Jeff Berglund – författare

Popular music compels, it entertains, and it has the power to attract and move audiences. With that in mind, the editors of Indigenous Pop showcase the contributions of American Indian musicians to popular forms of music, including jazz, blues, country-western, rock and roll, reggae, punk, and hip hop. From Joe Shunatona and the United States Indian Reservation Orchestra to Jim Pepper, from Buffy Saint-Marie to Robbie Robertson, from Joy Harjo to Lila Downs, Indigenous Pop vividly addresses the importance of Native musicians and popular musical genres, establishing their origins and discussing what they represent. Arranged both chronologically and according to popular generic forms, the book gives Indigenous pop a broad new meaning. In addition to examining the transitive influences of popular music on Indigenous expressive forms, the contributors also show ways that various genres have been shaped by what some have called the ""Red Roots"" of American-originated musical styles. This recognition of mutual influence extends into the ways of understanding how music provides methodologies for living and survival. Each in-depth essay in the volume zeros in on a single genre and in so doing exposes the extraordinary whole of Native music. This book showcases the range of musical genres to which Native musicians have contributed and the unique ways in which their engagement advances the struggle for justice and continues age-old traditions of creative expression.

The DinÉ Reader: An Anthology of Navajo Literature is unprecedented. It showcases the breadth, depth, and diversity of DinÉ creative artists and their poetry, fiction, and nonfiction prose.This wide-ranging anthology brings together writers who offer perspectives that span generations and perspectives on life and DinÉ history. The collected works display a rich variety of and creativity in themes: home and history; contemporary concerns about identity, historical trauma, and loss of language; and economic and environmental inequalities.The DinÉ Reader developed as a way to demonstrate both the power of DinÉ literary artistry and the persistence of the Navajo people. The volume opens with a foreword by poet Sherwin Bitsui, who offers insight into the importance of writing to the Navajo people. The editors then introduce the volume by detailing the literary history of the DinÉ people, establishing the context for the tremendous diversity of the works that follow, which includes free verse, sestinas, limericks, haiku, prose poems, creative nonfiction, mixed genres, and oral traditions reshaped into the written word.This volume combines an array of literature with illuminating interviews, biographies, and photographs of the featured DinÉ writers and artists. A valuable resource to educators, literature enthusiasts, and beyond, this anthology is a much-needed showcase of DinÉ writers and their compelling work. The volume also includes a chronology of important dates in DinÉ history by Jennifer Nez Denetdale, as well as resources for teachers, students, and general readers by Michael Thompson. The DinÉ Reader is an exciting convergence of Navajo writers and artists with scholars and educators.

Sherman Alexie is, by many accounts, the most widely read American Indian writer in the United States and likely in the world.  A literary polymath, Alexie's nineteen published books span a variety of genres and include his most recent National Book Award-winning The Absolutely True Diary of a Part-Time Indian.Now, for the first time, a volume of critical essays is devoted to Alexie's work both in print and on the big screen.  Editors Jeff Berglund and Jan Roush have assembled twelve leading scholars of American Indian literature to provide new perspectives on a writer with his finger on the pulse of America.Interdisciplinary in their approach to Alexie's work, these essays cover the writer's entire career, and are insightful and accessible to scholars and lay readers alike.  This volume is a worthy companion to the work of one of our nations's most recognized contemporary voices.

Indigenous Peoples Rise Up: The Global Ascendency of Social Media Activism illustrates the impact of social media in expanding the nature of Indigenous communities and social movements. Social media has bridged distance, time, and nation states to mobilize Indigenous peoples to build coalitions across the globe and to stand in solidarity with one another. These movements have succeeded and gained momentum and traction precisely because of the strategic use of social media. Social media-Twitter and Facebook in particular-has also served as a platform for fostering health, well-being, and resilience, recognizing Indigenous strength and talent, and sustaining and transforming cultural practices when great distances divide members of the same community.  Including a range of international indigenous voices from the US, Canada, Australia, Aotearoa (New Zealand) and Africa, the book takes an interdisciplinary approach, bridging Indigenous studies, media studies, and social justice studies. Including examples like Idle No More in Canada, Australian Recognise!, and social media campaigns to maintain Maori language, Indigenous Peoples Rise Up serves as one of the first studies of Indigenous social media use and activism.