Mary K. Coffey is Associate Professor of Art History at Dartmouth College. She is the author of How a Revolutionary Art Became Official Culture: Murals, Museums, and the Mexican State, also published by Duke University Press, and coeditor of Modern Art in Africa, Asia, and Latin America: An Introduction to Global Modernisms.

“Orozco's American Epic is original in its intent, theoretically sophisticated, and clearly elaborated. Mary K. Coffey does not settle for easy interpretations of Orozco's mural but rather dwells purposively on the difficult questions it raises. An outstanding book.” - Claire F. Fox, author of (Making Art Panamerican: Cultural Policy and the Cold War) “This is a spectacular piece of scholarship. Any study of Mexican mural painting in the context of Mexico is challenging enough, but adding the extra level of context as a work on US soil would defeat a less ambitious and less courageous scholar than Mary K. Coffey. Any scholar who can speak with great authority on the theories of Benjamin, Freud, and Butler on the same page and then apply those insights to the work of a Mexican painter is a scholar of almost shocking sophistication and intellectual conviction. This book needed to be written, and Coffey has delivered in glorious fashion.” - Leonard Folgarait, coeditor of (Mexican Muralism: A Critical History) "Coffey’s scholarship is singular in its depth of critical analysis of Orozco’s Epic and, for this reason, will likely be considered among the foremost explorations of the work. . . . This book is highly recommended for every academic library collection." - Colleen Farry (ARLIS/NA) "Critiquing melancholy through the lenses of performance and critical race studies, decoloniality, and transnationalism, Coffey offers a nuanced interpretation of Orozco’s political art. She presents Orozco’s Epic as a compelling counternarrative that reappraises debates about identity, immigration, and nationalism. Highly recommended. Upper-division undergraduates through faculty; professionals." - L. Estevez (Choice) "An engaging read. . . . Coffey’s discussion of these muralists correctly places the book in conversation with Mexican muralist studies more broadly." - Gregory R. Mesa (Dartmouth Review) "If [Coffey’s] reflections on the notion of prophecy re-open a closed chapter in Mexican historiography, her analysis of the Orozco mural from the standpoint of mass culture will put art historians on the edge of their seats. Without resorting to analogies of 'high and low' . . . she illuminates a field of exchanges and transformations . . . that partakes of the extraordinary formal freedom the painter was gaining through his work." (translated from Spanish) - Renato González Mello (Nexos) "Four-and-a-half decades later, Mary K. Coffey is now the favorite Professor at Dartmouth College that I never had. Her richly informed and nuanced Orozco’s American Epic on some of this hemisphere’s greatest murals deepens my understanding and affection for the most memorable body of imagery encountered in four unhappy years of my life. ¡Bravo, Maestra!" - Mike Mosher (Leonardo Reviews) “A meaningful contribution to a growing body of literature on the theme of Mexican muralism on both sides of the border.... Coffey’s sophisticated analysis and vivid description of Orozco’s mural combine a variety of methodologies that make this book timely, complex, and engaging.”- Maya Jiménez (Panorama)

• List of Illustrations  ixPreface  xvAcknowledgments  xviiIntroduction  11. Orozco's Melancholy Dialectics  432. Colonial Melancholy and the Myth of Quetzalcoatl  793. American Modernity and the Play of Mourning  1234. "Modern Industrial Man" and the Melancholy of Race in America  207Conclusion  261Notes  287Bibliography  325Index

Mary K. Coffey is Associate Professor of Art History at Dartmouth College. She is the author of How a Revolutionary Art Became Official Culture: Murals, Museums, and the Mexican State, also published by Duke University Press, and coeditor of Modern Art in Africa, Asia, and Latin America: An Introduction to Global Modernisms.

“Orozco's American Epic is original in its intent, theoretically sophisticated, and clearly elaborated. Mary K. Coffey does not settle for easy interpretations of Orozco's mural but rather dwells purposively on the difficult questions it raises. An outstanding book.” - Claire F. Fox, author of (Making Art Panamerican: Cultural Policy and the Cold War) “This is a spectacular piece of scholarship. Any study of Mexican mural painting in the context of Mexico is challenging enough, but adding the extra level of context as a work on US soil would defeat a less ambitious and less courageous scholar than Mary K. Coffey. Any scholar who can speak with great authority on the theories of Benjamin, Freud, and Butler on the same page and then apply those insights to the work of a Mexican painter is a scholar of almost shocking sophistication and intellectual conviction. This book needed to be written, and Coffey has delivered in glorious fashion.” - Leonard Folgarait, coeditor of (Mexican Muralism: A Critical History) "Coffey’s scholarship is singular in its depth of critical analysis of Orozco’s Epic and, for this reason, will likely be considered among the foremost explorations of the work. . . . This book is highly recommended for every academic library collection." - Colleen Farry (ARLIS/NA) "Critiquing melancholy through the lenses of performance and critical race studies, decoloniality, and transnationalism, Coffey offers a nuanced interpretation of Orozco’s political art. She presents Orozco’s Epic as a compelling counternarrative that reappraises debates about identity, immigration, and nationalism. Highly recommended. Upper-division undergraduates through faculty; professionals." - L. Estevez (Choice) "An engaging read. . . . Coffey’s discussion of these muralists correctly places the book in conversation with Mexican muralist studies more broadly." - Gregory R. Mesa (Dartmouth Review) "If [Coffey’s] reflections on the notion of prophecy re-open a closed chapter in Mexican historiography, her analysis of the Orozco mural from the standpoint of mass culture will put art historians on the edge of their seats. Without resorting to analogies of 'high and low' . . . she illuminates a field of exchanges and transformations . . . that partakes of the extraordinary formal freedom the painter was gaining through his work." (translated from Spanish) - Renato González Mello (Nexos) "Four-and-a-half decades later, Mary K. Coffey is now the favorite Professor at Dartmouth College that I never had. Her richly informed and nuanced Orozco’s American Epic on some of this hemisphere’s greatest murals deepens my understanding and affection for the most memorable body of imagery encountered in four unhappy years of my life. ¡Bravo, Maestra!" - Mike Mosher (Leonardo Reviews) “A meaningful contribution to a growing body of literature on the theme of Mexican muralism on both sides of the border.... Coffey’s sophisticated analysis and vivid description of Orozco’s mural combine a variety of methodologies that make this book timely, complex, and engaging.”- Maya Jiménez (Panorama)

