E. Dawn Hall is a professor in the English Department at Western Kentucky University.

Structured wonderfully and in a way that makes the chronological flow feel less rigid and more natural, The Films Of Kelly Reichardt is a thrilling and deeply important (and incredibly easy to read and fly right on through) meditation on a filmmaker whose import will be felt for years and generations to come.

• DedicationAcknowledgementsKelly Reichardt as AuteurA Closer Look: Kelly Reichardt Precursor: River of GrassProductionA Female Centered Road MovieFeminist Counter-CinemaTaboo Topics: Post-Partum and Role ReversalsPowerless MenLiminal Existence Growth: "Ode," "Then, A Year" and "Travis" "Ode" (1999) "Then, a Year" (2001) "Travis" (2004) Discovery: Old Joy Production Complicating Masculinity Politics and Personal Identity Inserting the Feminine Breakthrough:Wendy and Lucy ProductionNeo-Neorealism Gender and the Narrative of Homelessness Social Realism and the At-Risk vs. the Can-do Girl Ecofeminist Concerns Expectations: Meek's Cutoff The Real Story of Meek Production SoundQuestions of Genre: Feminist WesternSlow Cinema and Neo-Neorealism"Politicking," Race, and Violence The Open Image in Slow Cinema Expansion: Night Moves ProductionSound Denying ExpectationsPolitical ConnectionsHistorical Implications: OklahomaEarth Liberation Front (ELF)Maternity and Post FeminismA Character StudySolidificaton: Certain WomenProductionAdaptation: Lost Characters and Open EndingsAn Interview with Kelly ReichardtFilmographyBibliography

E. Dawn Hall is a professor in the English Department at Western Kentucky University.

Structured wonderfully and in a way that makes the chronological flow feel less rigid and more natural, The Films Of Kelly Reichardt is a thrilling and deeply important (and incredibly easy to read and fly right on through) meditation on a filmmaker whose import will be felt for years and generations to come.

• DedicationAcknowledgementsKelly Reichardt as AuteurA Closer Look: Kelly Reichardt Precursor: River of GrassProductionA Female Centered Road MovieFeminist Counter-CinemaTaboo Topics: Post-Partum and Role ReversalsPowerless MenLiminal Existence Growth: "Ode," "Then, A Year" and "Travis" "Ode" (1999) "Then, a Year" (2001) "Travis" (2004) Discovery: Old Joy Production Complicating Masculinity Politics and Personal Identity Inserting the Feminine Breakthrough:Wendy and Lucy ProductionNeo-Neorealism Gender and the Narrative of Homelessness Social Realism and the At-Risk vs. the Can-do Girl Ecofeminist Concerns Expectations: Meek's Cutoff The Real Story of Meek Production SoundQuestions of Genre: Feminist WesternSlow Cinema and Neo-Neorealism"Politicking," Race, and Violence The Open Image in Slow Cinema Expansion: Night Moves ProductionSound Denying ExpectationsPolitical ConnectionsHistorical Implications: OklahomaEarth Liberation Front (ELF)Maternity and Post FeminismA Character StudySolidificaton: Certain WomenProductionAdaptation: Lost Characters and Open EndingsAn Interview with Kelly ReichardtFilmographyBibliography

E. Dawn Hall is a professor in the English Department at Western Kentucky University.

Structured wonderfully and in a way that makes the chronological flow feel less rigid and more natural, The Films Of Kelly Reichardt is a thrilling and deeply important (and incredibly easy to read and fly right on through) meditation on a filmmaker whose import will be felt for years and generations to come.

• DedicationAcknowledgementsKelly Reichardt as AuteurA Closer Look: Kelly Reichardt Precursor: River of GrassProductionA Female Centered Road MovieFeminist Counter-CinemaTaboo Topics: Post-Partum and Role ReversalsPowerless MenLiminal Existence Growth: "Ode," "Then, A Year" and "Travis" "Ode" (1999) "Then, a Year" (2001) "Travis" (2004) Discovery: Old Joy Production Complicating Masculinity Politics and Personal Identity Inserting the Feminine Breakthrough:Wendy and Lucy ProductionNeo-Neorealism Gender and the Narrative of Homelessness Social Realism and the At-Risk vs. the Can-do Girl Ecofeminist Concerns Expectations: Meek's Cutoff The Real Story of Meek Production SoundQuestions of Genre: Feminist WesternSlow Cinema and Neo-Neorealism"Politicking," Race, and Violence The Open Image in Slow Cinema Expansion: Night Moves ProductionSound Denying ExpectationsPolitical ConnectionsHistorical Implications: OklahomaEarth Liberation Front (ELF)Maternity and Post FeminismA Character StudySolidificaton: Certain WomenProductionAdaptation: Lost Characters and Open EndingsAn Interview with Kelly ReichardtFilmographyBibliography