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William Brown - Non-Cinema, Inbunden

Inbunden, Engelska, 2018

Non-Cinema

Global Digital Film-making and the Multitude

Av William Brown

Del i serien Thinking Cinema

1977 kr

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Beskrivning
Non-Cinema: Global Digital Film-making and the Multitude provides an original film-philosophy through which to understand low budget digital filmmaking from around the globe. It draws upon a wide range of western and non-western philosophers, physicists, theorists of ‘Third Cinema,’ and contemporary film theorists and film-philosophers in order to argue that the future of cinema lies at the margins, in the extreme, the overlooked and the under-funded – the sort that distributors, exhibitors and audiences would not consider to be cinema at all, hence "non-cinema." Analysing numerous films, William Brown argues that contemporary low-budget digital cinema is also through its digital form a political cinema that suggests that we are not detached observers of the world, but entangled participants therewith. Non-Cinema constructs this argument by looking at work by established filmmakers like Jean-Luc Godard, Abbas Kiarostami, Jafar Panahi and Michael Winterbottom, as well as lesser known work from places as diverse as Asia, the Middle East, Europe, the Americas and Africa.
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William Brown is Senior Lecturer in Film at the University of Roehampton, UK. He is the author of Supercinema: Film-Philosophy for the Digital Age (2013), Moving People, Moving Images: Cinema and Trafficking in the New Europe (2010), with Dina Iordanova and Leshu Torchin, and co-editor, with David Martin-Jones, of Deleuze and Film (2012).

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Brown brilliantly introduces the concept of non-cinema as anti-thesis, remainder and emergent condition of a "post-colonial" world dominated and impoverished by the logistics of capital-cinema. Non-cinema investigates zones of invisibility at the margins of spectacle, in the poor image, and in the poor world, while also providing a powerful survey of global (non-)cinema, its various attributes and its urgent commitments to socially transformative modes of relation. The book is a significant theoretical elaboration and critique of the world-media system, that also collects and concentrates globally distributed, often liminal, instances of struggle, inspiration and liberation.

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