Walking in the Dark

Douglas Field is a writer and academic who teaches American literature at the University of Manchester. He has published two books on James Baldwin, the most recent of which is All Those Strangers: The Art and Lives of James Baldwin (2015). His work has been published in Beat Scene, the Big Issue, the Guardian and the Times Literary Supplement, where he has been a regular contributor for twenty years. He is a founding editor of James Baldwin Review.

'A lyrical and beautifully written tribute to the power of James Baldwin’s work and its capacity to shape lives and build relationships.'David Olusoga, author of Black and British'Douglas Field's Walking in the dark is an intriguing account of the correlations between his father's Alzheimer's disease and the literature of James Baldwin. Rereading Baldwin provided Field with the portal to the intricacy of his father's illness and a deeper understanding of Baldwin's genius. A unique study.' Herb Boyd, author of Baldwin's Harlem 'For me, this is a perfect introduction to Baldwin and a moving reach into the mysteries of dementia, finding gentle connection between the two subjects. Walking in the dark is questioning, difficult and ultimately edifying.'Amy Liptrot, author of The Outrun'In this alluring blend of history, memoir and travelogue, published for the centenary of James Baldwin’s birth, writer and American literature academic Field (who was introduced to Baldwin’s work by his father) reflects on his life-long fascination with his writings, weaving in a poignant account of his father’s Alzheimer’s.'Caroline Sanderson, The Bookseller'This sense of life, and lives, impinging on critical territories (and vice versa) also propels Walking in the dark, by the university professor Douglas Field, who weighs two decades’ worth of teaching and research (often into Baldwin) against his father’s Alzheimer’s. [...] In Field’s expert hands, “Black” even functions as an aesthetic zeugma for Baldwin and Alzheimer’s.'Fred D'Aguiar, Times Literary Supplement'The book skilfully entwines various strands. Field outlines Baldwin’s life in Harlem and his difficult relationship with his stepfather. Next to this is the story of Field’s early years in Shropshire, his troubles with his own father, and his developing love for Baldwin. Those narratives are overshadowed by Field senior’s late-stage Alzheimer’s and the author’s responses to it.'James Campbell, The Spectator‘Walking in the dark shines needed light not just on the full range of James Baldwin’s intellectual contribution, but on the tragic costs and ironic compensations of Alzheimer's, a disease he died too early to face. Seizing Baldwin’s centennial as an inspiration for the least indulgent brands of self-reflection and family history, Field reminds us that the value of great writing can be measured in the everyday fates it illuminates as well as the uncommon landscapes it paints.’William J. Maxwell, editor of James Baldwin: The FBI File‘A moving book that blends the personal with the intellectual with grace and precision. Field uses his impressive knowledge of literature to understand the mysteries of our world. This unique work speaks to the endurance of Baldwin’s vision and the way his best readers find new paths to approach him.’D. Quentin Miller, editor of James Baldwin in Context'Walking in the Dark is a fan letter of the very highest order, to James Baldwin, one of the truly great cultural titans of the twentieth century. Douglas Field really knows his Baldwin, and uses this to take us on a exhilarating tour of his hero's life and work. Counterposed with his boundless enthusiasm for a literary fantasy father figure gone too soon is Field's real father, also once a literary tour de force but now fading away in a Shropshire care home. The juxtaposition is stark and sharp, sometimes uncomfortable but always intriguing. This is a generous and honest book, and a real celebration of the mercurial genius of James Baldwin.'Mike Parker, author of All the Wide Border'Walking in the dark represents an attempt to hold onto, to reclaim, to save from darkness, thereceding past which, in turn, has shaped the way we face the future.'John Livesey, New Formations'A poignant story about love and connection across time'Janina Levin, The European Journal of Life Writing

• Prologue: If we are not ourselves, who are we?1 Fathers and illness2 Writing home3 Some who wander are lost4 Mistakes, we’d made a few, too many to mentionEpilogue: Thou poor ghostIndex