Thomas Cooper is HR Woudhuysen Junior Research Fellow in Material Culture at Lincoln College, OxfordImogen Hart is a Lecturer in the History of Art at Oxford Brookes University

• Introduction – Thomas Cooper and Imogen Hart1 Morris’s materials: A study in indigo – Sarah Mead Leonard2 The making and meaning of the Morris family albums: A queer intervention in Arts and Crafts scholarship – Thomas Cooper3 Re-mediation and ‘local’ Islamic art in the British Arts and Crafts movement – Sara Choudhrey4 Chinese ceramics and British art pottery – Charlotte Ashby and Naomi Brookes5 ‘Of the racial influence in design’: Race, evolution and (re)production in the English Arts and Crafts movement – Imogen Hart6 Craftivism as a strategy for inclusive development in independence India: Kamaladevi Chattopadhyay and Elizabeth Bayley Willis – Adhitya Dhanapal7 Carceral craft: Chinese exclusion and the paperwork of the Golden Venture detainees – Marie Lo8 Crafting motif: Indigenous textile design and the contemporary Arts and Crafts industries – Emma C. Wingfield9 Beauty that challenges: The Burne-Jones windows at Birmingham Cathedral – Andy DelmegeBibliographyIndex

Thomas Cooper is HR Woudhuysen Junior Research Fellow in Material Culture at Lincoln College, OxfordImogen Hart is a Lecturer in the History of Art at Oxford Brookes University

• Introduction – Thomas Cooper and Imogen Hart1 Morris’s materials: A study in indigo – Sarah Mead Leonard2 The making and meaning of the Morris family albums: A queer intervention in Arts and Crafts scholarship – Thomas Cooper3 Re-mediation and ‘local’ Islamic art in the British Arts and Crafts movement – Sara Choudhrey4 Chinese ceramics and British art pottery – Charlotte Ashby and Naomi Brookes5 ‘Of the racial influence in design’: Race, evolution and (re)production in the English Arts and Crafts movement – Imogen Hart6 Craftivism as a strategy for inclusive development in independence India: Kamaladevi Chattopadhyay and Elizabeth Bayley Willis – Adhitya Dhanapal7 Carceral craft: Chinese exclusion and the paperwork of the Golden Venture detainees – Marie Lo8 Crafting motif: Indigenous textile design and the contemporary Arts and Crafts industries – Emma C. Wingfield9 Beauty that challenges: The Burne-Jones windows at Birmingham Cathedral – Andy DelmegeBibliographyIndex