Sherman Alexie

Jeff Berglund is an associate professor of English at Northern Arizona University. He is the author of Cannibal Fictions: American Explorations of Colonialism, Race, Gender, and Sexuality.; Jan Roush is an associate professor of English at Utah State University. She is the author of Pulling Leather: Being the Early Recollections of a Cowboy on the Wyoming Range, 1884–1889.

"The bar is raised. I believe this work will be seen as a role model for literary criticism of Native American fiction, poetry, and film."—Simon Ortiz, poet and professor of English at Arizona State University"An important and timely work.... This volume sets a high standard of scholarship for those committed to grappling with the broader complexities of Alexie's life and work. The collaborative tenor of the project is particularly refreshing, because it invites scholars to converse across disciplines in order to keep pace with an iconic writer whose literary reputation now extends far beyond the Pacific Northwest."—Pacific Northwest Quarterly"An exciting addition to the growing body of scholarship on Sherman Alexie's work. The extensive bibliography of work by and about Alexie that appears at the end of this collection alone makes this book an invaluable resource for scholars and future scholars of Alexie's work."—Studies in American Indian Literatures

• Edited by Jeff Berglund and Jan Roush, eds., Sherman A Collection of Critical EssaysAlexie:ContentsAcknowledgmentsIntroduction: “Imagination Turns Every Word into a BottleRocket”: An Introduction to Sherman AlexieJeff BerglundDancing That Way, Things Began to Change: The Ghost Dance as Pantribal Metaphor in Sherman Alexie’s Writing Lisa Tatonetti“Survival = Anger x Imagination”: Sherman Alexie’s Dark HumorPhilip Heldrich“An Extreme Need to Tell the Truth”: Silence and Language in Sherman Alexie’s “The Trial of Thomas Builds-the-Fire”Elizabeth ArchuletaRock and Roll, Redskins, and Blues in Sherman Alexie’s Work P. Jane HafenThis Is What It Means to Say Reservation Cinema: Making Cinematic Indians in Smoke SignalsJames H. CoxNative Sensibility and the Significance of Women in Smoke Signals     Angelica LawsonThe Distinctive Sonority of Sherman Alexie’s Indigenous PoeticsSusan Berry Brill de RamÍrezThe Poetics of Tribalism in Sherman Alexie’s The Summer of Black WidowsNancy J. PetersonSherman Alexie’s Challenge to the Academy’s Teaching of Native American Literature, Non-Native Writers, and CriticsPatrice Hollrah“Indians Do Not Live in Cities, They Only Reside There”: Captivity and the Urban Wilderness in Indian KillerMeredith JamesIndigenous Liaisons: Sex/Gender Variability, Indianness, and Intimacy in Sherman Alexie’s The Toughest Indian in the WorldStephen F. EvansSherman Alexie’s Transformation of “Ten Little Indians”Margaret O’ShaughnesseyHealing the Soul Wound in Flight and The Absolutely True Diary of a Part-Time IndianJan JohnsonThe Business of Writing: Sherman Alexie’s Meditations on AuthorshipJeff BerglundContributorsBibliographyIndex