ROBERT DORAN is Professor of French and Comparative Literature at the University of Rochester and an Affiliate Faculty member in the Music Theory Departmentat the Eastman School of Music. RALPH LOCKE is Emeritus Professor of Musicology, Eastman School of Music, University of Rochester, NY. He is the series editor of the University of Rochester Press' series Eastman Studies in Music. ROBERT DORAN is Professor of French and Comparative Literature at the University of Rochester and an Affiliate Faculty member in the Music Theory Departmentat the Eastman School of Music.

This collection of essays is a sophisticated meditation on virtuosity itself. Liszt and Virtuosity succeeds in its ambitious goal of rehabilitation and reconceptualisation, revealing virtuosity not as empty display but as a profound creative force that shaped musical Modernism itself. It thus transforms our understanding of Liszt from mere showman to visionary composer - one whose integration of technical mastery with expressive depth created new possibilities for musical meaning.

• Introduction: Virtuosity and Liszt - Robert DoranPart One: Liszt, Virtuosity, and PerformanceAprès une lecture de Czerny?: Liszt's Creative Virtuosity - Kenneth HamiltonTransforming Virtuosity: Liszt and Nineteenth-Century Pianos - Olivia ShamSpirit and Mechanism: Liszt's Early Piano Technique and Teaching - Nicolas DufetelPaths through the Lisztian Ossia - Jonathan KregorBrahms "versus" Liszt: The Internalization of Virtuosity - David KeepPart Two: Lisztian Virtuosity: Theoretical ApproachesThe Practice of Pianism: Virtuosity and Oral History - Jim SamsonLiszt's Symbiosis: The Question of Virtuosity and the Concerto Arrangement of Schubert's Wanderer Fantasy - Jonathan DunsbyFrom the Brilliant Style to the Bravura Style: Reconceptualizing Lisztian Virtuosity - Robert DoranPart Three: Virtuosity and Anti-Virtuosity in "Late Liszt"Harmony, Gesture, and Virtuosity in Liszt's Revisions: Shaping the Affective Journeys of the Cypress Pieces from Années de pèlerinage III - Dolores PesceAnti-Virtuosity and Musical Experimentalism: Liszt, Marie Jaëll, Debussy, and Others - Ralph P. LockeVirtuosity in Liszt's Late Piano Works - Shay Loya

ROBERT DORAN is Professor of French and Comparative Literature at the University of Rochester and an Affiliate Faculty member in the Music Theory Departmentat the Eastman School of Music. RALPH LOCKE is Emeritus Professor of Musicology, Eastman School of Music, University of Rochester, NY. He is the series editor of the University of Rochester Press' series Eastman Studies in Music. ROBERT DORAN is Professor of French and Comparative Literature at the University of Rochester and an Affiliate Faculty member in the Music Theory Departmentat the Eastman School of Music.

This collection of essays is a sophisticated meditation on virtuosity itself. Liszt and Virtuosity succeeds in its ambitious goal of rehabilitation and reconceptualisation, revealing virtuosity not as empty display but as a profound creative force that shaped musical Modernism itself. It thus transforms our understanding of Liszt from mere showman to visionary composer - one whose integration of technical mastery with expressive depth created new possibilities for musical meaning.

• Introduction: Virtuosity and Liszt - Robert DoranPart One: Liszt, Virtuosity, and PerformanceAprès une lecture de Czerny?: Liszt's Creative Virtuosity - Kenneth HamiltonTransforming Virtuosity: Liszt and Nineteenth-Century Pianos - Olivia ShamSpirit and Mechanism: Liszt's Early Piano Technique and Teaching - Nicolas DufetelPaths through the Lisztian Ossia - Jonathan KregorBrahms "versus" Liszt: The Internalization of Virtuosity - David KeepPart Two: Lisztian Virtuosity: Theoretical ApproachesThe Practice of Pianism: Virtuosity and Oral History - Jim SamsonLiszt's Symbiosis: The Question of Virtuosity and the Concerto Arrangement of Schubert's Wanderer Fantasy - Jonathan DunsbyFrom the Brilliant Style to the Bravura Style: Reconceptualizing Lisztian Virtuosity - Robert DoranPart Three: Virtuosity and Anti-Virtuosity in "Late Liszt"Harmony, Gesture, and Virtuosity in Liszt's Revisions: Shaping the Affective Journeys of the Cypress Pieces from Années de pèlerinage III - Dolores PesceAnti-Virtuosity and Musical Experimentalism: Liszt, Marie Jaëll, Debussy, and Others - Ralph P. LockeVirtuosity in Liszt's Late Piano Works - Shay Loya

ROBERT DORAN is Professor of French and Comparative Literature at the University of Rochester and an Affiliate Faculty member in the Music Theory Departmentat the Eastman School of Music. RALPH LOCKE is Emeritus Professor of Musicology, Eastman School of Music, University of Rochester, NY. He is the series editor of the University of Rochester Press' series Eastman Studies in Music. ROBERT DORAN is Professor of French and Comparative Literature at the University of Rochester and an Affiliate Faculty member in the Music Theory Departmentat the Eastman School of Music.

This collection of essays is a sophisticated meditation on virtuosity itself. Liszt and Virtuosity succeeds in its ambitious goal of rehabilitation and reconceptualisation, revealing virtuosity not as empty display but as a profound creative force that shaped musical Modernism itself. It thus transforms our understanding of Liszt from mere showman to visionary composer - one whose integration of technical mastery with expressive depth created new possibilities for musical meaning.

• Introduction: Virtuosity and Liszt - Robert DoranPart One: Liszt, Virtuosity, and PerformanceAprès une lecture de Czerny?: Liszt's Creative Virtuosity - Kenneth HamiltonTransforming Virtuosity: Liszt and Nineteenth-Century Pianos - Olivia ShamSpirit and Mechanism: Liszt's Early Piano Technique and Teaching - Nicolas DufetelPaths through the Lisztian Ossia - Jonathan KregorBrahms "versus" Liszt: The Internalization of Virtuosity - David KeepPart Two: Lisztian Virtuosity: Theoretical ApproachesThe Practice of Pianism: Virtuosity and Oral History - Jim SamsonLiszt's Symbiosis: The Question of Virtuosity and the Concerto Arrangement of Schubert's Wanderer Fantasy - Jonathan DunsbyFrom the Brilliant Style to the Bravura Style: Reconceptualizing Lisztian Virtuosity - Robert DoranPart Three: Virtuosity and Anti-Virtuosity in "Late Liszt"Harmony, Gesture, and Virtuosity in Liszt's Revisions: Shaping the Affective Journeys of the Cypress Pieces from Années de pèlerinage III - Dolores PesceAnti-Virtuosity and Musical Experimentalism: Liszt, Marie Jaëll, Debussy, and Others - Ralph P. LockeVirtuosity in Liszt's Late Piano Works - Shay Loya