Tessa Dwyer is Lecturer in Film and Screen Studies at Monash University, Melbourne and Vice-President of the journal Senses of Cinema (www.sensesofcinema.com). She has published widely on issues of language difference within screen media and is a member of inter-disciplinary research group Eye Tracking the Moving Image (ETMI). Her articles have appeared in numerous edited anthologies and journals including South Atlantic Quarterly, The Velvet Light Trap, The Translator and Linguistica Antverpiensia.

This volume is very engaging for both Screen Studies and Translation Studies scholars. It certainly contributes to ongoing discussions in AVT ranging from concepts such as fidelity, quality to authorship and originality.

• IntroductionSection 1 | Devaluation to Deconstruction1. Sub/Dub Wars2. Vanishing Subtitles: The Invisible Cinema (New York, 1970-1974) 3. Dubbing Undone: Can Dialectics Break Bricks? (1973)Section 2 | Errant and Emergent Practices4. Mistranslation and Misuse 5. Fansubbing and Abuse6. Streaming, Subbing, Sharing: Viki Global TV Conclusion: Error Screens

Tessa Dwyer is Lecturer in Film and Screen Studies at Monash University, Melbourne and Vice-President of the journal Senses of Cinema (www.sensesofcinema.com). She has published widely on issues of language difference within screen media and is a member of inter-disciplinary research group Eye Tracking the Moving Image (ETMI). Her articles have appeared in numerous edited anthologies and journals including South Atlantic Quarterly, The Velvet Light Trap, The Translator and Linguistica Antverpiensia.

This volume is very engaging for both Screen Studies and Translation Studies scholars. It certainly contributes to ongoing discussions in AVT ranging from concepts such as fidelity, quality to authorship and originality.

• IntroductionSection 1 | Devaluation to Deconstruction1. Sub/Dub Wars2. Vanishing Subtitles: The Invisible Cinema (New York, 1970-1974) 3. Dubbing Undone: Can Dialectics Break Bricks? (1973)Section 2 | Errant and Emergent Practices4. Mistranslation and Misuse 5. Fansubbing and Abuse6. Streaming, Subbing, Sharing: Viki Global TV Conclusion: Error Screens

Tessa Dwyer is Lecturer in Film and Screen Studies at Monash University, Melbourne and Vice-President of the journal Senses of Cinema (www.sensesofcinema.com). She has published widely on issues of language difference within screen media and is a member of inter-disciplinary research group Eye Tracking the Moving Image (ETMI). Her articles have appeared in numerous edited anthologies and journals including South Atlantic Quarterly, The Velvet Light Trap, The Translator and Linguistica Antverpiensia.

This volume is very engaging for both Screen Studies and Translation Studies scholars. It certainly contributes to ongoing discussions in AVT ranging from concepts such as fidelity, quality to authorship and originality.

• IntroductionSection 1 | Devaluation to Deconstruction1. Sub/Dub Wars2. Vanishing Subtitles: The Invisible Cinema (New York, 1970-1974) 3. Dubbing Undone: Can Dialectics Break Bricks? (1973)Section 2 | Errant and Emergent Practices4. Mistranslation and Misuse 5. Fansubbing and Abuse6. Streaming, Subbing, Sharing: Viki Global TV Conclusion: Error Screens