ReFocus: The Films of Lucrecia Martel

AvNatalia Christofoletti Barrenha,Julia Kratje

Inbunden, Engelska, 2022

Del i serien ReFocus: The International Directors Series

2 046 kr

Beställningsvara. Skickas inom 3-6 vardagar. Fri frakt över 249 kr.

Beskrivning

Lucrecia Martel has made only four feature films to date, but has nonetheless become one of the world’s most admired directors. Her work is extraordinarily sensitive to the limits of sensory perception, the limits imposed by gender roles, and the limits of empathy and affect across social divisions. This edited collection broadens the critical conversation around Martel’s work by integrating analyses of her features with the less frequently studied short films and her other artistic projects. This volume’s fresh, holistic approach to Martel’s career includes contributions from scholars in Latin America, Europe and the United States, and ends with a new interview with Martel herself.

Produktinformation

Utgivningsdatum:2022-04-26
Mått:156 x 234 x 20 mm
Vikt:488 g
Format:Inbunden
Språk:Engelska
Serie:ReFocus: The International Directors Series
Antal sidor:232
Förlag:Edinburgh University Press
ISBN:9781474485227

Utforska kategorier

Film inom Kultur

Mer om författaren

Natalia Christofoletti Barrenha is an independent film researcher and programmer specialising in Latin American cinema. She is the author of Espaços em conflito. Ensaios sobre a cidade no cinema argentino contemporâneo (2019) and A experiência do cinema de Lucrecia Martel: Resíduos do tempo e sons à beira da piscina (2014. Translation into Spanish: 2020). Julia Kratje is a researcher at Argentina's National Council of Scientific and Technical Research (CONICET), and teaches at the Universidad de Buenos Aires. She is the author of Al margen del tiempo. Deseos, ritmos y atmósferas en el cine argentino (2019) and editor of El asombro y la audacia. El cine de María Luisa Bemberg (2020), among others. Paul R. Merchant is Senior Lecturer in Latin American Film and Visual Culture at the University of Bristol. He is the author of Remaking Home: Domestic Spaces in Argentine and Chilean Film, 2005-2015 (2022) and the co-editor of Latin American Culture and the Limits of the Human (2020).

Recensioner i media

This book offers a very wide and thorough approach to Martel’s cinema and her other visual productions. The introduction and final interview provide very interesting and thorough information to any reader who wants to dive into Martel’s films [...] many of the chapters will surely become leading references in the study of her cinema.

Innehållsförteckning

Metamorphosis and Persistence: An Introduction - Natalia Christofoletti Barrenha, Julia Kratje and Paul R. Merchant Speeds, Generations, and Utopias (Concerning Lucrecia Martel’s The Swamp) - Ana AmadoSounding Class, Race and Gender in Lucrecia Martel’s The Swamp - Dianna C. NiebylskiBeing Unable to See and Being Invisible: Unrecognizable, Inaudible Voices in Fish, New Argirópolis, and Muta - Ana ForcinitoMuta: Monstrosity and Mutation - Mariana Souto and Mônica CampoShort Films as Aesthetic Freedom - Emilio BerniniMasculinity, Desire and Performance in The Holy Girl - Gonzalo Aguilar Other Areas: The Bio-Communal and Feminine Utopia of Cornucopia - Alejandra LaeraRealities Made to Order. On The Headless Woman - Malena VerardiFevers, Frights, and Psychophysical Disconnections: Invisible Threats in the Soundtracks of Zama and The Headless Woman - Damyler CunhaMartel Variations - Adriana Amante‘They Smother You’ - Nora Catelli‘A Kind of Bliss, a Closing Eyelid, a Tiny Fainting Spell’: Zama and the Lapse Into Colour - Deborah MartinPhenomenology of Spirits: Off-Screen Horror in Lucrecia Martel’s Films - David OubiñaThe Conquest of the Uncomfortable. An Interview with Lucrecia Martel - Natalia Christofoletti Barrenha, Julia Kratje and Paul R. Merchant