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    1. Kultur
    2. Scenkonst och film
    3. Film

    Researching Historical Screen Audiences

    AvKate Egan,Martin Smith

    Inbunden, Engelska, 2021

    1 264 kr

    Skickas . Fri frakt över 249 kr.

    Beskrivning

    Showcasing current research and contemporary debate in the field of screen history and audience studies, Researching Historical Screen Audiences draws upon a wide variety of previously untapped sources including photographs, maps, Mass Observation reports, diaries, fan letters, cinema records and original oral testimonies to explore the challenges and pleasures of conducting research in this field. Containing twelve new essays from an international group of leading and emerging scholars, the book explores and assesses the current status and shape of the field of historical audience research, showcasing new research which foregrounds the transnational and multi-cultural dimensions of past cinemagoing, the roles played by management personnel and marketing campaigns, and the currently under-explored area of the past reception of home video.

    Produktinformation

    • Utgivningsdatum:2021-12-29
    • Mått:156 x 234 x 24 mm
    • Vikt:540 g
    • Format:Inbunden
    • Språk:Engelska
    • Antal sidor:264
    • Förlag:Edinburgh University Press
    • ISBN:9781474477819

    Utforska kategorier

    • Film inom Kultur

    Mer om författaren

    Dr Kate Egan is Senior Lecturer in Film and Media at Northumbria University Martin Smith is an independent researcher Jamie Terrill is a Research Associate on the AHRC funded Cinema Memory and the Digital Archive: 1930s Britain and Beyond project

    Recensioner i media

    Egan, Smith and Terrill have produced an ambitiously constructed, extensively researched and a truly exciting edited volume. The book offers a wealth of invaluable insights into screen audiences and film cultures more broadly, while showcasing a rich and diverse range of methodologies, periods, settings and contexts. An indispensable contribution to audience historiography.

    Innehållsförteckning

    • List of illustrationsAcknowledgementsList of contributorsIntroductionPart I: Being creative in historical audience research: Re-evaluating the field1. Daniël Biltereyst - Audience as palimpsest, or the structures of cinematic feeling: On historical film audience research and cinema’s imaginative power2. Annette Kuhn - From cinema culture to cinema memory: a conceptual and methodological trajectory3. Karina Aveyard - Constructing cinema audience histories: Methodological choices and challengesPart II: Reconsidering national and transnational cinemagoing histories4. Karina Pryt - Cinemas and cinema audiences in the ‘third space’ in Warsaw (1908-1939)5. Wolfgang Fuhrmann - German films in Brazil: Immigration, associations and national film culture6. James Jones - Emotional communities in the cinema: tracing emotion in Mass Observation cinema records, 1937-1950Part III: Shaping audience expectations: Cinema managers and marketing strategies7. Robert James – ‘Make your public curious’: Cinema management, film advertising and audience taste in England, c. 1920-c. 1960.8. Robert Shail - Harry Sanders: Remembering a life in cinema management9. Adrian Smith - The Yellow Teddybears: Exploitation as educationPart IV: Home viewing contexts and audience memories10. Damiano Garofalo - Archives, sources and memories for a history of early Italian TV audiences11. Martin Smith - The Exorcist in the home: Remembering parental regulation12. Kate Egan - Childhood Memories of Horror Films in the Home: Questions, Patterns and Contexts