Inbunden, Engelska, 2022
Painted Cloth
Fashion and Ritual in Colonial Latin America
Av Blanton Museum of Art, Rosario I. Granados
557 kr
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Beskrivning
Produktinformation
- Utgivningsdatum: 2022-08-16
- Mått: 203 x 267 x 43 mm
- Vikt: 1 420 g
- Format: Inbunden
- Språk: Engelska
- Antal sidor: 248
- Förlag: University of Texas Press
- ISBN: 9781477323977
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Mer om författaren
Founded in 1963, the Blanton Museum of Art of the University of Texas at Austin holds the largest public art collection in Central Texas and is the first museum in the United States to have a department and a curatorial position dedicated to the collection, research, and display of Latin American art.Rosario InÉs Granados is the Marilynn Thoma Associate Curator, Art of the Spanish Americas at the Blanton Museum of Art. She organized the exhibition Mapping Memory: Space and History in 16th-century Mexico and was co-editor of the Colonial Latin American Review special issue Hyperdulia Americana. Marian Chronicles in the New World.
Recensioner i media
Featuring 75 objects-paintings, sculptures, prints, furnishings, clothing and other textiles-[Painted Cloth] documents a dynamic exchange of ideas, images and styles across Latin America and beyond in the 1700s. (Wall Street Journal) The catalog, like the exhibition, successfully uses the popular topic of fashion to present, for a broad audience, a complicated history of colonialism, race, class, and gender in Latin America...nuanced, fashionable, and easily accessible. (Latin American and Latinx Visual Culture) The catalog, like the exhibition, successfully uses the popular topic of fashion to present, for a broad audience, a complicated history of colonialism, race, class, and gender in Latin America...nuanced, fashionable, and easily accessible. (Colonial Latin American Review) Painted Cloth is an indispensable introduction to the tradition of translating cloth into painting and sculpture in the Spanish colonial Americas. The catalog’s rich portrait of self-fashioning represents a critical contribution to art history. In particular, it challenges the binary conceptions and stereotypes that have historically informed the presentation of women in the fiercely-patriarchal colonial society. (CAA Reviews)
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