Susan Gingell teaches and researches decolonizing and transnational literatures at the University of Saskatchewan. She is the editor of two volumes in The Collected Works of E.J. Pratt and of ""Textualizing Orature and Orality,"" a special issue of Essays on Canadian Writing (#83). Wendy Roy is a professor of Canadian Literature at the University of Saskatchewan. She researches gender and culture in Canadian women's writing and is the author of Maps of Difference: Canada, Women, and Travel (2005) and co-editor of Listening Up, Writing Down, and Looking Beyond: Interfaces of the Oral, Written, and Visual (2012).

"Listening Up, Writing Down, and Looking Beyond is a compelling read will be of interest to scholars and practitioners of literature and orature, life- writing and historiography, mixed-media writing and performance poetry." - Milena Marinkova, University of Huddersfield, British Journal for Canadian Studies, Vol.27 No.1 2014

• Listening Up, Writing Down, and Looking Beyond, edited by Susan Gingell and Wendy RoyAcknowledgementsIntroductionOpening the Door to Transdisciplinary, Multimodal Communication Susan Gingell with Wendy RoyListening Up: Performance PoeticsBring Da Noise: The Poetics of Performance, chez d'bi young and Oni Joseph George Elliott Clarkethe storyteller's integrity (only at http://drc.usask.ca/projects/oral only) d'bi.young.anitafrikaPoetry Performances on the Page and Stage: Insights from Slam Helen GregoryPoetry and Overturned Cars: Why Performance Poetry Can't Be Studied (and Why We Should Study It Anyway) Hugh HodgesEchohomonymy: A Poetics of Ethos, Eros, and Erasure Adeena KarasickDialect Poetry and the Need for Performance: The Case of William Barnes T.L. BurtonThe Speech-Music Continuum Paul DuttonWriting Down: Textualized Orature and OralityWriting and Rapping for a New South Africa: The Poetry of Lesego Rampolokeng Gugu HlongwaneThe Ballad as Site of Rebellion: Orality, Gender, and the Granuaile Aislingi Naomi Foyle""pleasure for our sense, health for our hearts"": Inferring Pronuntiatio and Actio from the Text of John Donne's Second Prebend Sermon Brent Nelson""The Power and the Paradox"" of the Spoken Story: Challenges to the Tyranny of the Written in Contemporary Canadian Fiction Wendy RoyWhat's In a Frame?: The Significance of Relational Word Bundles in Louise Bernice Halfe's Blue Marrow Mareike Neuhaus Towards an ""Open Field"": The Ethics of the Encounter in Life Lived Like a Story Emily BlackerLooking Beyond: Reintegrating the VisualBecoming the Storyteller: Meaning Making in Our Age of Resistance WaziyatawinRe-si(gh)ting the Storyteller in Textualized Orature: Photographs in The Days of Augusta Cara DeHaan Traditionalizing Modernity and Sound Identity in Neal McLeod's Writing of the Oral⁺ Susan GingellA Nexus of Connections: Acts of Recovery, Acts of Resistance in Native Palimpsest Kimberly BlaeserContributorsIndex

Susan Gingell teaches and researches decolonizing and transnational literatures at the University of Saskatchewan. She is the editor of two volumes in The Collected Works of E.J. Pratt and of ""Textualizing Orature and Orality,"" a special issue of Essays on Canadian Writing (#83). Wendy Roy is a professor of Canadian Literature at the University of Saskatchewan. She researches gender and culture in Canadian women's writing and is the author of Maps of Difference: Canada, Women, and Travel (2005) and co-editor of Listening Up, Writing Down, and Looking Beyond: Interfaces of the Oral, Written, and Visual (2012).

"Listening Up, Writing Down, and Looking Beyond is a compelling read will be of interest to scholars and practitioners of literature and orature, life- writing and historiography, mixed-media writing and performance poetry." - Milena Marinkova, University of Huddersfield, British Journal for Canadian Studies, Vol.27 No.1 2014

