Okwui Enwezor (1963–2019) was an internationally recognized and pathbreaking art curator, the former director of Haus der Kunst, founder of Nka: Journal of Contemporary African Art, and the coauthor of numerous books and exhibition catalogs.Atreyee Gupta is Associate Professor of Global Modern Art and South and Southeast Asian Art at the University of California, Berkeley, and author of Non-Aligned: Art, Decolonization, and the Third World Project in India.

“Okwui Enwezor envisioned the vectors of art and discourse zigzagging within the historical paradigm of postcolonial globality. Witness his momentous 2002 Documenta, his 2015 Venice Biennale (All the World’s Futures), and his sweeping periodization of twentieth-century art history: Postwar, Postcolonial, Post-Communism. His 2016 Postwar exhibition offered divergent radicalities, and so do the related, multiauthored books, including this anthology, coedited with art historian Atreyee Gupta. Committed to ‘thinking historically in the present,’ Enwezor articulated for the art world a complex dynamic of the contemporary.” - Geeta Kapur, author of (When Was Modernism: Essays on Contemporary Cultural Practice in India) “Rethinking the narrow Euro-American basis of ‘postwar’ as an art historical epoch, Postwar Revisited makes a major contribution. It reflects and will further influence the broader spirit of revisionism toward more global understandings of the twentieth century that have been effectively redefining the field of art history over the past two decades.” - Saloni Mathur, author of (A Fragile Inheritance: Radical Stakes in Contemporary Indian Art)

• List of Illustrations  xiPreface / Atreyee Gupta  xviiIntroduction / Atreyee Gupta  1Part I. Europe in Transition1. Creaturely Cobra / Hal Foster  191. Decolonizing Modernism/s: Transversal Histories and the Slade School of Fine Art / Ming Tiampo  35Part II. The Soviet Bloc and Communist China3. Soviet Art before and after the Thaw / Boris Groys  654. Rent Collection Courtyard, the “Atomic Bomb of the Art World” / Vivian Li  79Part III. Pacific Passages, Atlantic Oscillations5. Godzilla’s Schizophrenia: Americanization and Amnesia in Postwar Japan / Alexandra Munroe  996. The Work of Salvage: Jess, Allegory, and the Atomic Bomb / Tara McDowell  1197. “The Eternal Modernity of the Church”: Art in the Sugar Mill and the University in the Philippines / Patrick Flores  1358. Antipodean Vision: Postwar Arts in Australia and the South Pacific / Terry Smith  1559. IntegraciÓn plÁstica: The Postwar Synthesis of the Arts as Seen from Mexico in 1952 / Jennifer Josten  17310. Ancient Modernisms: Illegibility, Women, and 1950s Weaving / Jenni Sorkin  195Part IV: Decolonizing Constellations11. Postwar Abstraction: Similarities, Differences, and Other Ophthalmologic Conundrums / Atreyee Gupta  21512. Enemy of the People: Jewad Selim and the Baghdad Group for Modern Art / Nada Shabout  23713. Decolonization and Calligraphic Abstraction / Iftikhar Dadi  25314. Postwar Imaginings: NÉgritude Legacies and Thwarted Universalisms in Dakar and Paris / Elizabeth Harney  277Bibliography  295Contributors  321Index

Okwui Enwezor (1963–2019) was an internationally recognized and pathbreaking art curator, the former director of Haus der Kunst, founder of Nka: Journal of Contemporary African Art, and the coauthor of numerous books and exhibition catalogs.Atreyee Gupta is Associate Professor of Global Modern Art and South and Southeast Asian Art at the University of California, Berkeley, and author of Non-Aligned: Art, Decolonization, and the Third World Project in India.

“Okwui Enwezor envisioned the vectors of art and discourse zigzagging within the historical paradigm of postcolonial globality. Witness his momentous 2002 Documenta, his 2015 Venice Biennale (All the World’s Futures), and his sweeping periodization of twentieth-century art history: Postwar, Postcolonial, Post-Communism. His 2016 Postwar exhibition offered divergent radicalities, and so do the related, multiauthored books, including this anthology, coedited with art historian Atreyee Gupta. Committed to ‘thinking historically in the present,’ Enwezor articulated for the art world a complex dynamic of the contemporary.” - Geeta Kapur, author of (When Was Modernism: Essays on Contemporary Cultural Practice in India) “Rethinking the narrow Euro-American basis of ‘postwar’ as an art historical epoch, Postwar Revisited makes a major contribution. It reflects and will further influence the broader spirit of revisionism toward more global understandings of the twentieth century that have been effectively redefining the field of art history over the past two decades.” - Saloni Mathur, author of (A Fragile Inheritance: Radical Stakes in Contemporary Indian Art)

