Stefania Lucamante is a professor of Italian and Comparative Literature at The Catholic University of America.

• AcknowledgmentsAbbreviationsIntroduction Part I. Anger and Commitment in the Narratives of Tiziano Scarpa1. Pasolini’s La rabbia and the Spectacularization of Scarpa’s Posthuman Aesthetics2. An Apocalyptic Kamikaze: Tiziano Scarpa or How to Invade the Reader3. The Fundamental Things in Life According to ScarpaPart II. Anger and Spaces of Vulnerability in the Narratives of Melania Mazzucco and Monica Stambrini4. Melania Mazzucco’s Un giorno perfetto: Domestic Violence on an Everyday Perfect Day5. Pushing Boundaries: Road Movies and Gas Stations in Monica Stambrini’s Benzina Part III. Anger and Spaces of Otherness in the Narratives of Paolo Sorrentino, Simona Vinci, and Veronica Tomassini 6. A Recipe for the Advantages and Disadvantages of Love: Anger and Misogyny in Paolo Sorrentino's The Consequences of Love7. Society, Simulacra, and Love: Simona Vinci’s Stanza 4118. Wounding the Individual: Dynamics of Diversity and Anatomy of Love in Veronica Tomassini’s Sangue di CaneAfterwordNotesWorks CitedIndex

Stefania Lucamante is a professor of Italian and Comparative Literature at The Catholic University of America.

• AcknowledgmentsAbbreviationsIntroduction Part I. Anger and Commitment in the Narratives of Tiziano Scarpa1. Pasolini’s La rabbia and the Spectacularization of Scarpa’s Posthuman Aesthetics2. An Apocalyptic Kamikaze: Tiziano Scarpa or How to Invade the Reader3. The Fundamental Things in Life According to ScarpaPart II. Anger and Spaces of Vulnerability in the Narratives of Melania Mazzucco and Monica Stambrini4. Melania Mazzucco’s Un giorno perfetto: Domestic Violence on an Everyday Perfect Day5. Pushing Boundaries: Road Movies and Gas Stations in Monica Stambrini’s Benzina Part III. Anger and Spaces of Otherness in the Narratives of Paolo Sorrentino, Simona Vinci, and Veronica Tomassini 6. A Recipe for the Advantages and Disadvantages of Love: Anger and Misogyny in Paolo Sorrentino's The Consequences of Love7. Society, Simulacra, and Love: Simona Vinci’s Stanza 4118. Wounding the Individual: Dynamics of Diversity and Anatomy of Love in Veronica Tomassini’s Sangue di CaneAfterwordNotesWorks CitedIndex

Stefania Lucamante is a professor of Italian and Comparative Literature at The Catholic University of America.

• AcknowledgmentsAbbreviationsIntroduction Part I. Anger and Commitment in the Narratives of Tiziano Scarpa1. Pasolini’s La rabbia and the Spectacularization of Scarpa’s Posthuman Aesthetics2. An Apocalyptic Kamikaze: Tiziano Scarpa or How to Invade the Reader3. The Fundamental Things in Life According to ScarpaPart II. Anger and Spaces of Vulnerability in the Narratives of Melania Mazzucco and Monica Stambrini4. Melania Mazzucco’s Un giorno perfetto: Domestic Violence on an Everyday Perfect Day5. Pushing Boundaries: Road Movies and Gas Stations in Monica Stambrini’s Benzina Part III. Anger and Spaces of Otherness in the Narratives of Paolo Sorrentino, Simona Vinci, and Veronica Tomassini 6. A Recipe for the Advantages and Disadvantages of Love: Anger and Misogyny in Paolo Sorrentino's The Consequences of Love7. Society, Simulacra, and Love: Simona Vinci’s Stanza 4118. Wounding the Individual: Dynamics of Diversity and Anatomy of Love in Veronica Tomassini’s Sangue di CaneAfterwordNotesWorks CitedIndex