• Listening Up, Writing Down, and Looking Beyond, edited by Susan Gingell and Wendy RoyAcknowledgementsIntroductionOpening the Door to Transdisciplinary, Multimodal Communication Susan Gingell with Wendy RoyListening Up: Performance PoeticsBring Da Noise: The Poetics of Performance, chez d'bi young and Oni Joseph George Elliott Clarkethe storyteller's integrity (only at http://drc.usask.ca/projects/oral only) d'bi.young.anitafrikaPoetry Performances on the Page and Stage: Insights from Slam Helen GregoryPoetry and Overturned Cars: Why Performance Poetry Can't Be Studied (and Why We Should Study It Anyway) Hugh HodgesEchohomonymy: A Poetics of Ethos, Eros, and Erasure Adeena KarasickDialect Poetry and the Need for Performance: The Case of William Barnes T.L. BurtonThe Speech-Music Continuum Paul DuttonWriting Down: Textualized Orature and OralityWriting and Rapping for a New South Africa: The Poetry of Lesego Rampolokeng Gugu HlongwaneThe Ballad as Site of Rebellion: Orality, Gender, and the Granuaile Aislingi Naomi Foyle""pleasure for our sense, health for our hearts"": Inferring Pronuntiatio and Actio from the Text of John Donne's Second Prebend Sermon Brent Nelson""The Power and the Paradox"" of the Spoken Story: Challenges to the Tyranny of the Written in Contemporary Canadian Fiction Wendy RoyWhat's In a Frame?: The Significance of Relational Word Bundles in Louise Bernice Halfe's Blue Marrow Mareike Neuhaus Towards an ""Open Field"": The Ethics of the Encounter in Life Lived Like a Story Emily BlackerLooking Beyond: Reintegrating the VisualBecoming the Storyteller: Meaning Making in Our Age of Resistance WaziyatawinRe-si(gh)ting the Storyteller in Textualized Orature: Photographs in The Days of Augusta Cara DeHaan Traditionalizing Modernity and Sound Identity in Neal McLeod's Writing of the Oral⁺ Susan GingellA Nexus of Connections: Acts of Recovery, Acts of Resistance in Native Palimpsest Kimberly BlaeserContributorsIndex

Susan Gingell teaches and researches decolonizing and transnational literatures at the University of Saskatchewan. She is the editor of two volumes in The Collected Works of E.J. Pratt and of ""Textualizing Orature and Orality,"" a special issue of Essays on Canadian Writing (#83). Wendy Roy is a professor of Canadian Literature at the University of Saskatchewan. She researches gender and culture in Canadian women's writing and is the author of Maps of Difference: Canada, Women, and Travel (2005) and co-editor of Listening Up, Writing Down, and Looking Beyond: Interfaces of the Oral, Written, and Visual (2012).

"Listening Up, Writing Down, and Looking Beyond is a compelling read will be of interest to scholars and practitioners of literature and orature, life- writing and historiography, mixed-media writing and performance poetry." - Milena Marinkova, University of Huddersfield, British Journal for Canadian Studies, Vol.27 No.1 2014

• Listening Up, Writing Down, and Looking Beyond, edited by Susan Gingell and Wendy RoyAcknowledgementsIntroductionOpening the Door to Transdisciplinary, Multimodal Communication Susan Gingell with Wendy RoyListening Up: Performance PoeticsBring Da Noise: The Poetics of Performance, chez d'bi young and Oni Joseph George Elliott Clarkethe storyteller's integrity (only at http://drc.usask.ca/projects/oral only) d'bi.young.anitafrikaPoetry Performances on the Page and Stage: Insights from Slam Helen GregoryPoetry and Overturned Cars: Why Performance Poetry Can't Be Studied (and Why We Should Study It Anyway) Hugh HodgesEchohomonymy: A Poetics of Ethos, Eros, and Erasure Adeena KarasickDialect Poetry and the Need for Performance: The Case of William Barnes T.L. BurtonThe Speech-Music Continuum Paul DuttonWriting Down: Textualized Orature and OralityWriting and Rapping for a New South Africa: The Poetry of Lesego Rampolokeng Gugu HlongwaneThe Ballad as Site of Rebellion: Orality, Gender, and the Granuaile Aislingi Naomi Foyle""pleasure for our sense, health for our hearts"": Inferring Pronuntiatio and Actio from the Text of John Donne's Second Prebend Sermon Brent Nelson""The Power and the Paradox"" of the Spoken Story: Challenges to the Tyranny of the Written in Contemporary Canadian Fiction Wendy RoyWhat's In a Frame?: The Significance of Relational Word Bundles in Louise Bernice Halfe's Blue Marrow Mareike Neuhaus Towards an ""Open Field"": The Ethics of the Encounter in Life Lived Like a Story Emily BlackerLooking Beyond: Reintegrating the VisualBecoming the Storyteller: Meaning Making in Our Age of Resistance WaziyatawinRe-si(gh)ting the Storyteller in Textualized Orature: Photographs in The Days of Augusta Cara DeHaan Traditionalizing Modernity and Sound Identity in Neal McLeod's Writing of the Oral⁺ Susan GingellA Nexus of Connections: Acts of Recovery, Acts of Resistance in Native Palimpsest Kimberly BlaeserContributorsIndex