The writer/photographer team Dale Maharidge and Michael Williamson return to the land and families captured in Agee and Evans's inimitable Let Us Now Praise Famous Men, extending the project of conscience and chronicling the traumatic decline of King Cotton. With this continuation of their project, Maharidge and Williamson not only uncover some surprising historical secrets relating to the families and to Agee himself, but also effectively lay to rest Agee's fear that his work, from lack of reverence or resilience, would be but another offence to the humanity of its subjects.