Ingmar Bergman at the Crossroads

Between Theory and Practice

Inbunden, Engelska, 2022

1 408 kr

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Beskrivning

This collection offers new and insightful perspectives on Ingmar Bergman’s work as a film and theatre director as well as writer of fiction. Ingmar Bergman’s rich legacy as a film director and writer of classics such as The Seventh Seal, Scenes From a Marriage, and Fanny and Alexander has attracted scholars not only in film studies but also of literature, theater, gender, philosophy, religion, sociology, musicology, and more. Less known, however, is Bergman from the perspective of production studies, including all the choices, practices, and routines involved in what goes on behind the scenes. For instance, what about Bergman’s collaborations and conflicts with film producers? What about his work with musicians at the opera, technicians in the television studio, and actors on the film set? What about Bergman and MeToo? In order to throw light on these issues, art practitioners such as film directors Ang Lee and Margarethe von Trotta, film and opera director Atom Egoyan, and film producer and screenwriter James Schamus are brought together with academics such as philosopher and film scholar Paisley Livingston, musicologist Alexis Luko, and playwright and performance studies scholar Allan Havis to discuss Bergman’s work from their unique perspectives. In addition, Ingmar Bergman at the Crossroads provides, for the first time, in-depth interviews with Bergman’s longtime collaborators Katinka Faragó and Måns Reuterswärd, who both have first-hand experience of working intimately as producers in film and television with Bergman, covering more than 5 decades. In an open exchange between individual and institutional perspectives, this book bridges the often-rigid boundaries between theoreticians and practitioners, in turn pointing Bergman's studies in new directions.

Produktinformation

Utgivningsdatum:2022-12-15
Mått:152 x 229 x 16 mm
Vikt:532 g
Format:Inbunden
Språk:Engelska
Antal sidor:272
Förlag:Bloomsbury Publishing Plc
ISBN:9781501389641

Utforska kategorier

Film inom Kultur

Mer om författaren

Maaret Koskinen is Professor Emeritus in Film Studies at Stockholm University, Sweden. Louise Wallenberg is Professor in Fashion Studies at Stockholm University, Sweden.

Recensioner i media

An essential new anthology that will pay dividends in Theatre, Film, and Bergman Studies for years, perhaps decades to come. The collected essays and interviews are smart, engaging, and focused on concerns of vital interest to the contemporary reader. Nobody interested in the Demon Director can afford to pass it up.

Innehållsförteckning

Acknowledgements Preface Ang Lee (Filmmaker)Introduction Maaret Koskinen (Stockholm University, Sweden) and Louise Wallenberg (Stockholm University, Sweden)1. Hour of the Wolf: Nightmares and CreativityMargarethe von Trotta (Film Director, Germany)2. Working with Bergman: Interview with Film and Television Producers Katinka Faragò and Måns ReuterswärdMaaret Koskinen (Stockholm University, Sweden)and Louise Wallenberg (Stockholm University, Sweden)3. Ambiguity and the Making of Nattvardsgästerna/Winter LightPaisley Livingston (Lingnan University, Hong Kong and Uppsala University, Sweden)4. The Passion of Anna: The Wondrous Alchemy Between Actors and Landscape, Interview with Atom EgoyanMaaret Koskinen (Stockholm University, Sweden) and Louise Wallenberg (Stockholm University, Sweden)5. Scenes from On and Off the Set: Ingmar Bergman, Power and MetooMaaret Koskinen (Stockholm University, Sweden)6. For Good or For Bad? Bergman’s Ambivalent Influence – Some ObservationsLinus Tunström (Independent Scholar, Sweden)7. Jacobi’s Burden: "Jewish" Figurations in Fanny och AlexanderJonathan Rozenkrantz (Lund University, Sweden)8. Producing The Magic Flute (1975): Conversation with Måns Reuterswärd and Katinka FaragóMaaret Koskinen (Stockholm University, Sweden) and Louise Wallenberg (Stockholm University, Sweden)9. Metareference, Metalepsis, and Music in Liv Ullmann's and Ingmar Bergman’s FaithlessAlexis Luko (Carleton University, Canada)10. Bergman’s The Magician: The Art of Creating IllusionsAllan Havis (University of California, San Diego, USA)11. Author, Auteur, Actor: 21 Fragments on Bergman, Ullmann, and PersonaJames Schamus (Columbia University, USA)12. Dear Director: Adapting Bergman’s Failures and Leftovers Into a Play, and a Fan-letter Into a FilmMarcus Lindeen (Writer/ Director, Sweden)13. Making (the) Silence Speak: Remake, Retake, RectifyLouise Wallenberg (Stockholm University, Sweden)Conclusion Maaret Koskinen (Stockholm University, Sweden)and Louise Wallenberg (Stockholm University, Sweden)BibliographyFilmographyContributor biosIndex

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