Bokus
Christopher Meir - Mass Producing European Cinema, Häftad

Häftad, Engelska, 2020

Mass Producing European Cinema

Studiocanal and Its Works

Av Christopher Meir

485 kr

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Beskrivning
Equal parts historical study, industrial analysis and critical survey of some of the most important films and television programs in recent European history, this book gives readers an overview of the development and output of this important company while also giving them a ringside seat for the latest round of the oldest battle in the film business. With films like Lucy, The Impossible and Paddington, European studios are producing hits that are unprecedented in terms of global success. Christopher Meir delves into Studiocanal, the foremost European company in the contemporary film and television industries, and chronicles its rise from a small production subsidiary of Canal Plus to being the most important global challenger to Hollywood’s dominance.
Produktinformation
  • Utgivningsdatum: 2020-08-20
  • Mått: 150 x 228 x 16 mm
  • Vikt: 380 g
  • Format: Häftad
  • Språk: Engelska
  • Antal sidor: 272
  • Förlag: Bloomsbury Publishing Plc
  • ISBN: 9781501368103
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Mer om författaren

Christopher Meir is a UC3M CONEX Fellow in the Department of Journalism and Audiovisual Communication at the University of Carlos III Madrid, Spain. He is the author of Scottish Cinema: Texts and Contexts (2014) and co-editor of Beyond the Bottom Line: The Producer in Film and Television Studies (2014). He has also published numerous articles and book chapters on industrial issues in Film and Television Studies.

Recensioner i media

The recent emergence of several European studios that integrate production and distribution as global players is symptomatic of the profound changes that are taking place in the international screen industries. In this important book, Christopher Meir helps understand these changes by providing a detailed account of Studiocanal, arguably the most interesting and successful of these studios. Showing a command of the historical development of European cinema, industry economics and relevant scholarship, Meir provides a detailed analysis of the company’s evolution, business practices its key outputs that will be of significant value to all those interested in the changing nature of the film and television industries.

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