Tim Satterthwaite is a Lecturer in History of Art and Design, University of Brighton, UK.

If you think you’ve seen all there is to see on the interwar period, Tim Satterthwaite proves you wrong: his original perspective on the world of illustrated magazines draws our attention to a wealth of social and cultural phenomena. The book’s sophisticated readings of magazine photographs reveal a treasure trove of inspiring, unexplored materials.

• IntroductionAcknowledgementsPart 1 Social Modernism1 The Idea of the Whole2 Pattern Theory3 Symphonies of the CityPart 2 The Beautiful World: UHU Magazine, 1924–301 “The pulse of life” 2 Photographic Unities 3 “The beauty of technology” 4 Sunlit Dancers 5 UHU in the 1930s Part 3 The Crisis of Modernity: VU Magazine, 1930–331 The Promise of Plenty 2 Utopian Patterns 3 The Crisis Years Epilogue: Modern Pages Bibliography Index

Tim Satterthwaite is a Lecturer in History of Art and Design, University of Brighton, UK.

If you think you’ve seen all there is to see on the interwar period, Tim Satterthwaite proves you wrong: his original perspective on the world of illustrated magazines draws our attention to a wealth of social and cultural phenomena. The book’s sophisticated readings of magazine photographs reveal a treasure trove of inspiring, unexplored materials.

• IntroductionAcknowledgementsPart 1 Social Modernism1 The Idea of the Whole2 Pattern Theory3 Symphonies of the CityPart 2 The Beautiful World: UHU Magazine, 1924–301 “The pulse of life” 2 Photographic Unities 3 “The beauty of technology” 4 Sunlit Dancers 5 UHU in the 1930s Part 3 The Crisis of Modernity: VU Magazine, 1930–331 The Promise of Plenty 2 Utopian Patterns 3 The Crisis Years Epilogue: Modern Pages Bibliography Index

Tim Satterthwaite is a Lecturer in History of Art and Design, University of Brighton, UK.

If you think you’ve seen all there is to see on the interwar period, Tim Satterthwaite proves you wrong: his original perspective on the world of illustrated magazines draws our attention to a wealth of social and cultural phenomena. The book’s sophisticated readings of magazine photographs reveal a treasure trove of inspiring, unexplored materials.

• IntroductionAcknowledgementsPart 1 Social Modernism1 The Idea of the Whole2 Pattern Theory3 Symphonies of the CityPart 2 The Beautiful World: UHU Magazine, 1924–301 “The pulse of life” 2 Photographic Unities 3 “The beauty of technology” 4 Sunlit Dancers 5 UHU in the 1930s Part 3 The Crisis of Modernity: VU Magazine, 1930–331 The Promise of Plenty 2 Utopian Patterns 3 The Crisis Years Epilogue: Modern Pages Bibliography Index