short Prose, Inbunden

Inbunden, Engelska, 2019

Posthuman Space in Samuel Beckett's Short Prose

Av Jonathan Boulter

Del i serien Other Becketts

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Beskrivning
A reading of the philosophical idea of world as it relates to the posthuman subject in Beckett’s short proseJonathan Boulter offers the reader a way of understanding Beckett’s presentation of the human, more precisely, posthuman, subject in his short prose. These texts are notoriously difficult yet utterly compelling. This compelling difficulty arises from Beckett’s radical dismantling of the idea of the human. His short texts offer instead an image of a being who may be posthumous, or ultimately beyond categories of life and death. And yet, despite this dismantling, the narrators of these texts still find themselves placed within material, recognisable, spaces. This book explores what the idea of ‘world’ can mean to a subject who appears to have moved into a material, even ecological, space that is beyond categories of life and death, being and world.Key Features:Provides a philosophical reading of Samuel BeckettRethinks Beckett in relation to the posthumanContributes to a relatively ignored aspect of Samuel Beckett's writing, the short prose
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Jonathan Boulter is Professor of English at Western University, London, Canada. His previous publications include Posthuman Space in Samuel Beckett’s Short Prose (Edinburgh University Press, 2019), Parables of the Posthuman: Digital Realities, Gaming, and the Player Experience (Wayne State UP, 2015), Melancholy and the Archive: Trauma, History and Memory in the Contemporary Novel (Continuum, 2011), Samuel Beckett: A Guide for the Perplexed (Continuum, 2008), and Interpreting Narrative in the Novels of Samuel Beckett (University Press of Florida, 2001).

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Boulter’s compelling book shows that one needs Heidegger and Blanchot as well as Hayles and Haraway to make sense of the textual strategies deployed by Beckett when he creates a spectral subjectivity after the decomposition of the subject. Beckett’s shorter texts, powerfully and systematically read with Blanchot and Heidegger, usher in a post-humanism whose positive yield is a new ecology of space, a space without subjective positioning, a space carved out by relentless fables of destitution, homelessness and powerlessness, just to show what remains after one has lost the world.

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