• List of Illustrations  xiPreface / Atreyee Gupta  xviiIntroduction / Atreyee Gupta  1Part I. Europe in Transition1. Creaturely Cobra / Hal Foster  191. Decolonizing Modernism/s: Transversal Histories and the Slade School of Fine Art / Ming Tiampo  35Part II. The Soviet Bloc and Communist China3. Soviet Art before and after the Thaw / Boris Groys  654. Rent Collection Courtyard, the “Atomic Bomb of the Art World” / Vivian Li  79Part III. Pacific Passages, Atlantic Oscillations5. Godzilla’s Schizophrenia: Americanization and Amnesia in Postwar Japan / Alexandra Munroe  996. The Work of Salvage: Jess, Allegory, and the Atomic Bomb / Tara McDowell  1197. “The Eternal Modernity of the Church”: Art in the Sugar Mill and the University in the Philippines / Patrick Flores  1358. Antipodean Vision: Postwar Arts in Australia and the South Pacific / Terry Smith  1559. IntegraciÓn plÁstica: The Postwar Synthesis of the Arts as Seen from Mexico in 1952 / Jennifer Josten  17310. Ancient Modernisms: Illegibility, Women, and 1950s Weaving / Jenni Sorkin  195Part IV: Decolonizing Constellations11. Postwar Abstraction: Similarities, Differences, and Other Ophthalmologic Conundrums / Atreyee Gupta  21512. Enemy of the People: Jewad Selim and the Baghdad Group for Modern Art / Nada Shabout  23713. Decolonization and Calligraphic Abstraction / Iftikhar Dadi  25314. Postwar Imaginings: NÉgritude Legacies and Thwarted Universalisms in Dakar and Paris / Elizabeth Harney  277Bibliography  295Contributors  321Index

Okwui Enwezor (1963–2019) was an internationally recognized and pathbreaking art curator, the former director of Haus der Kunst, founder of Nka: Journal of Contemporary African Art, and the coauthor of numerous books and exhibition catalogs.Atreyee Gupta is Associate Professor of Global Modern Art and South and Southeast Asian Art at the University of California, Berkeley, and author of Non-Aligned: Art, Decolonization, and the Third World Project in India.

“Okwui Enwezor envisioned the vectors of art and discourse zigzagging within the historical paradigm of postcolonial globality. Witness his momentous 2002 Documenta, his 2015 Venice Biennale (All the World’s Futures), and his sweeping periodization of twentieth-century art history: Postwar, Postcolonial, Post-Communism. His 2016 Postwar exhibition offered divergent radicalities, and so do the related, multiauthored books, including this anthology, coedited with art historian Atreyee Gupta. Committed to ‘thinking historically in the present,’ Enwezor articulated for the art world a complex dynamic of the contemporary.” - Geeta Kapur, author of (When Was Modernism: Essays on Contemporary Cultural Practice in India) “Rethinking the narrow Euro-American basis of ‘postwar’ as an art historical epoch, Postwar Revisited makes a major contribution. It reflects and will further influence the broader spirit of revisionism toward more global understandings of the twentieth century that have been effectively redefining the field of art history over the past two decades.” - Saloni Mathur, author of (A Fragile Inheritance: Radical Stakes in Contemporary Indian Art)

• List of Illustrations  xiPreface / Atreyee Gupta  xviiIntroduction / Atreyee Gupta  1Part I. Europe in Transition1. Creaturely Cobra / Hal Foster  191. Decolonizing Modernism/s: Transversal Histories and the Slade School of Fine Art / Ming Tiampo  35Part II. The Soviet Bloc and Communist China3. Soviet Art before and after the Thaw / Boris Groys  654. Rent Collection Courtyard, the “Atomic Bomb of the Art World” / Vivian Li  79Part III. Pacific Passages, Atlantic Oscillations5. Godzilla’s Schizophrenia: Americanization and Amnesia in Postwar Japan / Alexandra Munroe  996. The Work of Salvage: Jess, Allegory, and the Atomic Bomb / Tara McDowell  1197. “The Eternal Modernity of the Church”: Art in the Sugar Mill and the University in the Philippines / Patrick Flores  1358. Antipodean Vision: Postwar Arts in Australia and the South Pacific / Terry Smith  1559. IntegraciÓn plÁstica: The Postwar Synthesis of the Arts as Seen from Mexico in 1952 / Jennifer Josten  17310. Ancient Modernisms: Illegibility, Women, and 1950s Weaving / Jenni Sorkin  195Part IV: Decolonizing Constellations11. Postwar Abstraction: Similarities, Differences, and Other Ophthalmologic Conundrums / Atreyee Gupta  21512. Enemy of the People: Jewad Selim and the Baghdad Group for Modern Art / Nada Shabout  23713. Decolonization and Calligraphic Abstraction / Iftikhar Dadi  25314. Postwar Imaginings: NÉgritude Legacies and Thwarted Universalisms in Dakar and Paris / Elizabeth Harney  277Bibliography  295Contributors  321Index