• List of Illustrations  ixPreface  xvAcknowledgments  xviiIntroduction  11. Orozco's Melancholy Dialectics  432. Colonial Melancholy and the Myth of Quetzalcoatl  793. American Modernity and the Play of Mourning  1234. "Modern Industrial Man" and the Melancholy of Race in America  207Conclusion  261Notes  287Bibliography  325Index

Mary K. Coffey is Associate Professor of Art History at Dartmouth College. She is the author of How a Revolutionary Art Became Official Culture: Murals, Museums, and the Mexican State, also published by Duke University Press, and coeditor of Modern Art in Africa, Asia, and Latin America: An Introduction to Global Modernisms.

“Orozco's American Epic is original in its intent, theoretically sophisticated, and clearly elaborated. Mary K. Coffey does not settle for easy interpretations of Orozco's mural but rather dwells purposively on the difficult questions it raises. An outstanding book.” - Claire F. Fox, author of (Making Art Panamerican: Cultural Policy and the Cold War) “This is a spectacular piece of scholarship. Any study of Mexican mural painting in the context of Mexico is challenging enough, but adding the extra level of context as a work on US soil would defeat a less ambitious and less courageous scholar than Mary K. Coffey. Any scholar who can speak with great authority on the theories of Benjamin, Freud, and Butler on the same page and then apply those insights to the work of a Mexican painter is a scholar of almost shocking sophistication and intellectual conviction. This book needed to be written, and Coffey has delivered in glorious fashion.” - Leonard Folgarait, coeditor of (Mexican Muralism: A Critical History) "Coffey’s scholarship is singular in its depth of critical analysis of Orozco’s Epic and, for this reason, will likely be considered among the foremost explorations of the work. . . . This book is highly recommended for every academic library collection." - Colleen Farry (ARLIS/NA) "Critiquing melancholy through the lenses of performance and critical race studies, decoloniality, and transnationalism, Coffey offers a nuanced interpretation of Orozco’s political art. She presents Orozco’s Epic as a compelling counternarrative that reappraises debates about identity, immigration, and nationalism. Highly recommended. Upper-division undergraduates through faculty; professionals." - L. Estevez (Choice) "An engaging read. . . . Coffey’s discussion of these muralists correctly places the book in conversation with Mexican muralist studies more broadly." - Gregory R. Mesa (Dartmouth Review) "If [Coffey’s] reflections on the notion of prophecy re-open a closed chapter in Mexican historiography, her analysis of the Orozco mural from the standpoint of mass culture will put art historians on the edge of their seats. Without resorting to analogies of 'high and low' . . . she illuminates a field of exchanges and transformations . . . that partakes of the extraordinary formal freedom the painter was gaining through his work." (translated from Spanish) - Renato González Mello (Nexos) "Four-and-a-half decades later, Mary K. Coffey is now the favorite Professor at Dartmouth College that I never had. Her richly informed and nuanced Orozco’s American Epic on some of this hemisphere’s greatest murals deepens my understanding and affection for the most memorable body of imagery encountered in four unhappy years of my life. ¡Bravo, Maestra!" - Mike Mosher (Leonardo Reviews) “A meaningful contribution to a growing body of literature on the theme of Mexican muralism on both sides of the border.... Coffey’s sophisticated analysis and vivid description of Orozco’s mural combine a variety of methodologies that make this book timely, complex, and engaging.”- Maya Jiménez (Panorama)

• List of Illustrations  ixPreface  xvAcknowledgments  xviiIntroduction  11. Orozco's Melancholy Dialectics  432. Colonial Melancholy and the Myth of Quetzalcoatl  793. American Modernity and the Play of Mourning  1234. "Modern Industrial Man" and the Melancholy of Race in America  207Conclusion  261Notes  287Bibliography  325Index