Hanan Toukan is Associate Professor of Politics and Middle East Studies at Bard College Berlin.

"There are few books out there that bring together a deep, critical knowledge of the arts in the Middle East with theoretical sophistication and shimmering ethnographic observations. Hanan Toukan's The Politics of Art does this abundantly, and it does so in beautiful, absorbing prose, with great care and tenderness."—Laleh Khalili, Queen Mary University of London "The Politics of Art is a game changer. Hanan Toukan brilliantly reveals a critical, often hidden component of art-making in the Middle East: how powerful political and economic interests have shaped what kinds of art are even possible. A brave intervention and required reading for anyone working in the fields of cultural politics and diplomacy."—Jessica Winegar, Northwestern University "In a detailed, revealing, and thought-provoking sociological account, Hanan Toukan explores how a contemporary art scene in Amman, Beirut, and Ramallah grew under the patronage of Western-funded NGOs alongside rising inequality. In these circumstances, might an idealistic commitment to diversity and decolonization produce a new form of homogeneity and domination?"—Julian Stallabrass, Courtauld Institute of Art "The Politics of Art is a dissonant account of how art, without recognition of its ties with power, upholds the very structures it claims to critique."—Ophelia Lai, ArtAsiaPacific "The Politics of Art is beautifully written and engages the relevant literatures from mainstream debates to more critical thinkers from the Frankfurt School to Rancière and Foucault. Written without jargon, the book is both theoretically sophisticated and accessible.... The book will be of interest not only to larger debates not only on cultural production but also on the diverse effects of neoliberalism, political dissent, the politics of urban space, and foreign development aid."—Jillian Schwedler, Perspectives on Politics "Overall, the book moves with a mocking spirit that tickles the funny bone at the same time that it hurts. As a Palestinian reader, one identifies with many things the author addresses, and one even smiles sometimes when reading specific sentences that make perfect sense, however painful."—Maysoon Shibi, Critical Inquiry "By rendering the implicit explicit, Toukan's text speaks to the quiet anxieties of both artists and academics who navigate international funding regimes, offering an important and highly interdisciplinary contribution to understandings of soft power and the politics of cultural production."—Melissa Scott, H-AMCA "The Politics of Art is, in short, a path-clearing work that should point the way for a new generation of art, performance, and music researchers to propose other formulations of the political by which to read, appreciate, and be in conversation with their performing and multidisciplinary artist contemporaries in the Mashriq."—Rayya El Zein, International Journal of Middle East Studies

• Introduction: n/a1. Cultural Wars and the Politics of Diplomacy2. "An Artist Who Cannot Speak English Is No Artist"3. The Dissonance of Dissent: Art and Artists after 19904. Beirut: The Rise and Rise of Postwar Art5. Amman: Uneasy Lie the Arts6. Ramallah: The Paintbrush Is Mightier than the M16Conclusion: n/a

Hanan Toukan is Associate Professor of Politics and Middle East Studies at Bard College Berlin.

"There are few books out there that bring together a deep, critical knowledge of the arts in the Middle East with theoretical sophistication and shimmering ethnographic observations. Hanan Toukan's The Politics of Art does this abundantly, and it does so in beautiful, absorbing prose, with great care and tenderness."—Laleh Khalili, Queen Mary University of London "The Politics of Art is a game changer. Hanan Toukan brilliantly reveals a critical, often hidden component of art-making in the Middle East: how powerful political and economic interests have shaped what kinds of art are even possible. A brave intervention and required reading for anyone working in the fields of cultural politics and diplomacy."—Jessica Winegar, Northwestern University "In a detailed, revealing, and thought-provoking sociological account, Hanan Toukan explores how a contemporary art scene in Amman, Beirut, and Ramallah grew under the patronage of Western-funded NGOs alongside rising inequality. In these circumstances, might an idealistic commitment to diversity and decolonization produce a new form of homogeneity and domination?"—Julian Stallabrass, Courtauld Institute of Art "The Politics of Art is a dissonant account of how art, without recognition of its ties with power, upholds the very structures it claims to critique."—Ophelia Lai, ArtAsiaPacific "The Politics of Art is beautifully written and engages the relevant literatures from mainstream debates to more critical thinkers from the Frankfurt School to Rancière and Foucault. Written without jargon, the book is both theoretically sophisticated and accessible.... The book will be of interest not only to larger debates not only on cultural production but also on the diverse effects of neoliberalism, political dissent, the politics of urban space, and foreign development aid."—Jillian Schwedler, Perspectives on Politics "Overall, the book moves with a mocking spirit that tickles the funny bone at the same time that it hurts. As a Palestinian reader, one identifies with many things the author addresses, and one even smiles sometimes when reading specific sentences that make perfect sense, however painful."—Maysoon Shibi, Critical Inquiry "By rendering the implicit explicit, Toukan's text speaks to the quiet anxieties of both artists and academics who navigate international funding regimes, offering an important and highly interdisciplinary contribution to understandings of soft power and the politics of cultural production."—Melissa Scott, H-AMCA "The Politics of Art is, in short, a path-clearing work that should point the way for a new generation of art, performance, and music researchers to propose other formulations of the political by which to read, appreciate, and be in conversation with their performing and multidisciplinary artist contemporaries in the Mashriq."—Rayya El Zein, International Journal of Middle East Studies

• Introduction: n/a1. Cultural Wars and the Politics of Diplomacy2. "An Artist Who Cannot Speak English Is No Artist"3. The Dissonance of Dissent: Art and Artists after 19904. Beirut: The Rise and Rise of Postwar Art5. Amman: Uneasy Lie the Arts6. Ramallah: The Paintbrush Is Mightier than the M16Conclusion: n/a