Amy Helene Forss serves as Metropolitan Community College’s History Program chair and Social Sciences Department corepresentative in Omaha, Nebraska. She is the author of Black Print with a White Carnation: Mildred Brown and the “Omaha Star” Newspaper, 1938–1989 (Nebraska, 2014).

"Borrowing from Our Foremothers is a welcome and illuminating analysis necessary for understanding the development of feminism as well as our current moment. By placing material culture items within each era's political campaigns, this book yields a deeper understanding of the women's-movement metanarrative."-SÜheyla Saritas, Journal of Folklore Research "This book offers an engaging introduction to several important themes, figures, and institutions within expanse of women's rights activism in the United States."-Mariah Kupfner, H-Material-Culture "Forss makes an admirable effort to fill in the gaps for a more accurate and inclusive historical record of the women's movement. . . . Recent events, legislation, and rulings on issues such as Roe v. Wade remind us that the fight for women’s rights is not over and must continue into the future."-Sharon L. Kennedy, Nebraska History "Employing a combination of artifact study, primary sources, and interviews, Amy Helene Forss contributes to our understanding of the 169 years of women's struggle for suffrage and equal rights."-Susan Curtis, Great Plains Quarterly "There are few scholarly works that so profusely and precisely discuss the interconnection of artifacts surrounding the American women’s movement as Forss does in Borrowing from Our Foremothers."-Cynthia Boyd, Journal of American Folklore "The reader walks away with a greater sense of the tapestry of women and artifacts that have come to constitute a nearly two-century-long struggle. Of particular note are the 100 interviews with descendants of foremothers, especially Marian Anderson's granddaughter-in-law, and with foremothers themselves, including Carlotta Walls LaNier, Valerie Pettis, Phyllis Schlafly, and Peggy Kokernot Kaplan. These interviews appear throughout the text and constitute some of Forss's most strikingly original research in that they enliven the larger material historical tapestry, connecting past and present with living threads."-Jessica Conrad, Winterthur Portfolio “Borrowing from Our Foremothers is about historical connectedness-the dots, moments, and artifacts that make up the history of U.S. feminism. One of the [book’s] strengths is its highlighting of African American women and their often-overlooked leadership roles in the American feminist movement. The interviews the author conducted for the book are many and impressive. They are a valuable and unique contribution.”-Mary K. Trigg, author of Feminism as Life’s Work: Four Modern American Women through Two World Wars

• List of IllustrationsAcknowledgmentsIntroductionPart 1. Demanding Suffrage1. Setting the Stage2. Parading Their Colors3. Silently DisobedientPart 2. Challenging Boundaries4. Addressing the Doldrums5. LGBTQ Feminists6. Lighting the WayPart 3. Redefining Equality7. Dueling Gavels8. Stopping the ERA9. Standing Her GroundEpilogueCast of ForemothersAppendixNotesBibliographyIndex

Amy Helene Forss serves as Metropolitan Community College’s History Program chair and Social Sciences Department corepresentative in Omaha, Nebraska. She is the author of Black Print with a White Carnation: Mildred Brown and the “Omaha Star” Newspaper, 1938–1989 (Nebraska, 2014).

"Borrowing from Our Foremothers is a welcome and illuminating analysis necessary for understanding the development of feminism as well as our current moment. By placing material culture items within each era's political campaigns, this book yields a deeper understanding of the women's-movement metanarrative."-SÜheyla Saritas, Journal of Folklore Research "This book offers an engaging introduction to several important themes, figures, and institutions within expanse of women's rights activism in the United States."-Mariah Kupfner, H-Material-Culture "Forss makes an admirable effort to fill in the gaps for a more accurate and inclusive historical record of the women's movement. . . . Recent events, legislation, and rulings on issues such as Roe v. Wade remind us that the fight for women’s rights is not over and must continue into the future."-Sharon L. Kennedy, Nebraska History "Employing a combination of artifact study, primary sources, and interviews, Amy Helene Forss contributes to our understanding of the 169 years of women's struggle for suffrage and equal rights."-Susan Curtis, Great Plains Quarterly "There are few scholarly works that so profusely and precisely discuss the interconnection of artifacts surrounding the American women’s movement as Forss does in Borrowing from Our Foremothers."-Cynthia Boyd, Journal of American Folklore "The reader walks away with a greater sense of the tapestry of women and artifacts that have come to constitute a nearly two-century-long struggle. Of particular note are the 100 interviews with descendants of foremothers, especially Marian Anderson's granddaughter-in-law, and with foremothers themselves, including Carlotta Walls LaNier, Valerie Pettis, Phyllis Schlafly, and Peggy Kokernot Kaplan. These interviews appear throughout the text and constitute some of Forss's most strikingly original research in that they enliven the larger material historical tapestry, connecting past and present with living threads."-Jessica Conrad, Winterthur Portfolio “Borrowing from Our Foremothers is about historical connectedness-the dots, moments, and artifacts that make up the history of U.S. feminism. One of the [book’s] strengths is its highlighting of African American women and their often-overlooked leadership roles in the American feminist movement. The interviews the author conducted for the book are many and impressive. They are a valuable and unique contribution.”-Mary K. Trigg, author of Feminism as Life’s Work: Four Modern American Women through Two World Wars

