Douglas Morrey is Reader in French Studies at the University of Warwick, UK, where he researches and teaches French cinema and contemporary French literature. He is the author of Jean-Luc Godard (2005) and Michel Houellebecq: Humanity and its Aftermath (2013), and is the co-author of Jacques Rivette (2009).

Including extensive notes and bibliography, this erudite study is rich in information and analysis and a must read for any student or scholar of French cinema. Summing Up: Highly recommended. Upper-division undergraduates through faculty.

• Chapter 1. The End of the New WaveChapter 2. The Post-New Wave of the 1970sChapter 3. The cinéma du lookChapter 4. The jeune cinéma français of the 1990sChapter 5. The Old New WaveChapter 6. Contemporary French Auteur Cinema: Three Case StudiesBibliographyIndex

Douglas Morrey is Reader in French Studies at the University of Warwick, UK, where he researches and teaches French cinema and contemporary French literature. He is the author of Jean-Luc Godard (2005) and Michel Houellebecq: Humanity and its Aftermath (2013), and is the co-author of Jacques Rivette (2009).

Including extensive notes and bibliography, this erudite study is rich in information and analysis and a must read for any student or scholar of French cinema. Summing Up: Highly recommended. Upper-division undergraduates through faculty.

• Chapter 1. The End of the New WaveChapter 2. The Post-New Wave of the 1970sChapter 3. The cinéma du lookChapter 4. The jeune cinéma français of the 1990sChapter 5. The Old New WaveChapter 6. Contemporary French Auteur Cinema: Three Case StudiesBibliographyIndex

Douglas Morrey is Reader in French Studies at the University of Warwick, UK, where he researches and teaches French cinema and contemporary French literature. He is the author of Jean-Luc Godard (2005) and Michel Houellebecq: Humanity and its Aftermath (2013), and is the co-author of Jacques Rivette (2009).

Including extensive notes and bibliography, this erudite study is rich in information and analysis and a must read for any student or scholar of French cinema. Summing Up: Highly recommended. Upper-division undergraduates through faculty.

• Chapter 1. The End of the New WaveChapter 2. The Post-New Wave of the 1970sChapter 3. The cinéma du lookChapter 4. The jeune cinéma français of the 1990sChapter 5. The Old New WaveChapter 6. Contemporary French Auteur Cinema: Three Case StudiesBibliographyIndex