David Lynch

Dennis Lim is a writer and film curator in New York City and the director of programming at the Film Society of Lincoln Center. A former contributor to the New York Times, he is also the editor of The Village Voice Film Guide: 50 Years of Movies from Classics to Cult Hits (2006).

“Reading Lim’s book feels like a visit to the Lynchian world—full of dreamy grey space. It’s transportive. It’s thorough. It’s work—but it’s worth it.” —Refinery29“The Man from Another Place is a very well written ‘cinema-therapy’ session on the career of David Lynch, one of the few real auteurs left. His movies, obsessions, studio hassles, and personal life are all revealed in a smart, readable analysis by author Dennis Lim, who makes for the perfect film shrink.” —John Waters“David Lynch’s brilliance as an artist is further illuminated by the laser intelligence of Dennis Lim’s commentary. Packed with new ideas regarding this most enigmatic of American filmmakers and refreshingly free of jargon, DL on DL is a dazzling performance. It is also a pleasure to read.” —J. Hoberman, co-author of Midnight Movies“The Man from Another Place is an exemplary work of critical biography, in which one DL gives us an invaluable set of keys, or backwards-spoken passwords, for beginning to unlock and navigate the labyrinths of another.” —Tom McCarthy, author of Remainder and Satin Island“To me, David Lynch is America. His light is brimmed with extreme beauty and violence. The Man from Another Place takes me to this unique terrain to discover one of America’s most intriguing minds. I realize how accessible Lynch’s universe is—it’s as simple as breathing. Seen through Mr. Lynch’s eyes, blood is poetry, a murky night is crystal clear.” —Apichatpong Weerasethakul, director of Uncle Boonmee Who Can Recall His Past Lives “Dennis Lim’s crystalline book packs fascinating Lynchian biographical minutiae and revelatory production anecdotes into astonishingly lucid yet lyrical takes on the work of his subject. Lim is so thoroughly cine-literate his contextualization of Lynch’s creative trajectory within the art form and its industry seems definitive—the last word on Lynch!” —Guy Maddin, filmmaker, My Winnipeg“The book serves as an excellent primer for those unfamiliar with and curious about Lynch, as well as a pithy and insightful resource for confirmed fans wishing to deepen their appreciation and understanding of his work. A streamlined and breezily engaging—but impressively rigorous—evaluation of a unique film talent; essential reading for fans of Lynch and the immersive, elusive worlds he creates.” —Kirkus Reviews“Eloquent, astute study.” —ArtForum“Film critic and curator Lim interrogates the elusive ‘Lynchian’ aesthetic in this concise critical biography.” —Booklist“With crisp prose—one small example: I love how he describes Eraserhead as ‘an exemplar of ingenuity born of poverty’—and a consistent brevity (the 179-page text is not-inaccurately described in its press release as ‘meditation-length’), this is an obvious must-read for Lynch’s admirers...Thorough research with perceptive, even-handed critical analysis.” —The Film Stage“Lim offers a wealth of poignant anecdotes that elaborate on Lynch without attempting to reductively ‘explain’ him as a human or a creative...Lim allows you to honor Lynch’s highest aspiration of entering another world.” —Slant Magazine“There’s a lot of fun in dissecting the cerebral meaning of Lynch’s work, but there’s also no shortage of it. Refreshingly, Lim puts down the psychological magnifying glass, looking instead at the mechanics of Lynch’s work as a filmmaker, from inspiration to reception.” —Stet Magazine“Dennis Lim investigates ‘Lynchian’ with a sophisticated earnestness, acknowledging that it’s a possibly futile but necessary thing to try to decipher.” —Biographile“A thoughtful, energetic foray into the style, craftsmanship, and meaning of [David Lynch’s] films.” —The New York Times Book Review“Excellent new book on Lynch.” —London Review of Books“The Man from Another Place is a skeleton key to Lynch’s origins, obsessions, creative struggles, and transcendent works.” —Flavorwire“Informative and brightly written biography...[A] gem of a book” —The Washington Post“A sharp and concise work of criticism.” —Los Angeles Review of Books