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Alex Goody, Ian Whittington - Edinburgh Companion to Modernism and Technology, Inbunden

Inbunden, Engelska, 2022

Edinburgh Companion to Modernism and Technology

Av Alex Goody, Ian Whittington

Del i serien Edinburgh Companions to Literature and the Humanities

3791 kr

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Beskrivning
Though modernism's emergence in an environment of techno-cultural acceleration has long been recognized, recent scholarship has deepened and challenged our understanding of the connections between twentieth-century cultural production and its technological interlocutors. In twenty-eight chapters by leading academics, The Edinburgh Companion to Modernism and Technology re-examines the machines and media that functioned as modernism's contexts and competitors. Grounded in an interdisciplinary approach informed by the theoretical and socio-historical frames of current teaching and research on modernism and technology, this research volume makes a crucial and timely intervention in the field of modernist studies. The scholarly contributions on machines that govern transport, production, and public utilities, on media and communication technologies, on the intersections of technology with the human body, and on the technological systems of the early twentieth century capture the contemporary state of modernist technology studies and chart the future directions of this vibrant area.
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Alex Goody is Professor of Twentieth-Century Literature & Culture at Oxford Brookes University, UK. She is the author of Gender, Leisure Technology and Modernist Poetry: Machine Amusements (2019),Technology, Literature and Culture (2011) and Modernist Articulations: a cultural study of Djuna Barnes, Mina Loy and Gertrude Stein (2007), and co-editor of The Edinburgh Companion to Modernism and Technology (2022), Reading Westworld (2019) and American Modernism: Cultural Transactions (2009). Ian Whittington is Associate Professor of English at the University of Mississippi. He is the author of Writing the Radio War: Literature, Politics and the BBC, 1939–1945 (Edinburgh University Press, 2018) as well as a number of essays on radio studies and twentieth-century British, Irish, and Anglophone literature.

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True to its name, this essential tool on the intersection of modernism and technology is an excellent companion for those interested in how innovation touched modernity at all angles. It would be valuable to any modernist scholar due to the prevalence of these techno-cultural novelties at a time when we were being implored to make it new. Moreover, this book would be a valuable starting point for any greenhorned scholar in the field, though to be used as a complementary resource for any particular discussion rather than a stand-alone, which is why each chapter’s bibliography is its own gold mine. [...] Overall, this book is a significant contribution to modernist studies, and should be referenced abundantly whenever discussing this movement.

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