Michael Cramer is assistant professor of film history at Sarah Lawrence College.

"Both theoretical treatise and intellectual history, Michael Cramer’s intervention matches the utopian vision of its subject as he efficiently and astutely navigates us through the thorny politics of art cinema."-Karl Schoonover, University of Warwick"Michael Cramer's fine book explores those paths not taken that define a genre, that interplay between film and TV pioneered by Rossellini in service of a now utopian social pedagogy. Peter Watkins' understudied work, along with Rossellini's experiments-unfamiliar to those who only know him through the early masterpieces-throw a wholly new light on Godard himself, and Cramer's luminous readings of the works are as stimulating as his overall theorization of this new, or perhaps missed, form."-Fredric Jameson, Duke University"Rich and theoretically rigorous text."-CHOICE"Cramer has done an invaluable service to those of us who esteem these works, contextualising them through contemporary writing and interviews by the filmmaker."-Sight and Sound"Michael Cramer’s new book, Utopian Television, is an impressively constructed work of scholarship that does more than display certain utopian trends in its three subjects; it traces a discursive movement of utopian thinking through technologies. The book is a dynamic and engaging work that will be of interest to more than television scholars, dealing with movements between cinema and television, concepts of the image, and in-depth discussions of auteurs."-Senses of Cinema

• ContentsIntroduction. The Land beyond Cinema: Television and Utopian Method1. The Promise of Television: Making Utopia Possible2. Television as Enlightenment: Roberto Rossellini’s History Lessons3. Inform, Educate, and Aestheticize: Peter Watkins at the BBC4. Radical Communications: Jean-Luc Godard on and around Television5. Utopia after Television: Media Mutations and TransplantationsAcknowledgmentsNotesIndex

Michael Cramer is assistant professor of film history at Sarah Lawrence College.

"Both theoretical treatise and intellectual history, Michael Cramer’s intervention matches the utopian vision of its subject as he efficiently and astutely navigates us through the thorny politics of art cinema."-Karl Schoonover, University of Warwick"Michael Cramer's fine book explores those paths not taken that define a genre, that interplay between film and TV pioneered by Rossellini in service of a now utopian social pedagogy. Peter Watkins' understudied work, along with Rossellini's experiments-unfamiliar to those who only know him through the early masterpieces-throw a wholly new light on Godard himself, and Cramer's luminous readings of the works are as stimulating as his overall theorization of this new, or perhaps missed, form."-Fredric Jameson, Duke University"Rich and theoretically rigorous text."-CHOICE"Cramer has done an invaluable service to those of us who esteem these works, contextualising them through contemporary writing and interviews by the filmmaker."-Sight and Sound"Michael Cramer’s new book, Utopian Television, is an impressively constructed work of scholarship that does more than display certain utopian trends in its three subjects; it traces a discursive movement of utopian thinking through technologies. The book is a dynamic and engaging work that will be of interest to more than television scholars, dealing with movements between cinema and television, concepts of the image, and in-depth discussions of auteurs."-Senses of Cinema

• ContentsIntroduction. The Land beyond Cinema: Television and Utopian Method1. The Promise of Television: Making Utopia Possible2. Television as Enlightenment: Roberto Rossellini’s History Lessons3. Inform, Educate, and Aestheticize: Peter Watkins at the BBC4. Radical Communications: Jean-Luc Godard on and around Television5. Utopia after Television: Media Mutations and TransplantationsAcknowledgmentsNotesIndex

Michael Cramer is assistant professor of film history at Sarah Lawrence College.

"Both theoretical treatise and intellectual history, Michael Cramer’s intervention matches the utopian vision of its subject as he efficiently and astutely navigates us through the thorny politics of art cinema."-Karl Schoonover, University of Warwick"Michael Cramer's fine book explores those paths not taken that define a genre, that interplay between film and TV pioneered by Rossellini in service of a now utopian social pedagogy. Peter Watkins' understudied work, along with Rossellini's experiments-unfamiliar to those who only know him through the early masterpieces-throw a wholly new light on Godard himself, and Cramer's luminous readings of the works are as stimulating as his overall theorization of this new, or perhaps missed, form."-Fredric Jameson, Duke University"Rich and theoretically rigorous text."-CHOICE"Cramer has done an invaluable service to those of us who esteem these works, contextualising them through contemporary writing and interviews by the filmmaker."-Sight and Sound"Michael Cramer’s new book, Utopian Television, is an impressively constructed work of scholarship that does more than display certain utopian trends in its three subjects; it traces a discursive movement of utopian thinking through technologies. The book is a dynamic and engaging work that will be of interest to more than television scholars, dealing with movements between cinema and television, concepts of the image, and in-depth discussions of auteurs."-Senses of Cinema

• ContentsIntroduction. The Land beyond Cinema: Television and Utopian Method1. The Promise of Television: Making Utopia Possible2. Television as Enlightenment: Roberto Rossellini’s History Lessons3. Inform, Educate, and Aestheticize: Peter Watkins at the BBC4. Radical Communications: Jean-Luc Godard on and around Television5. Utopia after Television: Media Mutations and TransplantationsAcknowledgmentsNotesIndex