• List of IllustrationsAcknowledgmentsIntroductionPart 1. Demanding Suffrage1. Setting the Stage2. Parading Their Colors3. Silently DisobedientPart 2. Challenging Boundaries4. Addressing the Doldrums5. LGBTQ Feminists6. Lighting the WayPart 3. Redefining Equality7. Dueling Gavels8. Stopping the ERA9. Standing Her GroundEpilogueCast of ForemothersAppendixNotesBibliographyIndex

Amy Helene Forss serves as Metropolitan Community College’s History Program chair and Social Sciences Department corepresentative in Omaha, Nebraska. She is the author of Black Print with a White Carnation: Mildred Brown and the “Omaha Star” Newspaper, 1938–1989 (Nebraska, 2014).

"Borrowing from Our Foremothers is a welcome and illuminating analysis necessary for understanding the development of feminism as well as our current moment. By placing material culture items within each era's political campaigns, this book yields a deeper understanding of the women's-movement metanarrative."-SÜheyla Saritas, Journal of Folklore Research "This book offers an engaging introduction to several important themes, figures, and institutions within expanse of women's rights activism in the United States."-Mariah Kupfner, H-Material-Culture "Forss makes an admirable effort to fill in the gaps for a more accurate and inclusive historical record of the women's movement. . . . Recent events, legislation, and rulings on issues such as Roe v. Wade remind us that the fight for women’s rights is not over and must continue into the future."-Sharon L. Kennedy, Nebraska History "Employing a combination of artifact study, primary sources, and interviews, Amy Helene Forss contributes to our understanding of the 169 years of women's struggle for suffrage and equal rights."-Susan Curtis, Great Plains Quarterly "There are few scholarly works that so profusely and precisely discuss the interconnection of artifacts surrounding the American women’s movement as Forss does in Borrowing from Our Foremothers."-Cynthia Boyd, Journal of American Folklore "The reader walks away with a greater sense of the tapestry of women and artifacts that have come to constitute a nearly two-century-long struggle. Of particular note are the 100 interviews with descendants of foremothers, especially Marian Anderson's granddaughter-in-law, and with foremothers themselves, including Carlotta Walls LaNier, Valerie Pettis, Phyllis Schlafly, and Peggy Kokernot Kaplan. These interviews appear throughout the text and constitute some of Forss's most strikingly original research in that they enliven the larger material historical tapestry, connecting past and present with living threads."-Jessica Conrad, Winterthur Portfolio “Borrowing from Our Foremothers is about historical connectedness-the dots, moments, and artifacts that make up the history of U.S. feminism. One of the [book’s] strengths is its highlighting of African American women and their often-overlooked leadership roles in the American feminist movement. The interviews the author conducted for the book are many and impressive. They are a valuable and unique contribution.”-Mary K. Trigg, author of Feminism as Life’s Work: Four Modern American Women through Two World Wars

• List of IllustrationsAcknowledgmentsIntroductionPart 1. Demanding Suffrage1. Setting the Stage2. Parading Their Colors3. Silently DisobedientPart 2. Challenging Boundaries4. Addressing the Doldrums5. LGBTQ Feminists6. Lighting the WayPart 3. Redefining Equality7. Dueling Gavels8. Stopping the ERA9. Standing Her GroundEpilogueCast of ForemothersAppendixNotesBibliographyIndex