Steven Gerrard is Reader in Film in the Northern Film School, School of Arts, Leeds Beckett UniversityRobert Shail is Professor of Film and Director of Research in the School of Arts, Leeds Beckett University

• Introduction – Steven Gerrard and Robert Shail1 Reframing the British tough guy: Jason Statham as postmodern hero - Robert Shail2 ‘I’m certainly not Tom Cruise or Brad Pitt’: Jason Statham, fandom and a new type of (anti)hero - Renee Middlemost3 The power of Statham - Paul Feig4 ‘It’s that peasant mentality’: the cult persona of Jason Statham, Hollywood outsider - Jonathan Mack5 A balancing act(or): Jason Statham and the ensemble film – Sarah Thomas6 Blagging it both ways: The Bank Job and the British heist movie - James Chapman7 Jason Statham in Spy: subverting genre and gender - Clare Smith8 Arthouse Statham - Martin Carter9 Transporting Jason Statham: national identity in the Transporter trilogy - Jennie Lewis-Vidler10 The avatar hero: exploring the virtualisation of the Statham brand - Dean Bowman and Erin Pearson11 Ageing Statham: expendable expendable? - Nathasha Parcei12 Crank it up! Scoring Statham - Shelley O’Brien 13 Clothes make the man: Statham’s sartorial serendipity - Steven GerrardConclusion - Steven Gerrard and Robert ShailIndex

Steven Gerrard is Reader in Film in the Northern Film School, School of Arts, Leeds Beckett UniversityRobert Shail is Professor of Film and Director of Research in the School of Arts, Leeds Beckett University

• Introduction – Steven Gerrard and Robert Shail1 Reframing the British tough guy: Jason Statham as postmodern hero - Robert Shail2 ‘I’m certainly not Tom Cruise or Brad Pitt’: Jason Statham, fandom and a new type of (anti)hero - Renee Middlemost3 The power of Statham - Paul Feig4 ‘It’s that peasant mentality’: the cult persona of Jason Statham, Hollywood outsider - Jonathan Mack5 A balancing act(or): Jason Statham and the ensemble film – Sarah Thomas6 Blagging it both ways: The Bank Job and the British heist movie - James Chapman7 Jason Statham in Spy: subverting genre and gender - Clare Smith8 Arthouse Statham - Martin Carter9 Transporting Jason Statham: national identity in the Transporter trilogy - Jennie Lewis-Vidler10 The avatar hero: exploring the virtualisation of the Statham brand - Dean Bowman and Erin Pearson11 Ageing Statham: expendable expendable? - Nathasha Parcei12 Crank it up! Scoring Statham - Shelley O’Brien 13 Clothes make the man: Statham’s sartorial serendipity - Steven GerrardConclusion - Steven Gerrard and Robert ShailIndex

Steven Gerrard is Reader in Film in the Northern Film School, School of Arts, Leeds Beckett UniversityRobert Shail is Professor of Film and Director of Research in the School of Arts, Leeds Beckett University

• Introduction – Steven Gerrard and Robert Shail1 Reframing the British tough guy: Jason Statham as postmodern hero - Robert Shail2 ‘I’m certainly not Tom Cruise or Brad Pitt’: Jason Statham, fandom and a new type of (anti)hero - Renee Middlemost3 The power of Statham - Paul Feig4 ‘It’s that peasant mentality’: the cult persona of Jason Statham, Hollywood outsider - Jonathan Mack5 A balancing act(or): Jason Statham and the ensemble film – Sarah Thomas6 Blagging it both ways: The Bank Job and the British heist movie - James Chapman7 Jason Statham in Spy: subverting genre and gender - Clare Smith8 Arthouse Statham - Martin Carter9 Transporting Jason Statham: national identity in the Transporter trilogy - Jennie Lewis-Vidler10 The avatar hero: exploring the virtualisation of the Statham brand - Dean Bowman and Erin Pearson11 Ageing Statham: expendable expendable? - Nathasha Parcei12 Crank it up! Scoring Statham - Shelley O’Brien 13 Clothes make the man: Statham’s sartorial serendipity - Steven GerrardConclusion - Steven Gerrard and Robert ShailIndex