Robert Atkins is an award-winning art historian, activist, and bestselling author of ArtSpeak and ArtSpoke. From 1987 to 1997, he wrote a biweekly column on art and politics for the Village Voice. A co-founder of Visual Aids, he lives in Palm Springs and San Francisco.Svetlana Mintcheva is the director of the Arts Program of the National Coalition Against Censorship, an alliance of fifty nonprofit organizations devoted to freedom of expression in the arts. She lives in New York City.

"We have, as a nation, become our own thought police; but instead of calling the process by which we limit our expression of dissent and wonder "censorship", we call it "concern for commercial viability." " - DAVID MAMET"

Robert Atkins is an award-winning art historian, activist, and bestselling author of ArtSpeak and ArtSpoke. From 1987 to 1997, he wrote a biweekly column on art and politics for the Village Voice. A co-founder of Visual Aids, he lives in Palm Springs and San Francisco.Svetlana Mintcheva is the director of the Arts Program of the National Coalition Against Censorship, an alliance of fifty nonprofit organizations devoted to freedom of expression in the arts. She lives in New York City.

"We have, as a nation, become our own thought police; but instead of calling the process by which we limit our expression of dissent and wonder "censorship", we call it "concern for commercial viability." " - DAVID MAMET"

Robert Atkins is an award-winning art historian, activist, and bestselling author of ArtSpeak and ArtSpoke. From 1987 to 1997, he wrote a biweekly column on art and politics for the Village Voice. A co-founder of Visual Aids, he lives in Palm Springs and San Francisco.Svetlana Mintcheva is the director of the Arts Program of the National Coalition Against Censorship, an alliance of fifty nonprofit organizations devoted to freedom of expression in the arts. She lives in New York City.

"We have, as a nation, become our own thought police; but instead of calling the process by which we limit our expression of dissent and wonder "censorship", we call it "concern for commercial viability." " - DAVID MAMET"