Häftad, Engelska, 2018

Ezra Pound in the Present

Essays on Pound's Contemporaneity

Av Paul Stasi, Josephine Park

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Beskrivning

Was Ezra Pound the first theorist of world literature? Or did he inaugurate a form of comparative literature that could save the discipline from its untimely demise? Would he have welcomed the 2008 financial crisis? What might he say about America's economic dependence on China? Would he have been appalled at the rise of the “digital humanities,” or found it amenable to his own quasi-social scientific views about the role of literature in society? What, if anything, would he find to value in today's economic and aesthetic discourses? Ezra Pound in the Present collects new essays by prominent scholars of modernist poetics to engage the relevance of Pound’s work for our times, testing whether his literature was, as he hoped it would be, “news that stays news.”

Produktinformation

Utgivningsdatum: 2018-04-19
Mått: 152 x 229 x 15 mm
Vikt: 363 g
Format: Häftad
Språk: Engelska
Antal sidor: 272
Förlag: Bloomsbury Publishing Plc
ISBN: 9781501341786

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Mer om författaren

Josephine Park is Associate Professor of English and Asian American Studies at the University of Pennsylvania, USA. She is the author of Apparitions of Asia: Modernist Form and Asian American Poetics (2008).Paul Stasi is Associate Professor of English at SUNY Albany, USA. He is the author of Modernism, Imperialism and the Historical Sense (2012) and the co-editor, with Jennifer Greiman, of The Last Western: Deadwood and the End of American Empire (Bloomsbury, 2013). His work has appeared in the James Joyce Quarterly, Historical Materialism, Comparative Literature, the Journal of Transnational American Studies, Twentieth Century Literature and La Habana Elegante.

Recensioner i media

This provocative collection includes essays by both established and emerging scholars who engage what one of the contributors, Christoper Bush, calls "the proximity of what is admirable and what is execrable in [Pound's] work." Many of Pound's concerns—finance capitalism, the US's Founding Fathers, what is meant by "world" literature, the US and East Asia—are also present concerns, and Pound's particular blindness and insights regarding those concerns may illuminate today's readers. Different readers will value different essays in this volume. For this reviewer, the strongest contributions are Charles Altieri's on Pound's imagist poems and the "epiphanic model" of much contemporary poetry; Bush's on Japan's "mediation" of China for Pound; Christine Froula's on the "triptych" of the Pisan Cantos, Sextus Propertius, and Mauberley; and C. D. Blanton's on J. D. Keynes, Major Douglas, and the Fifth Decade of Cantos … This collection of essays will help readers think about Pound's work in fresh ways. Summing Up: Highly recommended.

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