Inbunden, Engelska, 2013

Ghostly and the Ghosted in Literature and Film

Spectral Identities

Av Lisa B. Kröger, Melanie Anderson

1303 kr

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Beskrivning

The Ghostly and the Ghosted in Literature and Film: Spectral Identities is a collection of essays expanding the concepts of “ghost” and “haunting” beyond literary tools used to add supernatural flavor to include questions of identity, visibility, memory and trauma, and history. Using a wide scope of texts from varying time periods and cultures, including fiction and film, this collection explores the phenomenon of social ghosts. What does it mean, for example, to be invisible, to be a ghost, particularly when that ghost is representative of a person or group living on the margins of society? Why do specific types of ghosts tend to haunt certain cultures and/or places? What is it about a people’s history that invites these types of hauntings? The essays in this book, like pieces of a puzzle, approach the larger questions from diverse individual perspectives, but, taken together, they offer a richly detailed composite discussion of what it means to be haunted.

Produktinformation

Utgivningsdatum: 2013-03-14
Mått: 160 x 236 x 20 mm
Vikt: 422 g
Format: Inbunden
Språk: Engelska
Antal sidor: 184
Förlag: Bloomsbury Publishing Plc
ISBN: 9781611494525

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Lisa Kröger is a freelance writer and teaches academic writing to graduate students at Mississippi State University. Melanie R. Anderson is an instructional assistant professor of American literature at the University of Mississippi.

Recensioner i media

Kröger (academic writing, Mississippi State University) and Anderson (American literature, University of Mississippi) ask: what is it about the spectral that has held popular attention for so long? What does it symbolize for authors and audiences? What is a ghost? Existentially ghosts lie between fact and fiction, between the orbits of believer and nonbeliever, and provide bounteous fodder for storytelling, literature, and film. In 10 chapters the editors and their contributors offer a broad, comparative look at the place of ghosts in literature and film, and they see the ghost as a useful metaphor for death and the uncertainties of life. There are three parts: the Gothic and the ghostly; spectral figures and spectral histories; and spectral projections. This concise and interesting book is for scholars and the intellectually curious.

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